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Madonna Della Vittoria
The ''Madonna della Vittoria'' is a painting by the Italian Renaissance painter Andrea Mantegna; the painting was executed in 1496. History On 6 July 1495 the French army of Charles VIII of France, retreating from Italy after the French Invasion of 1494-1498, fought the Italic League at the Battle of Fornovo. The League, commanded by Francesco II Gonzaga, Marquess of Mantua, was made up of numerous nation-states determined to prevent French dominance in Italy, and included the Holy Roman Empire, Spain, Venice, Milan, and the Papal States controlled by Pope Alexander VI. Despite the League failing in its goal to destroy the French army, taking more casualties at Fornovo, and allowing Charles VIII to retreat back to France with his army intact, Francesco claimed victory. As a sign of his self-proclaimed victory at Fornovo, he commissioned Mantegna to paint the ''Madonna della Vittoria''. During Francesco's absence from Mantua, Daniele da Norsa, a Jewish banker, had purchased a h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sulphur-crested Cockatoo
The sulphur-crested cockatoo (''Cacatua galerita'') is a relatively large white cockatoo found in wooded habitats in Australia, New Guinea, and some of the islands of Indonesia. They can be locally very numerous, leading to them sometimes being considered pests. A highly intelligent bird, they are well known in aviculture, although they can be demanding pets. Distribution In Australia, sulphur-crested cockatoos can be found widely in the north and east, ranging from the Kimberley to as far south as Tasmania, but avoiding arid inland areas with few trees. They are numerous in suburban habitats in cities such as Adelaide, Melbourne, Canberra, Sydney and Brisbane. Except for highland areas, they occur throughout most of New Guinea and on nearby smaller islands such as Waigeo, Misool and Aru, and various islands in the Cenderawasih Bay and Milne Bay. There are four recognised subspecies: Introduced species Within Australia, sulphur-crested cockatoos of the nominate race have also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella D'Este
Isabella d'Este (19 May 1474 – 13 February 1539) was Marchioness of Mantua and one of the leading women of the Italian Renaissance as a major cultural and political figure. She was a patron of the arts as well as a leader of fashion, whose innovative style of dressing was copied by numerous women. The poet Ariosto labeled her as the "liberal and magnanimous Isabella", while author Matteo Bandello described her as having been "supreme among women". Diplomat Niccolò da Correggio went even further by hailing her as "The First Lady of the world". She served as the regent of Mantua during the absence of her husband Francesco II Gonzaga and during the minority of her son Federico. She was a prolific letter-writer and maintained a lifelong correspondence with her sister-in-law Elisabetta Gonzaga. Isabella grew up in a cultured family in the city-state of Ferrara. She received a fine classical education and as a girl met many famous humanist scholars and artists. Due to the vast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth (biblical Figure)
Elizabeth (also spelled Elisabeth; Hebrew: אֱלִישֶׁבַע / אֱלִישָׁבַע "My God has sworn", Standard Hebrew: '' Elišévaʿ'' / ''Elišávaʿ'', Tiberian Hebrew: ''ʾĔlîšéḇaʿ'' / ''ʾĔlîšāḇaʿ''; Greek: Ἐλισάβετ ''Elisabet'' / ''Elisavet'') was the mother of John the Baptist and the wife of Zechariah, according to the Gospel of Luke. She was past normal child-bearing age when she conceived and gave birth to John. Biblical narrative According to the Gospel of Luke chapter 1, Elizabeth was "of the daughters of Aaron". She and her husband Zechariah/Zachariah were "righteous before God, walking in all the commandments and ordinances of the Lord blameless" (), but childless. While he was in the temple of the Lord (), Zachariah was visited by the angel Gabriel: Zachariah doubted whereby he could know this since both he and his wife were old. The angel identified himself as Gabriel and told Zachariah that he would be "dumb, and not able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamb Of God
Lamb of God ( el, Ἀμνὸς τοῦ Θεοῦ, Amnòs toû Theoû; la, Agnus Dei, ) is a title for Jesus that appears in the Gospel of John. It appears at John 1:29, where John the Baptist sees Jesus and exclaims, "Behold the Lamb of God who takes away the sin of the world." It appears again in John 1:36. Christian doctrine holds that a divine Jesus chose to suffer crucifixion at Calvary as a sign of his full obedience to the will of his divine Father, as an "agent and servant of God" in carrying away the sins of the world. In Christian theology the ''Lamb of God'' is viewed as both foundational and integral to the message of Christianity. A lion-like lamb that rises to deliver victory after being slain appears several times in the Book of Revelation. It is also referred to in Pauline writings; 1 Corinthians 5:7 suggests that Saint Paul intends to refer to the death of Jesus, who is the Paschal Lamb, using the theme found in Johannine writings. In Genesis 22, the bindi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnus Dei (liturgy)
