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Mahori
The ''mahori'' ( th, มโหรี) is a form of Thai classical ensemble traditionally played in the royal courts for the purpose of secular entertainment. It combines the xylophones and gong circles (but not the pi, or oboe) of the ''piphat'' with the strings of the ''khruang sai'' ensemble. Originally, the term referred only to a string ensemble, although today it includes both string and percussion. There are three broad types of Mahori: Mahori Khryang Lek, Mahori Khyrang Khu, and Mahori Khyrang Yai, each differentiated by the types of instruments utilized. History Mahori is thought to have appeared at least as early as Ayutthaya period, however, in 1931, Prince Damrong, the author of the History of Thai Music had asserted that the Thai ''mahori'' was of Khmer origin and created by the ancient Khmer and later adopted and elaborated in Thai society. Initially, only men were permitted to play mahori; however, as its popularity grew, women from royal backgrounds began to pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krachappi
Krachappi (Thai: กระจับปี่, pronounced ra.tɕàp.pìː, also spelled Grajabpi, is plucked, fretted lute of Thailand, used in central Thai classical music. It has four strings in two courses that are plucked with a plectrum and are constructed of teak or jackfruit wood. It can be played by holding the wand, which is composed of thin wooden planks, in your right hand and flicking the wires in and out while pressing the string with your left finger. Krachappi usually plays in a band called Mahori with four to eight instruments. The Department of Cultural Promotion listed Krachappi as a cultural heritage in 2011. Krachappi is an ancient Thai instrument and has been with the Thai people for over a century. The appearance, playing method, and song of Krachappi are all associated with Thai history. Thai music instruments are divided into 4 groups, namely, strum, string, percussion, and brass Brass is an alloy of copper (Cu) and zinc (Zn), in proportions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Thailand
The music of Thailand reflects its geographic position at the intersection of China and India, and reflects trade routes that have historically included Africa, Greece and Rome. Traditional Thai musical instruments are varied and reflect ancient influence from far afield - including the ''klong thap'' and ''khim'' (Persian origin), the ''jakhe'' (Indian origin), the ''klong jin'' (Chinese origin), and the '' klong kaek'' (Indonesian origin). Though Thailand was never colonized by colonial powers, pop music and other forms of modern Asian, European and American music have become extremely influential. The two most popular styles of traditional Thai music are luk thung and mor lam; the latter in particular has close affinities with the music of Laos. Aside from the Thai, ethnic minorities such as the Lao, Lawa, Hmong, Akha, Khmer, Lisu, Karen and Lahu peoples have retained traditional musical forms. Traditional and folk music Classical music Thai classical music is syn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thai Music
The music of Thailand reflects its geographic position at the intersection of China and India, and reflects trade routes that have historically included Africa, Greece and Rome. Traditional Thai musical instruments are varied and reflect ancient influence from far afield - including the ''klong thap'' and ''khim'' (Persian origin), the ''jakhe'' (Indian origin), the ''klong jin'' (Chinese origin), and the '' klong kaek'' (Indonesian origin). Though Thailand was never colonized by colonial powers, pop music and other forms of modern Asian, European and American music have become extremely influential. The two most popular styles of traditional Thai music are luk thung and mor lam; the latter in particular has close affinities with the music of Laos. Aside from the Thai, ethnic minorities such as the Lao, Lawa, Hmong, Akha, Khmer, Lisu, Karen and Lahu peoples have retained traditional musical forms. Traditional and folk music Classical music Thai classical music is syn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piphat
A ''piphat'' is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled ''sathukan'' ( th, สาธุการ) as well as the suites called ''phleng rueang''. It is also used to accompany traditional Thai theatrical and dance forms including ''khon'' ( th, โขน) (masked dance-drama), '' lakhon'' (classical dance), and shadow puppet theater. Piphat in the earlier time was called ''phinphat''. It is analogous to its Cambodian musical ensemble of pinpeat and Laotian ensemble of pinphat. Types of ''piphat'' The smallest ''piphat'', called ''piphat khrueang ha'', is composed of six instruments: '' pi nai'' (oboe); ''ranat ek'' (xylophone); ''khong wong yai'' (gong circle); ''taphon'' or other Thai drums; ''glong thad'', a set of two l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saw Sam Sai
The ''saw sam sai'' ( th, ซอสามสาย, , , also spelled ''saw samsai'', and occasionally called simply ''sam sai''; literally 'three-stringed fiddle') is a traditional bowed string instrument of Thailand. It is in the ''saw'' family of Thai fiddles, which also includes the ''saw u'' and ''saw duang'', but unlike the other two, has three strings, with a bow that is separate from the instrument. The ''saw sam sai'' is made up of three parts: the neck, the bout and the bow. It has a three-lobed coconut bowl for a body, and a hardwood or ivory neck that has been cleaned and polished with wood varnish. The coconut bowl is covered on one end with animal skin, and it has three silk strings. Its bow is constructed of horsetail and hardwood. Other elements include the pegs, nut, bridge, gem, lasso, and strings. Typically, the player glues a jewel onto the skin before playing, to reduce the skin's resonance. The instrument is regarded as one of high stature and is often ornatel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohaori
Mohaori ( Khmer: មហោរី) is one of the traditional musical ensembles of Cambodia. This traditional ensemble is known in full name as Vung Phleng Mohaori (វង់ភ្លេងមហោរី), literally means ''Mohaori Musical Ensemble''. It composed of many kinds of musical instruments, but today it is more specifically applied to a small ensemble of wind, stringed, and percussion musical instruments. This musical art is thought to be predated Angkorian period and probably dated back to as early as the 9th century. Mohaori became more popular and further developed in the Post-Angkorian era until the present days. The songs and lyrics of Mohaori music normally depict the beauty and admiration of nature, and the confession of love. The Music played by this Khmer ensemble is gentle and fluid which is suitable for an entertainment in Cambodian social and traditional events. Nowadays, Mohaori is still a popular Khmer traditional music played in various occasions and fes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cambodia
