Magical Mystery
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Magical Mystery
''Magical Mystery'' is an album by the saxophonist Bud Shank recorded in 1967 for the World Pacific label.Pacific Jazz Records Catalog: 1800/21800/21900 series
Retrieved January 28, 2016.
- Edwards, D., Eyrie, P. and Callahan, M.

'. Retrieved January 28, 2016. The original album included one side interpreting ' songs from the '''' U.S. album and the other with contemporary pop hits. ...
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Bud Shank
Clifford Everett "Bud" Shank Jr. (May 27, 1926 – April 2, 2009) was an American alto saxophonist and flautist. He rose to prominence in the early 1950s playing lead alto and flute in Stan Kenton's Innovations in Modern Music Orchestra and throughout the decade worked in various small jazz combos. He spent the 1960s as a first-call studio musician in Hollywood. In the 1970s and 1980s, he performed regularly with the L. A. Four. Shank ultimately abandoned the flute to focus exclusively on playing jazz on the alto saxophone. He also recorded on tenor and baritone sax. His most famous recording is probably the version of "Harlem Nocturne" used as the theme song in ''Mickey Spillane's Mike Hammer''. He is also well known for the alto flute solo on the song "California Dreamin'" recorded by The Mamas & the Papas in 1965. Biography Bud Shank was born in Dayton, Ohio, United States. He began with clarinet in Vandalia, Ohio, but had switched to saxophone before attending the Universi ...
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Ringo Starr
Sir Richard Starkey (born 7 July 1940), known professionally as Ringo Starr, is an English musician, singer, songwriter and actor who achieved international fame as the drummer for the Beatles. Starr occasionally sang lead vocals with the group, usually for one song on each album, including " Yellow Submarine" and "With a Little Help from My Friends". He also wrote and sang the Beatles songs "Don't Pass Me By" and "Octopus's Garden", and is credited as a co-writer of four others. Starr was afflicted by life-threatening illnesses during childhood, with periods of prolonged hospitalisation. He briefly held a position with British Rail before securing an apprenticeship as a machinist at a Liverpool school equipment manufacturer. Soon afterwards, Starr became interested in the UK skiffle craze and developed a fervent admiration for the genre. In 1957, he co-founded his first band, the Eddie Clayton Skiffle Group, which earned several prestigious local bookings before the fad s ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Hal David
Harold Lane David (May 25, 1921 – September 1, 2012) was an American lyricist. He grew up in New York City. He was best known for his collaborations with composer Burt Bacharach and his association with Dionne Warwick. Early life David was born in New York City, a son of Austrian Jewish immigrants Lina (née Goldberg) and Gedalier David, who owned a delicatessen in New York. He is the younger brother of American lyricist and songwriter Mack David. Career David is credited with popular music lyrics, beginning in the 1940s with material written for bandleader Sammy Kaye and for Guy Lombardo. He worked with Morty Nevins of The Three Suns on four songs for the feature film ''Two Gals and a Guy'' (1951), starring Janis Paige and Robert Alda. In 1957, David met composer Burt Bacharach at Famous Music in the Brill Building in New York. The two teamed up and wrote their first hit " The Story of My Life", recorded by Marty Robbins in 1957. Subsequently, in the 1960s and early ...
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Burt Bacharach
Burt Freeman Bacharach ( ; born May 12, 1928) is an American composer, songwriter, record producer and pianist who composed hundreds of pop songs from the late 1950s through the 1980s, many in collaboration with lyricist Hal David. A six-time Grammy Award winner and three-time Academy Award winner, Bacharach's songs have been recorded by more than 1,000 different artists. , he had written 73 US and 52 UK Top 40 hits. He is considered one of the most important composers of 20th-century popular music. His music is characterized by unusual chord progressions, influenced by his background in jazz harmony, and uncommon selections of instruments for small orchestras. Most of Bacharach and David's hits were written specifically for and performed by Dionne Warwick but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels and Jerry Butler. Following the initial success of these collaborations, Bacharach went on to write hits for ...
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I Say A Little Prayer
"I Say a Little Prayer" is a song written by Burt Bacharach and Hal David for Dionne Warwick, originally peaking at number four on the U.S. ''Billboard'' Hot 100 pop singles chart in December 1967. On the R&B Singles chart it peaked at number eight. Dionne Warwick original Intended by lyricist Hal David to convey a woman's concern for her man who's serving in the Vietnam War, "I Say a Little Prayer" was recorded by Dionne Warwick in a 9 April 1966 session. Although Bacharach's recordings with Warwick typically took no more than three takes (often only taking one), Bacharach did ten takes on "I Say a Little Prayer" and still disliked the completed track, feeling it rushed. The track went unreleased until September 1967, when it was introduced on the album '' The Windows of the World'' and it was Scepter Records owner Florence Greenberg rather than Bacharach who wanted "I Say a Little Prayer" added to that album. When disc jockeys from the United States began playing the album ...
