Magdalena (musical)
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Magdalena (musical)
''Magdalena: a Musical Adventure'' is a folk operetta in two acts with music by Heitor Villa-Lobos, original book by Frederick Hazlitt Brennan and Homer Curran, and lyrics and musical adaptations by Robert Wright and George Forrest. Performance history ''Magdalena'' premiered at the Los Angeles Civic Light Opera on 26 July 1948, pursuant to a commission from Edwin Lester, president of that organization. Arthur Kay conducted Irra Petina, Dorothy Sarnoff, John Raitt, Hugo Haas, Gerhard Pechner, A. Garcia, Melva Niles, Henry Reese, Ferdinand Hilt, J. Arthur, Betty Huff, Christine Matsios, Leonard Morganthaler, John Schickling, Lorraine Miller, Gene Curtsinger, Patrick Kirk, Betty Brusher, and Jack Cole (soloists). Jules Dassin directed, Jack Cole was the choreographer, assisted by Gwen Verdon, and the chorus was prepared by Robert Zeller. Broadway veterans Howard Bay (settings and lighting) and Irene Sharaff (costumes) were also part of the creative team. It was also presented i ...
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Heitor Villa-Lobos (c
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his ''Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant, a ...
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