Maestro Lattantio And His Apprentice Dionigi
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Maestro Lattantio And His Apprentice Dionigi
Maestro Lattantio and His Apprentice Dionigi is an Italian literary fairy tale written by Giovanni Francesco Straparola in ''The Facetious Nights of Straparola''. This tale plays off a long tradition of conflict between apprentices and their masters; a common oral folktale is such a conflict, where the master is instructing in either magic or theft. One such oral variant is ''The Thief and His Master''.Jack Zipes, ''The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm'', p 347, Synopsis In Sicily, in the town of Messina, Maestro Lattantio had learned to be both a magician and a tailor. He took an apprentice, Dionigi, to teach to be a tailor, but Dionigi spied on him and lost all interest in being a tailor because of his desire to learn magic. Lattantio sent him away, but his father sent him back, where Lattantio often punished him for his laziness, but Dionigi bore it because he could watch Lattantio secretly and learn his magic. One day, his fathe ...
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Fairy Tale
A fairy tale (alternative names include fairytale, fairy story, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic (paranormal), magic, incantation, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance (love), romance". Colloquially, the term "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true ...
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Giovanni Francesco Straparola
Giovanni Francesco "Gianfrancesco" Straparola, also known as Zoan or Zuan Francesco Straparola da Caravaggio (ca. 1485?–1558), was an Italian writer of poetry, and collector and writer of short stories. Some time during his life, he migrated from Caravaggio to Venice where he published a collection of stories in two volumes called '' The Facetious Nights'' or '' The Pleasant Nights''. This collection includes some of the first known printed versions of fairy tales in Europe, as they are known today. Biography Life Not much is known of Straparola's life except for a few facts regarding his published works. He was likely born some time around 1485 in Caravaggio, Italy (on the Lombard plain east of Milan). However, nothing more is known of his life until 1508 when he was found to be in Venice where he signed his name "Zoan" on the title page of his ''Opera nova de Zoan Francesco Straparola da Caravaggio novamente stampata'' (''New Works''). Prior to issuing the first volume of ...
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The Facetious Nights Of Straparola
''The Facetious Nights of Straparola'' ( 1550–1555; Italian: ''Le piacevoli notti''), also known as ''The Nights of Straparola'', is a two-volume collection of 75Nancy Canepa. "Straparola, Giovan Francesco (c. 1480–1558)" in ''The Greenwood Encyclopedia of Folktales and Fairy Tales'', 3-volumes, edited by Donald Haase, Greenwood Press, 2008, pages 926–27. stories by Italian author and fairy-tale collector Giovanni Francesco Straparola. Modeled after Boccaccio's ''Decameron'', it is significant as often being called the first European storybook to contain fairy-tales; it would influence later fairy-tale authors like Charles Perrault and Jacob and Wilhelm Grimm. History ''The Facetious Nights of Straparola'' was first published in Italy between 1550–53 under the title ''Le piacevoli notti'' (''"The Pleasant Nights"'') containing 74 stories. In 1555 the stories were published in a single volume in which one of the tales was replaced with two new tales, bringing the total to ...
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The Thief And His Master
"The Thief and His Master" is a German fairy tale (original title: "De Gaudeif un sien Meester") collected by the Brothers Grimm in ''Grimm's Fairy Tales'' as tale number 68. In the first edition (published on 20 December 1812) there was another fairy tale at place 68. The name of the fairy tale is "Von dem Sommer- und Wintergarten". It is Aarne–Thompson type 325, The Magician and His Pupil, containing a transformation chase. Others of this type include ''Farmer Weathersky'', ''The Sorcerer's Apprentice'' and ''Master and Pupil''. This tale type is well known in India and Europe and notably stable in form. A literary variant is ''Maestro Lattantio and His Apprentice Dionigi''. Synopsis Jan wants his son to learn a profession, so he goes to church to ask the Lord what profession would be good for him. The sexton behind the altar says "steal, steal" and Jan tells his son that he should learn to steal. They go looking for someone who can teach him and in a large forest they f ...
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Magician (fantasy)
A magician, also known as an enchanter/enchantress, mage, magic-user, archmage, sorcerer/sorceress, spell-caster, warlock, witch, or wizard, is someone who uses or practices magic derived from supernatural, occult, or arcane sources. Magicians are common figures in works of fantasy, such as fantasy literature and role-playing games, and enjoy a rich history in mythology, legends, fiction, and folklore. Character archetypes In medieval chivalric romance, the wizard often appears as a wise old man and acts as a mentor, with Merlin from the ''King Arthur'' stories being a prime example. Wizards such as Gandalf in ''The Lord of the Rings'' and Albus Dumbledore from ''Harry Potter'' are also featured as mentors, and Merlin remains prominent as both an educative force and mentor in modern works of Arthuriana. Other magicians, such as Saruman from ''The Lord of the Rings'' or Lord Voldemort from ''Harry Potter'', can appear as hostile villains. Villainous sorcerers were so crucial ...
