|
Madhav Kandali
Kaviraja Madhava Kandali ( as, মাধৱ কন্দলি) (circa. 14th century) was an Indian poet from the state of Assam. He is one of the renowned poets pertaining to the Pre- Shankara era. His Saptakanda Ramayana is considered the earliest translation of the Ramayana into an Indo-Aryan language, Assamese. This work was carried out by the poet as early as the 14th Century. Another significant work of his is the narrative poem ''Devajit'', which is about superiority of Krishna over the other avatars of Vishnu. Kandali's patron was the Barāha King Mahamanikya (mid 14th century) whose kingdom was located in the Kapili valley. Kabiraja Madhava Kandali was said to be inhabitant of Lanka of Undivided Nagaon. Literary Works Saptakanda Ramayana Madhava Kandali is credited with the task of translating ‘Valmiki’s ''Ramayana'' into the Assamese language as early as the 14th century. The Assamese version of Ramayana conceptualized by Madhava Kandali is the first of its kind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assamese Language
Assamese (), also Asamiya ( ), is an Indo-Aryan language spoken mainly in the north-east Indian state of Assam, where it is an official language, and it serves as a ''lingua franca'' of the wider region. The easternmost Indo-Iranian language, it has over 23 million speakers. Nefamese, an Assamese-based pidgin, is used in Arunachal Pradesh, and Nagamese, an Assamese-based Creole language, is widely used in Nagaland. The Kamtapuri language of Rangpur division of Bangladesh and the Cooch Behar and Jalpaiguri districts of India are linguistically closer to Assamese, though the speakers identify with the Bengali culture and the literary language. In the past, it was the court language of the Ahom kingdom from the 17th century. Along with other Eastern Indo-Aryan languages, Assamese evolved at least before the 7th century CE from the middle Indo-Aryan Magadhi Prakrit. Its sister languages include Angika, Bengali, Bishnupriya Manipuri, Chakma, Chittagonian, Hajong, Rajbangsi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhavdev
Madhavdev (1489–1596) (Pron: ˈʃrɪ ˈʃrɪ ˈmɑ:dəbˌdeɪv) is an important preceptor of the Ekasarana Dharma known for his loyalty to his guru, Srimanta Sankardev as well as his artistic brilliance. Initially a sakta worshipper, he was converted to Ekasarana Dharma by Sankardev and became his most prominent disciple. He became the religious as well as artistic successor of Sankardeva after the latter's death in 1568. He is known particularly for his book of hymns, the Naam Ghosa, as well as a large selection of songs called ''Borgeets''. Biography Early life in adversity Madhavdev was born in May 1489 at Baligrama in Lakhimpur District of Assam to Govindagiri Bhuyan and Manorama. Govindagiri was a descendant of Hari Bhuyan one of the Bhuyan's who accompanied Candivara (Sankardev's forefather) in the 14th century as part of an exchange between Dharmanarayana of Gauda and Durlabhnarayan of Kamarupa-Kamata. Govindagiri became a Majinder at Banduka, (in Rangpur Distric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assamese-language Poets
Assamese (), also Asamiya ( ), is an Indo-Aryan language spoken mainly in the north-east Indian state of Assam, where it is an official language, and it serves as a ''lingua franca'' of the wider region. The easternmost Indo-Iranian language, it has over 23 million speakers. Nefamese, an Assamese-based pidgin, is used in Arunachal Pradesh, and Nagamese, an Assamese-based Creole language, is widely used in Nagaland. The Kamtapuri language of Rangpur division of Bangladesh and the Cooch Behar and Jalpaiguri districts of India are linguistically closer to Assamese, though the speakers identify with the Bengali culture and the literary language. In the past, it was the court language of the Ahom kingdom from the 17th century. Along with other Eastern Indo-Aryan languages, Assamese evolved at least before the 7th century CE from the middle Indo-Aryan Magadhi Prakrit. Its sister languages include Angika, Bengali, Bishnupriya Manipuri, Chakma, Chittagonian, Hajong, Rajbangsi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
14th-century Indian Poets
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever establish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Translators Of The Ramayana
Translation is the communication of the Meaning (linguistic), meaning of a #Source and target languages, source-language text by means of an Dynamic and formal equivalence, equivalent #Source and target languages, target-language text. The English language draws a terminology, terminological distinction (which does not exist in every language) between ''translating'' (a written text) and ''Language interpretation, interpreting'' (oral or Sign language, signed communication between users of different languages); under this distinction, translation can begin only after the appearance of writing within a language community. A translator always risks inadvertently introducing source-language words, grammar, or syntax into the target-language rendering. On the other hand, such "spill-overs" have sometimes imported useful source-language calques and loanwords that have enriched target languages. Translators, including early translators of sacred texts, have helped shape the very l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vipanchi Veena
The ancient veena is an early Indian arched harp, not to be confused with the modern Indian veena which is a type of lute or stick zither. Names of specific forms of the arched harp include the ''chitra vīṇā'' with seven strings, the ''vipanchi vīṇā'' with nine strings and the ''mattakokila vīṇā'' a harp or possibly board zither with 21 strings. The instrument is attested on a gold coin of the Gupta Empire from the mid-300s CE. The instrument was also illustrated in the oldest known Saraswati-like relief carvings, from Buddhist archaeological sites dated to 200 BCE, where she holds a harp-style veena. Generic meaning of veena The Sanskrit word ''veena'' (वीणा ''vīṇā'') which is attested already in the Rigveda has designated in the course of Indian history a variety of instruments of various types, as it is a generic term for all kinds of string instruments, just as the Tamil word ''yazh'' (யாழ் ''yaaḻ''). In the last centuries and today the in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudra Veena
