Made In The Shade
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Made In The Shade
''Made in the Shade'', released in 1975, is the third official compilation album by the Rolling Stones, and the first under their Atlantic Records contract. It covers material from ''Sticky Fingers'' (1971), '' Exile on Main St.'' (1972), ''Goats Head Soup'' (1973) and ''It's Only Rock 'n' Roll'' (1974). Background The Stones had two previous "official" compilation albums on Decca Records, ''Big Hits (High Tide and Green Grass)'' in 1966 and '' Through The Past, Darkly (Big Hits Vol. 2)'' in 1969. In addition, 1971's '' Hot Rocks 1964-1971'' and 1972's ''More Hot Rocks (Big Hits & Fazed Cookies)'' were released by Allen Klein's ABKCO Records without The Rolling Stones' authorisation. The material on ''Made in the Shade'' surveys the highlights from the band's first four post-Decca/London era thus far, with no new material. Although ''Made in the Shade'' bought The Rolling Stones time to deliver their next studio album (they were midway through recording ''Black and Blue'' upon ...
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The Rolling Stones
The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront ...
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Hot Rocks 1964-1971
Hot or the acronym HOT may refer to: Food and drink *Pungency, in food, a spicy or hot quality *Hot, a wine tasting descriptor Places *Hot district, a district of Chiang Mai province, Thailand ** Hot subdistrict, a sub-district of Hot District, Thailand ** Tha Kham, Chiang Mai, also known as Hot, a town in Hot District, Chiang Mai province, Thailand * Hot, Albania, a village in the Malësi e Madhe municipality, Shkodër County, Albania Music * H.O.T. pronounced "H. O. T.", (High-Five of Teenagers), a South Korean boy band *Hawaii Opera Theatre, an opera company in Honolulu, Hawaii * Hot (American vocal group), best known for 1977 hit "Angel in Your Arms" 1976–1980 *Hot 97, branding for hip-hop radio station WQHT in New York City Albums * ''Hot'' (Freda Payne album), 1979 * ''Hot'' (Half Japanese album), 1995 * ''Hot'' (Inna album) or the title song (see below), 2009 * ''Hot'' (James Brown album) or the title song (see below), 1976 * ''Hot'' (Mel B album), 2000 * ''Hot'' (Pa ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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UK Albums Chart
The Official Albums Chart is a list of albums ranked by physical and digital sales and (from March 2015) audio streaming in the United Kingdom. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on UKChartsPlus as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of The Guinness Book of British Hit Albums) in the 1980s until January 1989, since the compilations were removed this definition was changed to Top 75 with follow-up books such as The Virgin Book of British Hit Albums book only including this data. As of 2021, the OCC still only tracks how many UK Top 75s album hits and how many weeks in Top 75 albums chart each artist has achieved. To qualify for the Offi ...
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Metamorphosis (Rolling Stones Album)
''Metamorphosis'' is the third compilation album of the Rolling Stones music released by former manager Allen Klein's ABKCO Records (who usurped control of the band's Decca/London material in 1970) after the band's departure from Decca and Klein. Released in 1975, ''Metamorphosis'' centres on outtakes and alternate versions of well-known songs recorded from 1964 to 1970. History After the release of ''Hot Rocks 1964–1971'' in 1971, an album titled ''Necrophilia'' was compiled with the aid of Andrew Loog Oldham for release as a follow-up compilation, featuring many previously unreleased (or, more accurately, discarded) outtakes from the Rolling Stones' Decca/London period. While that project failed to materialise — with ''More Hot Rocks (Big Hits & Fazed Cookies)'' being released in its place — most of the unreleased songs were held over for a future project. In February 1974, to give it an air of authority, Bill Wyman involved himself in compiling an album he entitle ...
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Tom Hull (critic)
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a jo ...
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Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business would publish many 19th century American authors including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of ''The Atlantic Monthly'' and ''North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John All ...
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Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in ''The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily h ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Rolling Stones Tour Of The Americas '75
The Rolling Stones' Tour of the Americas '75 was a 1975 concert tour originally intended to reach both North and South America. The plans for concerts in Central and South America never solidified, however, and the tour covered only the United States and Canada. History After the departure of Mick Taylor, this was the Rolling Stones' first tour with new guitarist Ronnie Wood. Announced on 14 April as merely playing with the band on the tour, it would not be until 19 December that he would be officially named a Rolling Stone. Longtime sidemen Bobby Keys and Jim Price on brass were not featured on this tour, while Billy Preston had replaced Nicky Hopkins on keyboards in 1973. Additionally, Ollie E. Brown was added as an additional percussionist. Keys made a guest appearance on "You Can't Always Get What You Want" and "Brown Sugar" at the Los Angeles shows. The Tour of the Americas '75 was not tied to support of any newly released material, as it began more than seven months a ...
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Black And Blue
''Black and Blue'' is the 13th British and 15th American studio album by the English rock band the Rolling Stones, released on 23 April 1976 by Rolling Stones Records. This album was the first recorded after former guitarist Mick Taylor quit in December 1974. As he had done the previous time the Stones were between second guitarists in 1968, Keith Richards recorded the bulk of the guitar parts himself, though the album recording sessions also served as an audition for Taylor's replacement. Richards said of the album that it was used for "rehearsing guitar players, that's what that one was about." Numerous guitarists showed up to auditions; those who appeared on the album were Wayne Perkins, Harvey Mandel, and Ronnie Wood. Wood had previously contributed to the title track from the ''It's Only Rock 'n Roll'' album, and became a temporary touring member of the Stones in 1975 and official member in 1976.Wood 2007. pg. 137. The Stones rhythm section of bassist Bill Wyman and drumm ...
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London Records
London Recordings (or London Records and London Music Stream) is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. The London name — as London American Recordings, often shortened to London American — was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed. The label is owned by Because Music, which also owned most of the post-1980 and post-1998 catalogues. History London arose from the split in ownership between the British and American branches of Decca Records. The American branch of London Records released British Decca records in the U.S., as British Decca could not use the "Decca" name there as well as vice-versa. The label was noted for classical albums made in then state-of-the-art stereophonic sound, and such artists as Georg Solti, Joan Sutherland and Luciano Pavarotti. In a ...
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