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Major 7th Chord
In music, a major seventh chord is a seventh chord in which the third is a major third above the root and the seventh is a major seventh above the root. The major seventh chord, sometimes also called a ''Delta chord'', can be written as maj7, M7, , ⑦, etc. The "7" doesn't have to be superscripted, but if it is, then any alterations, added tones, or omissions are usually also superscripted. For example, the major seventh chord built on C, commonly written as Cmaj7, has pitches C–E–G–B: : It can be represented by the integer notation . According to Forte, the major seventh chord is exemplified by IV7, which originates melodically. Forte, Allen (1979). ''Tonal Harmony in Concept & Practice'', p. 150. . : The just major seventh chord is tuned in the ratios 8:10:12:15, as a just major chord is tuned 4:5:6 and a just major seventh is tuned 15:8. The minor-minor sixth chord (minor triad with an added minor sixth) is an inversion of this chord. Examples In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Root (chord)
In music theory, the concept of root is the idea that a chord (music), chord can be represented and named by one of its Musical note, notes. It is linked to Harmony (music), harmonic thinking—the idea that vertical aggregates of notes can form a single unit, a chord. It is in this sense that one speaks of a "C chord" or a "chord on C"—a chord built from C and of which the note (or pitch) C is the root. When a chord is referred to in Classical music or popular music without a reference to what type of chord it is (either major or minor, in most cases), it is assumed a major triad, which for C contains the notes C, E and G. The root need not be the bass note, the lowest note of the chord: the concept of root is linked to that of the Inverted chord, inversion of chords, which is derived from the notion of Invertible Counterpoint, invertible counterpoint. In this concept, chords can be inverted while still retaining their root. In tertian harmonic theory, wherein chords can be con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Tuning
In music, there are two common meanings for tuning: * Tuning practice, the act of tuning an instrument or voice. * Tuning systems, the various systems of pitches used to tune an instrument, and their theoretical bases. Tuning practice Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones. Tuning is usually based on a fixed reference, such as A = 440 Hz. The term "''out of tune''" refers to a pitch/tone that is either too high (sharp) or too low (flat) in relation to a given reference pitch. While an instrument might be in tune relative to its own range of notes, it may not be considered 'in tune' if it does not match the chosen reference pitch. Some instruments become 'out of tune' with temperature, humidity, damage, or simply time, and must be readjusted or repaired. Different methods of sound production require different methods of adjustment: * Tuning to a pitch with one's voic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tin Man (America Song)
"Tin Man" is a 1974 song by the pop rock band America. It was written by band member Dewey Bunnell and produced by George Martin, who also plays the piano part on the recorded version. The song was included on the band's album ''Holiday'', also from 1974. Background The song's title and some of its lyrics refer to the Tin Woodman from ''The Wizard of Oz''. Songwriter Bunnell was quoted describing the parallel: "My favorite movie, I guess. I always loved it as a kid. Very obscure lyrics. Great grammar - 'Oz never did give nothing to the Tin Man.' It's sort of a poetic license." Dan Peek - who describes "Tin Man" as "quintessential Dewey, easy stream of consciousness with a major seventh acoustic bed" - states that Bunnell "actually begged us not to record the song. Knowing Dewey it was probably reverse psychology; if it was, Gerry eckleyand I fell for it, insisting it was perfect for the album." Released as the first single from ''Holiday'', "Tin Man" became the band's four ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
America (band)
America is a British-American rock band formed in London in 1970 by Dewey Bunnell, Dan Peek, and Gerry Beckley, all Americans. The trio met as sons of US Air Force personnel stationed in London, where they began performing live. Achieving significant popularity in the 1970s, the trio was famous for its close vocal harmonies and light acoustic folk rock sound. The band released a string of hit albums and singles, many of which found airplay on pop/soft rock stations. The band came together shortly after the members' graduation from high school in the late 1960s. In 1970, Peek joined the band, and they signed a record deal with Warner Bros. The following year, they released their self-titled debut album, which included the transatlantic hits "A Horse with No Name" and " I Need You". Their second album, ''Homecoming'' (1972), included the single "Ventura Highway". Over the next several years, the band continued to release hit songs, including "Muskrat Love" on '' Hat Trick'' (197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Make It With You
"Make It with You" is a song written by David Gates and originally recorded by American pop-rock group Bread, of which Gates was a member. Gates and drummer Mike Botts are the only members of the group to appear on the recording which was a No.1 hit. Release The song first appeared on Bread's 1970 album, ''On the Waters''. Released as a single that June, it was the group's first top-ten hit on the ''Billboard'' Hot 100 singles chart and spent the week of August 22, 1970, at No.1, their only single to do so; it also reached No.5 on the UK Singles Chart. ''Billboard'' ranked "Make It with You" as the No. 13 song of 1970, and it was certified gold by the RIAA for sales of over one million copies. Personnel * David Gates - lead & harmony vocals, acoustic guitar, electric guitar, bass, strings * Mike Botts - drums Charts Weekly charts Year-end charts Certifications Notable cover versions Many artists have recorded cover versions of "Make It with You." Among the mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bread (band)
