Mahjongg (band)
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Mahjongg (band)
''Mahjongg'' was a band based in Columbia, Missouri and Chicago, Illinois. Formed by multi-instrumentalist Hunter Husar and guitarist Jeff Carrillo in 2001, their sound combined guitar, synthesizer and computer manipulations with dense rhythmic textures derived from Afrobeat, funk, and post-punk. Mahjongg released three full-length albums: ''Raydoncong'' (2005), ''Kontpab'' (2008) and ''The Long Shadow of the Paper Tiger'' (2010). They performed at the Pitchfork Music Festival and the Off Festival in Mysłowice, Poland. In December 2010 they played the All Tomorrow's Parties (music festival), All Tomorrow's Parties Festival curated by Godspeed You! Black Emperor. History Mahjongg was formed in Columbia, Missouri in 2001 by University of Missouri students Hunter Husar and Jeff Carrillo. Drummer Josh Johannpeter and violinist/multi-instrumentalist Caryl Kientz joined the band later that year, and bassist Gabe Vijles was recruited just prior to a 2002 tour. In 2004 Mahjongg release ...
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Columbia, Missouri
Columbia is a city in the U.S. state of Missouri. It is the county seat of Boone County and home to the University of Missouri. Founded in 1821, it is the principal city of the five-county Columbia metropolitan area. It is Missouri's fourth most-populous and fastest growing city, with an estimated 126,254 residents in 2020. As a Midwestern college town, Columbia has a reputation for progressive politics, persuasive journalism, and public art. The tripartite establishment of Stephens College (1833), the University of Missouri (1839), and Columbia College (1851), which surround the city's Downtown to the east, south, and north, has made the city a center of learning. At its center is 8th Street (also known as the Avenue of the Columns), which connects Francis Quadrangle and Jesse Hall to the Boone County Courthouse and the City Hall. Originally an agricultural town, education is now Columbia's primary economic concern, with secondary interests in the healthcare, insurance ...
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Warhammer 48K
Warhammer may refer to: * War hammer, a medieval weapon Warhammer media franchise *''Warhammer'', a series of games and related media: ** ''Warhammer'' (game), a table-top fantasy miniature wargame, and origin of the franchise ** ''Warhammer Fantasy'' (setting), the fictional setting of the various games and media **''Warhammer Age of Sigmar'', the successor to ''Warhammer'' **''Warhammer Fantasy Roleplay'', a fantasy role-playing game **''Warhammer Quest'', a board game * ''Warhammer 40,000'', a table-top futuristic science-fantasy miniature wargame * Video games set in the ''Warhammer'' universe: **'' Warhammer: Shadow of the Horned Rat'', 1995 real-time tactics video game **'' Warhammer: Dark Omen'', 1998 real-time tactics video game **'' Warhammer: The End Times - Vermintide'', 2015 adventure game **'' Total War: Warhammer'', 2016 turn-based strategy real-time tactics video game **'' Total War: Warhammer II'', 2017 turn-based strategy real-time tactics video game **'' Warhamm ...
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Hive Dwellers
A hive may refer to a beehive, an enclosed structure in which some honey bee species live and raise their young. Hive or hives may also refer to: Arts * ''Hive'' (game), an abstract-strategy board game published in 2001 * "Hive" (song), a 2013 song by Earl Sweatshirt featuring Vince Staples and Casey Veggies * ''Hive'' (album), a 2022 album by alternative singer, producer, songwriter Sub Urban * "Hives", a song by IBOPA and later covered by Xiu Xiu as "Hives Hives" on the album ''Knife Play'' * H.I.V.E. ("Hierarchy of International Vengeance and Extermination"), a DC Comics villain organization * ''H.I.V.E.'' (series) ("Higher Institute of Villainous Education"), a series of young-adult novels * ''Hive Propolis'', stylized as ''hive , Propolis'', a science fiction transmedia series * Hive (comics), a Marvel Comics villain and character on ''Agents of S.H.I.E.L.D.'' * The Hives, a Swedish rock band Business * Hive (company), artificial intelligence services for businesses, ...
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Calvin Johnson (musician)
Calvin Johnson (born November 1, 1962) is an American guitarist, vocalist, songwriter, music producer, and disc jockey. Known for his uniquely deep and droning singing voice, Johnson was a founding member of the bands Cool Rays, Beat Happening, Dub Narcotic Sound System, The Go Team and The Halo Benders. Calvin Johnson is also the founder and owner of the influential indie label K Records and has been cited as a major player in the beginning of the modern independent music movement. As a prominent figure in the Olympia music scene, he was one of the major organizers of the seminal International Pop Underground Convention. Career Early years Johnson was born in Olympia, Washington. His first introduction to underground culture was in 1977 when he became a volunteer at Olympia's community radio station, KAOS-FM, at the age of fifteen. The station's uniquely progressive programming policy mandated a focus on music available through independent and artist owned labels, rath ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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Glitch (music)
Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors. Sometimes devices that were already broken are used, and sometimes devices are broken expressly for this purpose. In '' Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, and ambient) that has ...
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Drum 'n' Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. ...
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Grooverider
Raymond Bingham (born 16 April 1967 in Streatham, London, England), better known as Grooverider, is a British drum and bass DJ. He and DJ partner Fabio are regarded as "originators" of the scene.Are Fabio & Grooverider the Greatest DJs of All Time?


Biography

Grooverider began his DJing at illegal s and warehouse parties in the UK in the late 1980s, and rose to prominence with partner ...
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Pablum
Pablum is a processed cereal for infants originally marketed and co-created by the Mead Johnson Company in 1931. The product was developed at The Hospital for Sick Children in Toronto, Ontario, to combat infant malnutrition. The trademarked name is a contracted form of the Latin word ''pabulum'', which means "foodstuff". The word "pablum" had long been used in botany and medicine to refer to nutrition or substances of which the nutritive elements are passively absorbed. In a broader sense, "pablum" can refer to something that is simplistic, bland, mushy, unappetizing, or infantile. The Pablum brand was sold to Heinz Company in 2005. , Pablum was no longer being sold. Description Pablum Mixed Cereal was made from a mixture of ground and precooked wheat ( farina), oatmeal, yellow corn meal, bone meal, dried brewer's yeast, and powdered alfalfa leaf, fortified with reduced iron – providing an assortment of minerals and vitamins A, B1, B2, D, and E. Pablum is palata ...
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Kontra-Punkte (Stockhausen)
''Kontra-Punkte'' (Counter-Points, or Against-Points) is a composition for ten instruments by Karlheinz Stockhausen which resolves contrasts among six instrumental timbres, as well as extremes of note values and dynamic levels, into a homogeneous ending texture. Stockhausen described it: "Counter-Points: a series of the most concealed and also the most conspicuous transformations and renewals—with no predictable end. The same thing is never heard twice. Yet there is a distinct feeling of never falling out of an unmistakable construction of the utmost homogeneity. An underlying force that holds things together—related proportions: a structure. Not the same ''Gestalten'' in a changing light. But rather this: various ''Gestalten'' in the same light, that permeates everything." History The first, untitled version, written in 1952–53, was a sparse-textured, " punctual" composition scored for flute, E-flat clarinet, contrabass clarinet, contrabassoon, trumpet, contrabass tuba, ...
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Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ...
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