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Mademoiselle De Belle-Isle (opera)
''Mademoiselle de Belle-Isle'' is a 1905 opera by Spyridon Samaras to a French-language libretto by Paul Milliet based on the 1839 play by Alexandre Dumas. The opera was however premiered in Italian at Genoa with a new Italian text by Amintore Galli Amyntor Flaminio Claudio Galli (Amintore Galli) (1845–1919) was an Italian composer, musicologist, and journalist. Life He was born in Perticara, Italy on 12 October 1845, but began his musical studies with his uncle Pio Galli in Rimini unti .... Recording *''Mademoiselle de Belle-Isle'' (French version) Angelo Simos, Tassis Christoyannis, Pavlos Maropoulos, Pantelis Kontos, Kaval Choir of Sofia, Pazardzhik Symphony Orchestra, Byron Fidetzis Naxos 2CD 2020 References External links * * 1905 operas Operas by Spyros Samaras French-language operas Operas based on plays Operas based on works by Alexandre Dumas Operas {{French-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spyridon Samaras
Spyridon-Filiskos Samaras (also Spyros, Spiro Samára; el, Σπυρίδων Σαμάρας) () was a Greek composer particularly admired for his operas who was part of the generation of composers that heralded the works of Giacomo Puccini. His compositions were praised worldwide during his lifetime and he is arguably the most important composer of the Ionian School. He composed also the Olympic Hymn on lyrics of Kostis Palamas. Among his works are the operas ''Flora mirabilis'' (1886) and '' Mademoiselle de Belle-Isle'' (1905). Biography Samaras was born in Corfu. His mother was from Constantinople and his father Skarlatos Samaras, a diplomat from Siatista. As a young man, he studied with Spyridon Xyndas (Σπυρίδων Ξύνδας). From 1875 to 1882 he studied at the Athens Conservatory with Federico Bolognini, Angelo Mascheroni and Enrico Stancampiano. His first opera ''Torpillae'' (now lost) was premiered in Athens in 1879. He went to Paris in 1882 to study at the Pari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Milliet
Paul Milliet (14 February 1848 – 21 November 1924) was a French playwright and librettist of the Parisian Belle Époque. His opera librettos include Jules Massenet's ''Hérodiade'' (1881) and ''Werther'' (1892), Alfred Bruneau's ''Kérim'' (1887), Spyridon Samaras's ''La biondinetta'' (1903), ''Mademoiselle de Belle Isle'' (1905) and ''Rhea'' (1908) and Camille Erlanger's ''Forfaiture'' (1921). He was married to soprano Ada Adini. Works ;Opera *1881: ''Hérodiade'', opera in 4 acts and 7 tableaux, with Henri Grémont, music by Jules Massenet, Brussels, La Monnaie, 19 December *1883: ''Mathias Corvin'', one-act opéra comique, with Jules Levallois, music by Sándor Bertha, Paris, Théâtre de l'Opéra-Comique *1887: ''Nadia'', one-act opéra comique, music by Jules Bordier, Opéra-Populaire, 25 May *1887: ''Kérim'', three-act drame lyrique, music by Alfred Bruneau, Théâtre du Château d'Eau, 9 June *1891: ''Néron'', pantomime in 3 acts, music by Édouard Lalo, Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Dumas
Alexandre Dumas (, ; ; born Dumas Davy de la Pailleterie (), 24 July 1802 – 5 December 1870), also known as Alexandre Dumas père (where '' '' is French for 'father', to distinguish him from his son Alexandre Dumas fils), was a French writer. His works have been translated into many languages and he is one of the most widely read French authors. Many of his historical novels of adventure were originally published as serials, including '' The Count of Monte Cristo'', ''The Three Musketeers'', ''Twenty Years After'' and '' The Vicomte of Bragelonne: Ten Years Later''. His novels have been adapted since the early twentieth century into nearly 200 films. Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He also wrote numerous magazine articles and travel books; his published works totalled 100,000 pages. In the 1840s, Dumas founded the Théâtre Historique in Paris. His father, General Thomas-Alexandre Dumas D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amintore Galli
Amyntor Flaminio Claudio Galli (Amintore Galli) (1845–1919) was an Italian composer, musicologist, and journalist. Life He was born in Perticara, Italy on 12 October 1845, but began his musical studies with his uncle Pio Galli in Rimini until 1862 when he enrolled in the Milan Conservatory to be a pupil of Alberto Mazzucato. He would there compose the aria ''Cesare al Rubicone'' to be performed in the Teatro Vittorio Emanuel II in Rimini in 1864 and 1865 and after serving in the Italian Army under Giuseppe Garibaldi in the Battle of Bezzecca, graduated with the canata ''Espiazione''. He then moved to Amelia, Umbria where he became bandmaster in the city chapel and director of the town band between 1871 and 1873, as well as director of the Finale Emilia school from 1871 to 1873. In 1869, he began his career as a journalist as well, being art director of Stabilimento Musicale Sonzogno and editor of Edoardo Sonzogno's Euterpe though Sonzongno never credited him. In 1873 h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1905 Operas
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Spyros Samaras
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Based On Plays
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Based On Works By Alexandre Dumas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