Bread was an American soft rock band from Los Angeles, California. They had 13 songs chart on the ''Billboard'' Hot 100 between 1970 and 1977. The band was fronted by David Gates (vocals, bass guitar, guitar, keyboards, violin, viola, percussion), with Jimmy Griffin (vocals, guitar, keyboards, percussion) and Robb Royer (bass guitar, guitar, flute, keyboards, percussion, recorder, backing vocals). On their first album session musicians Ron Edgar played drums and Jim Gordon played drums, percussion, and piano. Mike Botts became their permanent drummer when he joined in the summer of 1969, and Larry Knechtel replaced Royer in 1971, playing keyboards, bass guitar, guitar, and harmonica. Beginnings and fame David Gates was from Tulsa, Oklahoma. He released a song in the late 1950s entitled "Jo-Baby"/"Lovin' at Night". Gates knew Leon Russell and both played in bar bands around the Tulsa area. Both Gates and Russell headed for California to check out the music scene there. Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Of These Nights (Eagles Song)
"One of These Nights" is a song written by Don Henley and Glenn Frey and recorded by the American rock band Eagles. The title track from their ''One of These Nights'' album, the song became their second single to top the ''Billboard'' Hot 100 chart after " Best of My Love" and also helped propel the album to number one. The single version was shortened from the album version of the song, removing most of the song's intro and most of its fade-out, as well. Henley is lead vocalist on the verses, while Randy Meisner sings high harmony on the refrain. The song features a guitar solo by Don Felder that is "composed of blues-based licks and sustained string bends using an unusually meaty distortion tone." Background The song was a conscious attempt by the band to write something different from a country-rock and ballad-type song. Don Henley said: "We like to be a nice little country-rock band from Los Angeles ... about half the time." He added: "We wanted to get away from the ball ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eagles (band)
The Eagles are an American rock band formed in Los Angeles in 1971. With five number-one singles and six number-one albums, six Grammy Awards and five American Music Awards, the Eagles were one of the most successful musical acts of the 1970s in North America. Founding members Glenn Frey (guitars, vocals), Don Henley (drums, vocals), Bernie Leadon (guitars, vocals), and Randy Meisner (bass guitar, vocals) were recruited by Linda Ronstadt as band members, some touring with her, and all playing on her third solo album, before venturing out on their own on David Geffen's new Asylum Records label. Their debut album, ''Eagles'' (1972), spawned two top-20 singles in the US and Canada: "Take It Easy" and "Witchy Woman". The next year's follow-up album, ''Desperado'', peaked at only number 41 in the US, although the song "Desperado" became a popular track. In 1974, guitarist Don Felder joined, and ''On the Border'' produced the top-40 hit " Already Gone" and the Eagles' first numbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
This Boy
"This Boy" is a song by the English rock band the Beatles, written by John Lennon (credited to Lennon–McCartney). It was released in November 1963 as the B-side of the band's Parlophone single " I Want to Hold Your Hand". In the United States, it was issued in January 1964 on '' Meet the Beatles!'' which was Capitol Records' reconfigured version of the '' With the Beatles'' album. The Beatles performed the song live on 16 February 1964 for their second appearance on '' The Ed Sullivan Show''. An instrumental easy listening arrangement by George Martin, re-titled "Ringo's Theme (This Boy)", was featured in the film '' A Hard Day's Night'' and the United Artists soundtrack album. This version was also issued as a single, reaching number 53 in the US and number one in Canada. "This Boy" was remastered for compact disc by George Martin and released in 1988 on the '' Past Masters, Volume One'' compilation. On 9 September 2009 it was re-released on the two CD set '' Past M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autumn Leaves (1945 Song)
"Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma in 1945 with original lyrics by Jacques Prévert in French (original French title: "Les Feuilles mortes"), and later by Johnny Mercer in English. An instrumental version by pianist Roger Williams was a number one best-seller in the US ''Billboard'' charts of 1955. Background Kosma was a native of Hungary who was introduced to Prévert in Paris. They collaborated on the song ' ("The Dead Leaves") for the 1946 film '' Les Portes de la nuit (Gates of the Night)'' where it was sung by Irène Joachim and Yves Montand. The poem was published, after the death of Jacques Prévert, in the book " Soleil de Nuit" in 1980. Kosma was influenced by a piece of ballet music, "Rendez-vous" written for Roland Petit, performed in Paris at the end of the Second World War, large parts of the melodies are exactly the same, which was itself borrowed partially from "Poème d'octobre" by Jules Massenet. The first commercial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Kosma
Joseph Kosma (22 October 19057 August 1969) was a Hungarian-French composer. Biography Kosma was born József Kozma in Budapest, where his parents taught stenography and typing. He had a brother, Ákos. A maternal relative was the photographer László Moholy-Nagy, and another was the conductor Georg Solti. He started to play the piano at age five, and later took piano lessons. At the age of 11, he wrote his first opera, ''Christmas in the Trenches''. After completing his education at the Secondary Grammar School Franz-Josef, he attended the Academy of Music in Budapest, where he studied with Leo Weiner. He also studied with Béla Bartók at the Liszt Academy, receiving diplomas in composition and conducting. He won a grant to study in Berlin in 1928, where he met Lilli Apel, another musician, whom he later married. Kosma also met and studied with Hanns Eisler in Berlin. He became acquainted with Bertolt Brecht and Helene Weigel. Kosma and his wife emigrated to Paris in 1933. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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