Madonna Of The Dry Tree
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Madonna Of The Dry Tree
''Madonna of the Dry Tree'' or ''Our Lady of the Barren Tree''Ainsworth (1994), p. 165 are names given to a small x oil-on-oak panel painting dated c. 1462–1465 by the Early Netherlandish painter Petrus Christus. Unusually dark and dramatic for the mid-15 century, it shows the Virgin Mary and the Christ Child, who holds an orb crowned with a cross, standing on a disembodied dead tree trunk, surrounded by withered branches that encircle them to form a crown of thorns. It was unattributed and largely unknown until 1919, when it was examined by the art historian Grete Ring while in a private collection. She first attributed Christus and through analysis of its iconography, assigned its current title. Because of its late discovery, its commission and meaning is relatively understudied by art historians. The panel's size indicates it was intended for private meditation and devotion. Its stark and haunting imagery is thought to be derived from the Book of Ezekiel, with the Dry Tree ...
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Petrus Christus - The Virgin Of The Dry Tree - 1465
Petrus may refer to: People * Petrus (given name) * Petrus (surname) * Petrus Borel, pen name of Joseph-Pierre Borel d'Hauterive (1809–1859), French Romantic writer * Petrus Brovka, pen name of Pyotr Ustinovich Brovka (1905–1980), Soviet Belarusian poet Other uses * Château Pétrus, a Pomerol Bordeaux wine producer * Petrus (fish), ''Petrus'' (fish), a genus of ray-finned fish * Pétrus (restaurant), London * Pétrus (film), ''Pétrus'' (film), a 1946 French comedy film * Petrus, a band with Ruthann Friedman that performed in 1968 in the San Francisco area See also

* Petrus killings, a series of executions in Indonesia between 1983 and 1985 * Petrus method, a speedcubing method * {{Disambiguation ...
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Rogier Van Der Weyden
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influential Northern painter of the 15th century. Very few details of ...
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Isabella Of Portugal
Isabella of Portugal (24 October 1503 – 1 May 1539) was the empress consort and queen consort of her cousin Charles V, Holy Roman Emperor, King of Spain, Archduke of Austria, and Duke of Burgundy. She was Queen of Spain and Germany, and Lady of the Netherlands from 10 March 1526 until her death in 1539, and became Holy Roman Empress and Queen of Italy in February 1530. She was the regent of Spain because of her husband's constant travels through Europe, focusing on the kingdom's policies independent of the Empire and managing the economy. Childhood Isabella was born in Lisbon on 24 October 1503 and named after her maternal grandmother (Isabella I) as well as her maternal aunt, who had been her father's first wife. She was the second child and first daughter of King Manuel I of Portugal and his second wife, Maria of Aragon. Isabella was second-in-line to the throne until the birth of her brother Luis in 1506. Isabella was educated under the supervision of her governess ...
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Philip The Good
Philip III (french: Philippe le Bon; nl, Filips de Goede; 31 July 1396 – 15 June 1467) was Duke of Burgundy from 1419 until his death. He was a member of a cadet line of the Valois dynasty, to which all 15th-century kings of France belonged. During his reign, the Burgundian State reached the apex of its prosperity and prestige, and became a leading centre of the arts. Philip is known historically for his administrative reforms, his patronage of Flemish artists such as van Eyck and Franco-Flemish composers such as Gilles Binchois, and perhaps most significantly the seizure of Joan of Arc, whom Philip ransomed to the English after his soldiers captured her, resulting in her trial and eventual execution. In political affairs, he alternated between alliances with the English and the French in an attempt to improve his dynasty's powerbase. Additionally, as ruler of Flanders, Brabant, Limburg, Artois, Hainaut, Holland, Luxembourg, Zeeland, Friesland and Namur, he played an i ...
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History Of Religion In The Netherlands
The history of religion in the Netherlands has been characterized by considerable diversity of religious thought and practice. From 1600 until the second half of the 20th century, the North and West had embraced the Protestant Reformation and were Calvinist. The southeast was predominately Catholic. Associated with immigration from North Africa and the Mideast of the 20th century, Muslims and other minority religions were concentrated in ethnic neighborhoods in the cities. Since the 1960s, the Netherlands has become one of the most secular countries in the Western world. In a December 2014 survey by VU Amsterdam, more atheists (25%) were reported than theists (17%) for the first time in the history of the Netherlands. The majority of the remainder of the population identified as agnostic (31%) or ietsist (27%). Prehistory and Early Middle Ages Before the advent of Christianity, the Netherlands were populated by Celtic tribes in the South, which adhered to Celtic polythei ...