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Boyce And Hart
Sidney Thomas "Tommy" Boyce (September 29, 1939 – November 23, 1994) and Bobby Hart (born Robert Luke Harshman; February 18, 1939) were a prolific American duo of singer-songwriters. In addition to three top-40 hits as artists, the duo is well known for its songwriting for The Monkees. Early years Hart's father was a church minister and he himself served in the Army after leaving high school. Upon discharge, he travelled to Los Angeles seeking a career as a singer. Boyce was separately pursuing a career as a songwriter. After being rejected numerous times, Boyce took his father's suggestion to write a song called " Be My Guest" for rock and roll star Fats Domino. He waited six hours at Domino's hotel room to present him with the demo, and got Domino to promise to listen to the song. The song hit No. 8 in the US and No. 11 in the UK, becoming Domino's biggest hit there in several years, and sold over a million copies. Boyce also found success as the co-writer, with Curtis L ...
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I Wanna Be Free (The Monkees Song)
"I Wanna Be Free" is a song written by Tommy Boyce and Bobby Hart that was first performed by The Monkees and appeared on their debut album ''The Monkees'' in 1966. It was released as a single in some countries, reaching the Top 20 in Australia. It was also covered by The Lettermen. Monkees version Boyce and Hart wrote "I Wanna Be Free" for the Monkees before the group was even put together. Along with "(Theme from) The Monkees" and "Let's Dance On," it was one of the first songs written for the group. It was also the only song written for the Monkees' first album which was not written under deadline pressure. According to Allmusic critic Matthew Greenwald, the song was an attempt by Boyce and Hart to write a song like The Beatles' " Yesterday." Like "Yesterday," the instrumentation for "I Wanna Be Free" incorporates a string quartet. The instrumentation also incorporates acoustic guitar and harpsichord. Davy Jones sang the vocals. A faster version of the song was record ...
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Never My Love
"Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by the Association. The Addrisi Brothers had two Top 40 hits as recording artists, but their biggest success as songwriters was "Never My Love". Recorded by dozens of notable artists in the decades since, in 1999 the music publishing rights organization Broadcast Music, Inc. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S. History The first recording of "Never My Love" to achieve success was by the Association, an American sunshine pop band from California. Their version of the song, recorded with members of the Wrecking Crew, peaked at number two on the ''Billboard'' Hot 100 chart, kept out of the number one spot by " The Letter" by the Box Tops, and hit number one on the '' Cashbox'' charts in October 1967, one of the band's five top-ten hits in the late 1960s. Their third number 1 on the Cashbo ...
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Ruthann Friedman
Ruthann Friedman (born July 6, 1944) is an American folk singer-songwriter and guitarist best known for writing the hit song "Windy" for the American sunshine pop band the Association. Early years Born in Bronx, New York, Friedman spent her formative years in the San Fernando Valley, north of Los Angeles after her family moved to Southern California when she was 10. She started playing guitar at the age of eight while listening to Woody Guthrie, Pete Seeger and Josh White. After moving to California, Friedman recalled feeling "very isolated" with few friends, so she started playing guitar in her room. Her first song gained her a spot on the television talent show ''Rocket to Stardom'' at age 12. While at Ulysses S. Grant High School, she started playing "Hoot Nights" at The Troubadour in West Hollywood, where she met the musicians Steve Mann and Hoyt Axton and became part of the growing musical scene of Los Angeles. Career Her first paid performance was at the Green Spider C ...
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Windy (The Association Song)
"Windy" is a pop music song written by Ruthann Friedman and recorded by the Association. Released in 1967, the song reached No. 1 on the ''Billboard'' Hot 100 in July of that year, which makes "Windy" the Association's second U.S. No. 1 hit following " Cherish" in 1966. ''Billboard'' ranked the record as the No. 4 song for 1967. The lead vocals were sung primarily by guitarist Larry Ramos along with vocalist Russ Giguere (both would sing lead together in the band's last Top 40 hit " Time for Livin"). Composition Friedman was introduced to the Association by her friend, Beach Boys lyricist Van Dyke Parks. Originally, she wrote "Windy" in a waltz tempo. But, their producer at the time, Bones Howe, changed it to the common 4/4 beat to assure it would have the commercial appeal necessary to be a hit. Ramos said Ruthann Friedman had written the song about a man, and that the Association changed the lyrics to make it about a woman. Many other sources confirm that it was written for ...
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