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Malkaush
Malkauns, known also as rag Malkosh, is a raga in Indian classical music. It is one of the oldest ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol. According to Indian classical vocalist Pandit Jasraj, Malkauns is a raga that is "sung during small hours of the morning, just after midnight." He further adds that the raga has a soothing and intoxicating effect. Etymology The name ''Malkaush'' is derived from the combination of ''Mal'' and ''Kaushik'', which means he who wears serpents like garlands – the god Shiva. However, the ''Malav-Kaushik'' mentioned in classical texts does not appear to be the same as the ''Malkauns'' performed today. The raga is believed to have been created by goddess Parvati to calm lord Shiva, when he was outraged and refused to calm down after Tandav in rage of Sati's sacrifice. In ''Jainism'', it is also stated that the Raga Malkauns is used by the ''Tirtha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindolam
Hindōḷaṃ is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). Hindolam is not the same as the Hindustani Hindol. The equivalent of ''Hindolam'' in Hindustani music is ''Malkauns''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications (or Malkosh''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras). It is known to be a rāgam that is generally beautiful and soothing to listen to. Being symmetrical in its ascending and descending scales, it lends itself very well to improvisation and is therefore popular at concerts. Structure and Lakshana ''Hindōḷaṃ'' is a symmetric rāgam that does not contain ''rishabham'' and ''panchamam''. It is a pentatonic scale (''audava-audava'' rāgam in Carnatic music classification—''audava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhairavi (thaat)
Bhairavi is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. Description Bhairavi makes use of all the Komal swaras, Rishabh, Gandhar, Dhaivat, Nishad. When singing compositions in Bhairavi raga, the singers however take liberty to use all the 12 swaras. Bhairavi raga is named after the Shakti or feminine aspect of the cosmic life force, which is personified as a consort of Shiva (Bhairava). Ragas Ragas in Bhairavi thaat include: * Bhairavi * Bilaskhani Todi * Bhupal Todi * Kaunsi Kanada * Komal Rishabh Asavari * Malkauns Malkauns, known also as rag Malkosh, is a raga in Indian classical music. It is one of the oldest ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol. Accordi ... References {{reflist Hindustani music theory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love You Hamesha
''Love You Hamesha'' () is an Indian Hindi-language romance film written and directed by Kailash Surendranath. It stars Akshaye Khanna and Sonali Bendre as its main cast, and other supporting actors. The film is a remake of the Tamil film ''May Maadham'' (1994). The soundtrack of the film is composed by A. R. Rahman with songs from the original. The film was stuck in the cans and remained unreleased for over 20 years. Sonali Bendre called her role in this film one of her best roles. The film was finally released on 7 July 2022 on YouTube on NMP Movies Channel. Plot The story revolves around young people in their early 20s coming of age. Trouble follows a young woman (Sonali Bendre) when she breaks her engagement to a mismatched man (Amitabh Nanda)and falls in love with someone else (Akshaye Khanna), whom she meets after running away from home. A search for her is initiated by the woman's father. Things take a turn when her father conspires to ruin the relationship between the duo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asha Bhosle
Asha Bhosle (; Mangeshkar; born 8 September 1933) is an Indian playback singer, entrepreneur and occasional actress and television personality who predominantly works in Indian Cinema. Known for her versatility, she has been described in the media as one of the most influential and successful singers in Hindi Cinema. In her career spanning over eight decades she has recorded songs for films and albums in various Indian languages and received several accolades including two National Film Awards, four BFJA Awards, eighteen Maharashtra State Film Awards, nine Filmfare Awards including a Lifetime Achievement Award and a record seven Filmfare Awards for Best Female Playback Singer, in addition to two Grammy nominations. In 2000, she was honoured with the Dadasaheb Phalke Award, India's highest award in the field of cinema. In 2008, she was honoured by the Government of India with the Padma Vibhushan, the second-highest civilian honour of the country. Additionally she holds the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahendra Kapoor
Mahendra Kapoor (9 January 1934 – 27 September 2008) was an Indian playback singer. In a long career spanning decades, his repertoire included popular songs such as ''Chalo ekbaar phir se Ajnabi ban jayen hum dono'' ( Gumrah) and ''Neele Gagan ke tale'' (Hamraaz). His name however became most closely associated with patriotic songs including Mere Desh Ki Dharti in Manoj Kumar's film Upkaar. He always considered Mohammad Rafi as his guru and cited many times that he was the best singer to be ever born. In 1972, he was awarded the Padma Shri by the Government of India. He lent his voice to actor Manoj Kumar in most of his films and had a lengthy association with director-producer Baldev Raj Chopra. Biography Mahendra Kapoor was born in Amritsar, but soon moved to Bombay. At an early age, he was inspired by legendary singer Mohammed Rafi and considered him his mentor. He started learning classical music under classical singers like Pt. Hussanlal, Pt. Jagannath Bua, Ustad Niaz A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohammad Rafi
