Madonna Della Misericordia (Piero Della Francesca)
The ''Polyptych of the Misericordia'' is a painting conserved in the Museo Civico di Sansepolcro in the town of Sansepolcro, region of Tuscany, Italy. The painting is one of the earliest works of the Italian Renaissance painter Piero della Francesca, who was born in the town. The central panel is of the common motif of the ''Virgin of Mercy'' or ''Madonna della Misericordia''. In 1445, the Compagnia della Misericordia, a confraternity of Borgo San Sepolcro, commissioned Piero, a native of the town, to paint a polyptych for them. According to the taste of the time, the polyptych was to be painted with precious colours and have a gilded background. Piero did not respect the three-year time limit set in the contract—he was busy working on many other projects. The polyptych was only finished seventeen years later, in 1462. The oldest two panels, to the left of the main panel, depict St Sebastian and St John the Baptist. St Sebastian's panel shows a close connection with Masaccio ...
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Piero Della Francesca
Piero della Francesca (, also , ; – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes ''The History of the True Cross'' in the church of San Francesco in the Tuscan town of Arezzo. Biography Early years Piero was born Piero di Benedetto in the town of Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family. His father died before his birth, and he was called Piero della Francesca after his mother, who was referred to as "la Francesca" due to her marriage into the Franceschi family (similar to how Lisa Gherardini became kno ...
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Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the ''Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselves ...
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Paintings On Gold Backgrounds
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Paintings In The Collection Of The Museo Civico Di Sansepolcro
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings Depicting John The Baptist
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Paintings Of The Virgin Mary
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Paintings By Piero Della Francesca
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, n ...
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1460s Paintings
146 may refer to: *146 (number), a natural number *AD 146, a year in the 2nd century AD *146 BC, a year in the 2nd century BC *146 (Antrim Artillery) Corps Engineer Regiment, Royal Engineers See also * List of highways numbered 146 The following highways are numbered 146: Brazil * BR-146 Canada * Prince Edward Island Route 146 Costa Rica * National Route 146 India * National Highway 146 (India) Japan * Japan National Route 146 * Fukuoka Prefectural Route 146 * Nara ...

1450s Paintings
145 may refer to: *145 (number), a natural number *AD 145, a year in the 2nd century AD * 145 BC, a year in the 2nd century BC *145 (dinghy), a two-person intermediate sailing dinghy * 145 (South) Brigade * 145 (New Jersey bus) See also * List of highways numbered 145 The following highways are numbered 145: Australia * Lower Barrington Road, Paloona Road, Melrose Road, Bellamy Road, Forthside Road (Tasmania) * Inverleigh–Winchelsea Road (Victoria) Canada * Winnipeg Route 145 * New Brunswick Route 145 * ...

Consecration And Entrustment To Mary
The consecration and entrustment to the Virgin Mary is a personal or collective act of Marian devotion among Catholics, with the Latin terms ''oblatio'', ''servitus'', ''commendatio'' and ''dedicatio'' being used in this context. Consecration is an act by which a person is dedicated to a sacred service, or an act which separates an object, location or region from a common and profane mode to one for sacred use. The Congregation for Divine Worship and the Discipline of the Sacraments clarifies that in this context, "It should be recalled, however, that the term "consecration" is used here in a broad and non-technical sense: the expression is use of 'consecrating children to Our Lady', by which is intended placing children under her protection and asking her maternal blessing for them". Consecration to the Virgin Mary by Catholics has taken place from three perspectives: personal, societal and regional, and under a number of different titles: the Immaculate Conception, to the Immacu ...
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Filippo Brunelleschi
Filippo Brunelleschi ( , , also known as Pippo; 1377 – 15 April 1446), considered to be a founding father of Renaissance architecture, was an Italian architect, designer, and sculptor, and is now recognized to be the first modern engineer, planner, and sole construction supervisor. In 1421, Brunelleschi became the first person to receive a patent in the Western world. He is most famous for designing the dome of the Florence Cathedral, a feat of engineering that had not been accomplished since antiquity, as well as the development of the mathematical technique of linear perspective in art which governed pictorial depictions of space until the late 19th century and influenced the rise of modern science. His accomplishments also include other architectural works, sculpture, mathematics, engineering, and ship design. His principal surviving works can be found in Florence. Biography Early life Brunelleschi was born in Florence, Italy, in 1377. His family consisted of his father, B ...
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