The music of Cambodia is derived from a mesh of cultural traditions dating back to the ancient Khmer Empire, India, China and the original indigenous tribes living in the area before the arrival of Indian and Chinese travelers. With the rapid Westernization of popular music, Cambodian music has incorporated elements from music around the world through globalization. Folk and classical music Cambodian Art music is highly influenced by ancient forms as well as Hindu forms. Religious dancing, many of which depict stories and ancient myths, are common in Cambodian culture. Classical Khmer music usually is divided into three parts: ''pin peat, phleng kar,'' and ''mahori,'' all of which are associated with their religious dances. Some dances are accompanied by a pinpeat orchestra, which includes a ching (cymbal), roneat (bamboo xylophone), pai au (flute), sralai (oboe), chapey (bass moon lute or banjo), gong (bronze gong), tro (fiddle), and various kinds of drums. Each movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khrueang Sai
''Wong khrueang sai'' ( th, วงเครื่องสาย, , literally "string ensemble") is a musical ensemble in Thai classical music which consists primarily of string instruments. A typical ''khrueang sai'' ensemble features two two-string fiddles, one high and one low (''saw duang'' and ''saw u''), a three-string zither called ''jakhe'', a vertical duct flute called ''khlui'', hand drums, and various cymbals. Depending on the size of the ensemble, instruments may be doubled or left out. A three-string spike fiddle called ''saw sam sai'' may be added as well. The ''khim'' (hammered dulcimer) has become popular and is also used in this ensemble. In the 20th century, Western instruments such as the violin or organ have also occasionally been integrated into ''khrueang sai'' ensembles. Playing context The ''khrueang sai'' is one of the quietest and most intimate ensembles in Thai classical music. It is used to accompany singing, dances, and holidays. It also used in impro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khruang Sai
''Wong khrueang sai'' ( th, วงเครื่องสาย, , literally "string ensemble") is a musical ensemble in Music of Thailand, Thai classical music which consists primarily of string instruments. A typical ''khrueang sai'' ensemble features two two-string fiddles, one high and one low (''saw duang'' and ''saw u''), a three-string zither called ''jakhe'', a vertical Fipple, duct flute called ''khlui'', hand drums, and various cymbals. Depending on the size of the ensemble, instruments may be doubled or left out. A three-string spike fiddle called ''saw sam sai'' may be added as well. The ''khim'' (hammered dulcimer) has become popular and is also used in this ensemble. In the 20th century, Western instruments such as the violin or organ have also occasionally been integrated into ''khrueang sai'' ensembles. Playing context The ''khrueang sai'' is one of the quietest and most intimate ensembles in Thai classical music. It is used to accompany singing, dances, and holid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khong Wong Yai
The ''khong wong yai'' ( th, ฆ้องวงใหญ่, ) is a circle with gongs used in the music of Thailand. It has 16 tuned bossed gongs in a rattan frame and is played with two beaters. The player sits in the center of the circle. It is used in the ''piphat'' ensemble to provide the skeletal melody the other instruments of the elaborate ensemble. The gongs are individually tuned with beeswax under the gongs. The khong wong yai can either be played with soft beaters or hard beaters. It is equivalent to the kong thom in Cambodian music. History Khong Wong Yai can be considered a musical instrument with a long history. Among the instruments used today and it has been an important instrument since ancient times. It is the main instrument of the Thai music band. both in the orchestra and Piphat band The gong has found evidence. By focusing on the majestic drum, the majestic drum was first discovered in southern China near Yunnan and nearby provinces. Continuing to Vietnam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pi (instrument)
''Pi'' ( th, ปี่, ) is the generic term for any of a variety of quadruple reed oboes used in the traditional music of Thailand, ''piphat''. It is very similar in construction and playing technique to Burmese Hne and Cambodian ''sralai''. Varieties An entirely different instrument, a bamboo free reed pipe called ''pi chum'' (ปี่จุม), is used by the Lanna of Northern Thailand. Pi nok The ''pi nok'' is smallest among pi nok, klang, and nai. Pi noks have been played since the ancient times. Pi nai The ''pi nai'' (41–42×4.5 cm) is commonly seen in Thai literature such as ''Phra Aphai Mani''. Pi cha nai The ''pi chanai'' is ''pi song thon'' (ปี่สองท่อน, ''pi'' that consists of two parts). The body part is called ''lao pi'' (เลาปี่), the mouthpiece part is called "lamphong" (ลำโพง). Both parts are made from wood or ivory. It is presumed that the Thais obtained this musical influence from India due to its similarity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damrong Rajanubhab
Prince Tisavarakumarn, the Prince Damrong Rajanubhab (Thai: ; Full transcription is "Somdet Phrachao Borommawongthoe Phra-ongchao Ditsawarakuman Kromphraya Damrongrachanuphap" (สมเด็จพระเจ้าบรมวงศ์เธอ พระองค์เจ้าดิศวรกุมาร กรมพระยาดำรงราชานุภาพ)) (21 June 1862 – 1 December 1943) was the founder of the modern Thai educational system as well as the modern provincial administration. He was an autodidact, a (self-taught) historian, and one of the most influential Thai intellectuals of his time. Born as ''Phra Ong Chao Tisavarakumarn'' (พระองค์เจ้าดิศวรกุมาร; "Prince Tisavarakumarn"), a son of King Mongkut with Consort Chum (เจ้าจอมมารดาชุ่ม; Chao Chom Manda Chum), a lesser royal wife; he initially learned Thai and Pali from private tutors, and English at the Royal School with Mr. F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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