is the Latin name under which the "Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer. The use of the title "Lamb of God" in liturgy is based on , in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!" Liturgical usage Latin Catholic The Syrian custom of a chant addressed to the Lamb of God was introduced into the Roman Rite Mass by Pope Sergius I (687–701) in the context of his rejection of the Council of Trullo of 692 (which was well received in the Byzantine East), whose canons had forbidden the iconographic depiction of Christ as a lamb instead of a man. The verse used in the first and second invocations may be repeated as many times as necessary whilst the celebran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartouche (design)
A cartouche (also cartouch) is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low-relief design. Since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian . Such cartouches are characteristically stretched, pierced and scrolling. Another cartouche figures prominently in the 16th-century title page of Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects'', framing a minor vignette with a pierced and scrolling papery cartouche. The engraved trade card of the London clockmaker Percy Webster shows a vignette of the shop in a scrolling cartouche frame of Rococo design that is composed entirely of scrolling devices. Gallery Ostia, horrea epagathiana 01.JPG, Roman rectangular cartouche on the frieze of the entrance of Horrea Epagathiana et Epaphroditiana, Ostia, Rome, 145-150 AD Heiligtum mainz4.jpg, Roman rectangular ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passion (Christianity)
In Christianity, the Passion (from the Latin verb ''patior, passus sum''; "to suffer, bear, endure", from which also "patience, patient", etc.) is the short final period in the life of Jesus Christ. Depending on one's views, the "Passion" may include, among other events, Jesus' triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, Jesus' agony in the Garden, his arrest, his Sanhedrin trial, his trial before Pontius Pilate, his crucifixion and his death on Good Friday, his burial, and the resurrection of Jesus. Those parts of the four canonical Gospels that describe these events are known as the "Passion narratives". In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitreous , the transformation of a substance into a glass
{{disambiguation ...
Vitreous may refer to: Materials * Glass, an amorphous solid material ** Vitreous enamel, a material made by fusing powdered glass to a substrate by firing * Vitreous lustre, a glassy luster or sheen on a mineral surface Biology * Vitreous body, a clear gel that fills the space between the lens and the retina in vertebrate eyes * Vitreous membrane, a layer of collagen separating the vitreous body from the rest of the eye See also * Vitrification Vitrification (from Latin ''vitreum'', "glass" via French ''vitrifier'') is the full or partial transformation of a substance into a glass, that is to say, a non-crystalline amorphous solid. Glasses differ from liquids structurally and glasses po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Genesis
The Book of Genesis (from Greek ; Hebrew: בְּרֵאשִׁית ''Bəreʾšīt'', "In hebeginning") is the first book of the Hebrew Bible and the Christian Old Testament. Its Hebrew name is the same as its first word, ( "In the beginning"). Genesis is an account of the creation of the world, the early history of humanity, and of Israel's ancestors and the origins of the Jewish people. Tradition credits Moses as the author of Genesis, as well as the books of Exodus, Leviticus, Numbers and most of Deuteronomy; however, modern scholars, especially from the 19th century onward, place the books' authorship in the 6th and 5th centuries BC, hundreds of years after Moses is supposed to have lived.Davies (1998), p. 37 Based on scientific interpretation of archaeological, genetic, and linguistic evidence, most scholars consider Genesis to be primarily mythological rather than historical. It is divisible into two parts, the primeval history (chapters 1–11) and the ancestr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Sin
Original sin is the Christian doctrine that holds that humans, through the fact of birth, inherit a tainted nature in need of regeneration and a proclivity to sinful conduct. The biblical basis for the belief is generally found in Genesis 3 (the story of the expulsion of Adam and Eve from the Garden of Eden), in a line in Psalm 51:5 ("I was brought forth in iniquity, and in sin did my mother conceive me"), and in Paul's Epistle to the Romans, 5:12-21 ("Therefore, just as sin entered the world through one man, and death through sin, and in this way death came to all people, because all sinned"). The belief began to emerge in the 3rd century, but only became fully formed with the writings of Augustine of Hippo (354–430), who was the first author to use the phrase "original sin" ( la, peccatum originale). Influenced by Augustine, the councils of Carthage (411–418 AD) and Orange (529 AD) brought theological speculation about original sin into the official lexicon of the Church. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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