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Thyssen-Bornemisza Museum
The Thyssen-Bornemisza National Museum (in Spanish, the Museo Nacional Thyssen-Bornemisza (), named after its founder), or simply the Thyssen, is an art museum in Madrid, Spain, located near the Prado Museum on one of the city's main boulevards. It is known as part of the "Golden Triangle of Art", which also includes the Prado and the Reina Sofía national galleries. The Thyssen-Bornemisza fills the historical gaps in its counterparts' collections: in the Prado's case this includes Italian primitives and works from the English, Dutch and German schools, while in the case of the Reina Sofia it concerns Impressionists, Expressionists, and European and American paintings from the 20th century. With over 1,600 paintings, it was once the second largest private collection in the world after the British Royal Collection.Jonathan Kandell"Baron Thyssen-Bornemisza, Industrialist Who Built Fabled Art Collection, Dies at 81,"New York ''Times'', 28 April 2002. A competition was held to house t ...
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Flemish Art Collection
The Flemish Art Collection (Dutch: Vlaamse kunstcollectie) is a consortium or partnership between three museums in Flanders, Belgium: the Royal Museum of Fine Arts Antwerp, the Groeningemuseum in Bruges, and the Museum of Fine Arts, Ghent. The Groeningemuseum specialises in the 15th and 16th century Early Netherlandish period and contains a number of works by Jan van Eyck, Dirk Bouts, Gerard David and Hieronymus Bosch, the Royal Museum of Fine Arts in the baroque, including works by Peter Paul Rubens and Anthony van Dyck while the Museum of Fine Arts, Ghent focuses on 19th century art, including of Théodore Géricault, Gustave Courbet and Auguste Rodin. The body is responsible for publishing the comprehensive website / database vlaamseprimitieven, which, since 2011, catalogs writings and images related to the Flemish Primitives Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian Netherlands, Burg ...
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Our Lady In The Oak Meerveldhoven, Veldhoven
Our or OUR may refer to: * The possessive form of " we" * Our (river), in Belgium, Luxembourg, and Germany * Our, Belgium, a village in Belgium * Our, Jura, a commune in France * Office of Utilities Regulation (OUR), a government utility regulator in Jamaica * Operation Underground Railroad, a non-profit organization that helps rescue sex trafficking victims * Operation Unified Response, the United States military's response to the 2010 Haiti earthquake * Ownership, Unity and Responsibility Party, a political party in the Solomon Islands See also * Ours (other) One Union of Regional Staff (OURS) was a trade union in the United Kingdom. The union was formed in early 2010 by the merger of the Derbyshire Group Staff Union and the Cheshire Group Staff Union. It organises former Derbyshire Building Societ ...
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Illuminated Manuscript
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds. While Islamic manuscripts can also be called illuminated, and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. The earliest illuminated manuscripts in existence come from the Kingdom of the Ostrogoths and the Eastern Roman Empire and date from between 400 and 600 CE. Examples include the Codex Argenteus and the Rossano Gospels, both of which are from the 6th century. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiqu ...
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Maryan Ainsworth
Maryan Ainsworth, who often publishes as Maryan Wynn Ainsworth, is an American art historian, author and curator specializing in 14th, 15th and 16th century Northern European painting, particularly in Early Netherlandish painting. She received her B.A. and M.A. degrees at Oberlin College and her Ph.D. at Yale University. She has spent her entire forty-year career at The Metropolitan Museum of Art, where since 2002 she has served as the Curator of Early Netherlandish, French, and German Painting in the European Paintings Department. In this position, and previously as Senior Research Fellow in the Sherman Fairchild Paintings Conservation Department, she has specialized in an interdisciplinary approach to the investigation of Northern Renaissance paintings, uniting technical investigations with art historical inquiries. Career She has published numerous articles and lectured widely on her work. Maryan is the editor of several books on art history methodology, and the principal autho ...
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Underdrawing
Underdrawing is a preparatory drawing done on a painting ground before paint is applied, for example, an imprimatura or an underpainting. Underdrawing was used extensively by 15th century painters like Jan van Eyck and Rogier van der Weyden. These artists "underdrew" with a brush, using hatching strokes for shading, using water-based black paint, before underpainting and overpainting with oils. Cennino D'Andrea Cennini (14th century most likely) describes a different type of underdrawing, made with graded tones rather than hatching, for egg tempera. In some cases, underdrawing can be clearly visualized using infrared reflectography because carbon black pigments absorb infrared light, whereas opaque pigments such as lead white are transparent with infrared light. Underdrawing in many works, for example, the ''Annunciation'' (van Eyck, Washington) or the ''Arnolfini Portrait'', reveals that artists made alterations, sometimes radical ones, to their compositions. The underdrawing ...
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Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ...
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