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Shapeshifting
In mythology, folklore and speculative fiction, shape-shifting is the ability to physically transform oneself through an inherently superhuman ability, divine intervention, demonic manipulation, Magic (paranormal), sorcery, Incantation, spells or having inherited the ability. The idea of shape-shifting is in the oldest forms of totemism and shamanism, as well as the oldest existent literature and Epic poetry, epic poems such as the ''Epic of Gilgamesh'' and the ''Iliad''. The concept remains a common literary device in modern fantasy, children's literature and popular culture. Folklore and mythology Popular shape-shifting creatures in folklore are werewolf, werewolves and vampires (mostly of European, Canadians, Canadian, and Native Americans in the United States, Native American/early American origin), Ichchadhari naag and naagin (shape-shifting cobra), ichchadhari naag and ichchadhari naagin (shape-shifting cobras) of India, the huli jing of East Asia (including the ...
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The Sorcerer's Apprentice
"The Sorcerer's Apprentice" (german: "Der Zauberlehrling", link=no, italic=no) is a poem by Johann Wolfgang von Goethe written in 1797. The poem is a ballad in 14 stanzas. Story The poem begins as an old magician (fantasy), sorcerer departs his workshop, leaving his apprentice with chores to perform. Tired of fetching water by pail, the apprentice Incantation, enchants a broom to do the work for him, using magic (supernatural), magic in which he is not fully trained. The floor is soon awash with water, and the apprentice realizes that he cannot stop the broom because he does not know the magic required to do so. The apprentice splits the broom in two with an axe, but each of the pieces becomes a whole broom that takes up a pail and continues fetching water, now at twice the speed. At this increased pace, the entire room quickly begins to flood. When all seems lost, the old sorcerer returns and quickly breaks the spell. The poem concludes with the old sorcerer's statement that on ...
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Farmer Weathersky
Farmer Weathersky ( no, Bonde Værskjegg) is a Norwegian fairy tale collected by Peter Chr. Asbjørnsen and Jørgen Moe in ''Norske Folkeeventyr''. Andrew Lang included it in ''The Red Fairy Book'' as "Farmer Weatherbeard". It is Aarne–Thompson type 325, The Magician and His Pupil, and involves several transformation chases. This tale type is well known in India and Europe and notably stable in form. Others of this type include ''Master and Pupil'' and ''The Thief and His Master''. A literary variant is ''Maestro Lattantio and His Apprentice Dionigi''. A version of the tale appears in '' A Book of Wizards'' by Ruth Manning-Sanders. Synopsis A farmer was trying to apprentice his son, but because his wife insisted that the boy must learn to be a master above all masters struggled to find him a place. Finally, a driver, Farmer Weathersky, accepted the boy and told him to get on his sleigh, whereupon it flew off into the air. When the farmer told his wife what had happened s ...
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The Magic Book
The Magic Book is a Danish fairy tale collected by Ewald Tang Kristensen in '' Eventyr fra Jylland''. Andrew Lang included it in ''The Orange Fairy Book'', listing it as translated by Mrs. Skavgaard-Pedersen. Synopsis A boy called set out to seek service. He was rude to an old man, refusing to give up the way, but entered his service. The old man set him to keep some rooms clean and scatter sand on the floor, told him where to find food and let him wear clothing that was there, and forbade him to enter one room. The boy immediately cleaned nothing but his own room, and then, after some days, went into the room. He found a heap of bones and some books; he took one book, found it was magical, and learned shapeshifting from it. He ran away to home, but his father thought he had stolen the fine clothing and sent him off. The boy told him to sell the dog he would find by the door the next day, but be sure to take the strap back. The dog appeared, and at his wife's insistence, the fathe ...
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Master And Pupil
"Master and Pupil" is a Danish fairy tale. Andrew Lang included it in ''The Pink Fairy Book''.Andrew Lang, ''The Pink Fairy Book''"Master and Pupil"/ref> It is Aarne-Thompson type 325, "The Magician and His Pupil". Synopsis A boy trying to get himself hired is asked by a man if he can read, even though his duties would only be to dust the man's books. The boy replies that he can, and the man rejects him. The boy runs ahead of the man and asks again for a job, this time successfully after claiming that he cannot read. The boy is set to work and surreptitiously reads the books while dusting them. As his master is a wizard, the boy's reading teaches him some magic and he is then able to transform into any animal. Later, the boy runs away and returns to his parents where he assists them by turning into a horse, being sold by his father, turning back into a boy, and escaping back to his parents. The wizard hears about this and goes to the father to buy the boy/horse. He then atte ...
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Italian Fairy Tales
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
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Fiction About Magic
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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