Mohammed Rafi (24 December 1924 – 31 July 1980) was an Indian playback singer and musician. He is considered to have been one of the greatest and most influential singers of the Indian subcontinent. Rafi was notable for his versatility and range of voice; his songs varied from fast peppy numbers to patriotic songs, sad numbers to highly romantic songs, qawwalis to ghazals and bhajans to classical songs. He was known for his ability to mould his voice to the persona and style of the actor lip-syncing the song on screen in the movie. He received six Filmfare Awards and one National Film Award. In 1967, he was honored with the Padma Shri award by the Government of India. In 2001, Rafi was honoured with the "Best Singer of the Millennium" title by Hero Honda and Stardust magazine. In 2013, Rafi was voted for the Greatest Voice in Hindi Cinema in the CNN-IBN's poll. He recorded songs for over a thousand Hindi films and in many Indian languages as well as some foreign languages, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baiju Bawra (1952 Film)
''Baiju Bawra'' () is a 1952 Hindi musical romantic drama film directed by Vijay Bhatt. Produced by Prakash Pictures, with story by Ramchandra Thakur and dialogues by Zia Sarhadi, Baiju Bawra was a musical "megahit" which had a mighty run of 100 weeks in the theatres. Bhatt's decision to make a film based on classical music was met with scepticism by the Indian film industry due to its "lack of mass appeal", but the film and music turned out be an "overwhelming success". The film's music director was Naushad, who had become popular giving folk-based music in films such as ''Rattan'', ''Anmol Ghadi'', ''Shahjehan'' (1946) and '' Deedar'' (1951). With Bhatt's ''Baiju Bawra'', Naushad introduced a classical component in Hindi film songs. The soundtrack was based on classical ragas such as Puriya Dhanashree, Todi, Malkauns, Darbari and Desi. The lyricist was Shakeel Badayuni, a Naushad discovery. For ''Baiju Bawra'', he had to forgo Urdu, and write lyrics in pure Hindi, with songs su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murki
Murki is a short taan or inverted mordent in Hindustani classical music, known as ''pratyahatam'' in Carnatic music. It is a fast and delicate ornamentation or '' alankar'', employing two or more notes and is similar to a mordent or ''ulta murki''. A murki is less forceful than a khatka or a zamzama. A combination like R R S S could be a ''murki'' or a ''khatka'' or the starting point of a ''zamzama'', depending on the force of delivery. ''Murki''s may or may not be appropriate for a given raga. It is also employed in thumris and other lighter genres. . In Punjab
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Brooklyn Museum - Malkos Raga
Brooklyn () is a borough of New York City, coextensive with Kings County, in the U.S. state of New York. Kings County is the most populous county in the State of New York, and the second-most densely populated county in the United States, behind New York County (Manhattan). Brooklyn is also New York City's most populous borough,2010 Gazetteer for New York State . Retrieved September 18, 2016. with 2,736,074 residents in 2020. Named after the Dutch village of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pakad
In Hindustani music, a ''pakad'' (Hindi: पकड़) is a generally accepted musical phrase (or set of phrases) thought to encapsulate the essence of a particular raga. The pakad contains the melodic theme of the raga, on listening to the pakad a person who knows the raga is usually able to identify it. In many cases, the ragas contain the same swaras (notes), then the pakad also contains information about gayaki or chalan (the way the notes are to be ordered and played/sung). Usually, the pakad is formed from short convolutions of the arohana and avarohana, while in some cases it is quite different from them. The pakad for a particular raga need not be unique, its sole purpose is to clarify what raga it is. For example, here is a pakad for raga Yaman, a prominent raga from Hindustani music Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samavadi
The Samavadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the '' vadi''; the vadi and samvadi are in most cases a fourth or fifth apart. A ''samavadi'' is a note of special significance. It is like the ministry to the monarch. A performer will typically try to emphasize the ''samvadi'' along with the vadi when improvising on a certain raga. The ''vadi'' and ''samvadi'' can be crucial in defining the raga at hand, and in some cases two ragas with the same arohana and avrohana An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitc ... can be distinguished only by the prominence of their sonant and consonant notes. References {{reflist Hindustani music terminology Carnatic music termino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vadi (Hindustani Classical Music)
Vadi, in both Hindustani classical music and Carnatic music, is the tonic (root) swara (musical note) of a given raga (musical scale). "Vadi is the most sonant or most important note of a Raga."Nad Understanding Raga Music, Bagchee, Sandeep It does not refer to the most played note but it rather refers to a note of special significance. It is usually the swara which is repeated the greatest number of times, and often it is the swara on which the singer can pause for a significant time. Vadi swara in a raga is like a king in a kingdom. The specialty of any raaga depends on vadi swara and because of this, the vadi swara is also called the ''Jeeva swara'' or the ''Ansha swara''. A good artist uses vadi swara in different ways like singing vaadi swara again and again, starting a raga with vadi swara, to end a raaga with vadi swara, singing vadi swara many times in important places with different swaras or sometime singing vadi swara for a longer time in one breath. ''Vadi'' swara is al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