The ''Rudra veena'' ( sa, रुद्र वीणा) (also spelled ''Rudraveena'' or ''Rudra vina'')—also called ''Bīn'' in North India—is a large plucked string instrument used in Hindustani Music, especially dhrupad. It is one of the major types of ''veena'' played in Indian classical music, notable for its deep bass resonance. The rudra veena is mentioned in court records as early as the reign of Zain-ul Abidin (1418-1470), and attained particular importance among Mughal court musicians. Before Independence, rudra veena players, as dhrupad practitioners, were supported by the princely states; after Independence and the political integration of India, this traditional patronage system ended. With the end of this traditional support, dhrupad's popularity in India declined, as did the popularity of the rudra veena. However, in recent years, the rudra veena has seen a resurgence in popularity, driven at least partly by interest among non-Indian practitioners. Names a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veena
The ''veena'', also spelled ''vina'' ( sa, वीणा IAST: vīṇā), comprises various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.Vina: Musical Instrument Encyclopædia Britannica (2010) The many regional designs have different names such as the ''Rudra veena'', the ''Saraswati veena'', the ''Vichitra veena'' and others. The North Indian ''rudra veena'', used in Hindustani classical music, is a stick zither. About 3.5 to 4 feet (1 to 1.2 meters) long to fit the measurements of the musician, it has a hollow body and two large resonating gourds under each end. It has four main strings which are melodic, and three auxiliary drone strings. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dotara
The ''dotara'' (or ''dotar'') Persian ( bn, দোতারা, as, দোতাৰা, literally, 'Of or having two strings') is a two, four, or sometimes five- stringed musical instrument, originating from Iran and Central Asia. It is commonly used in Bangladesh and the Indian states of Assam, West Bengal and Bihar, and is first mentioned in a 14th-century Saptakanda Ramayana. Later, it was adopted by the ascetic cults of Bauls and Fakirs. Etymology The term is from Eastern Indo-Aryan (do târ), literally "two wires", with the suffix -a “having, -ed”. The instrument is known as dotara or dütara ( bn, দোতারা, as, দোতাৰা) and dütüra ( as, দোতোৰা).Technically it is called Dotara because the middle two of its strings are tuned in same note. History Madhava Kandali, 14th century Assamese poet and writer of Saptakanda Ramayana, lists several instruments in his version of "Ramayana", such as Dotara, mardala, tabal, jhajhar etc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kendara
The Kendara is a wooden string instrument. The ''kendara'' has one string and is most commonly played by drawing a bow across its string. They are mostly played traditionally by ''jogi''s, people who would go from door to door with a dried gourd container to keep rice, and a kendara to play while singing, and accept food as alms. They are rarely used in genres of folk including country music. The folk genre of music played in a ''kendara'' is known as ''kendara gita''. The instrument rose to popularity during 12th century when Sanskrit was made the official language of the then Utkala Kingdom but the common people did not understand, but the jogis were performing folk songs. Kendara is often tied to ''Natha'', a particular sect of the jogis that play the most popular variation of kendara. The other variation is known as "majhi kendara" and is played by the Santhal people The Santal or Santhal are an Austroasiatic speaking Munda ethnic group in South Asia. Santals are the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokari Geet
Tokari geet is a type of Assamese folk song sung playing a '' Tokari''. Earlier it was called ''Tokari naam''. It is so called because a ''tokari'' is played while singing it. A tokari is a single stringed musical instrument played with the fingers; a kind of guitar. These are usually philosophical songs based on human life, stories from Ramayana, Mahabharata, gods and goddesses. Besides, stories of Sankardev and Madhavdeva is also sung here. A tokari can be played with '' dihanaam'', but it cannot be called a ''tokari geet''. See also *Music of Assam The music of Assam consists various genres of folk and modern music, drawing its artistic basis from the history of Assam, from Assamese culture and its ancient traditions. In recent times, starting from the late eighties, popular artistes hav ... Notes References *''Satsori'' (An Assamese magazine), 16-31 issue, page 13 Music of Assam Oral literature of Assam Indian folk songs {{folk-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anklet
An anklet, also called ''ankle chain'', ''ankle bracelet'' or ''ankle string'', is an ornament worn around the ankle. Barefoot anklets and toe rings historically have been worn for at least over 8,000 years by girls and women in Indus Valley, in South Asia where it is commonly known as ''pattilu'', ''payal, golusu'' and sometimes as ''nupur''. They have also been worn by Egyptian women since predynastic times. In the United States both casual and more formal anklets became fashionable from the 1930s to the late–20th century. While in Western popular culture both younger men and women may wear casual leather anklets, they are popular among barefoot women. Formal anklets (of silver, gold, or beads) are used by some women as fashion jewellery. Anklets are an important piece of jewellery in Indian marriages, worn along with saris. Occasionally, anklets on both ankles are joined by a chain to limit the step. This practice was once prevalent in Southeast Asia, where the effect was to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
