Madame Wants No Children (1926 Film)
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Madame Wants No Children (1926 Film)
''Madame Wants No Children'' (german: Madame wünscht keine Kinder) is a 1926 German silent drama film directed by Alexander Korda and starring María Corda, Harry Liedtke and Maria Paudler. It is based on the novel ''Madame ne veut pas d'enfants'' by the French writer Clément Vautel. The film was made for the American Fox Film Corporation's German subsidiary. The film was shot at Tempelhof Studios in late 1926. It was the last European film Korda made until 1930 as he left for the United States shortly after its production (although an earlier film, '' A Modern Dubarry'', premiered later). Cast * María Corda as Elyane Parizot *Harry Liedtke as Paul * Maria Paudler as Louise Bonvin *Trude Hesterberg as Elyane's mother * Dina Gralla as Lulu, Elyane's sister *Hermann Vallentin as Paul's uncle *Camilla von Hollay as Louise's maid *Olga Mannel as Louise's cook *Ellen Mueller as Elyane's maid *Camilla Horn as Dancer *Marlene Dietrich Marie Magdalene "Marlene" DietrichBorn ...
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Alexander Korda
Sir Alexander Korda (; born Sándor László Kellner; hu, Korda Sándor; 16 September 1893 – 23 January 1956)
BFI Screenonline.
was a Hungarian-British film director, producer and screenwriter, who founded his own film production studios and film distribution company. Born in , where he began his career, he worked briefly in the Austrian and German film industries during the era of s, before being based in Hollywood from 1926 to 193 ...
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Drama Film
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, drama ...
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Films Based On French Novels
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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Films Directed By Alexander Korda
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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German Drama Films
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germ ...
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German Silent Feature Films
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germ ...
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John Loder (actor)
John Loder (born William John Muir Lowe; 3 January 1898 – 26 December 1988) was established as a British film actor in Germany and Britain before migrating to the United States in 1928 for work in the new talkies. He worked in Hollywood for two periods, becoming an American citizen in 1947. After living also in Argentina, he became a naturalized British citizen in 1959. Biography Early life Loder was born in 1898 in Knightsbridge, London. His father was W. H. M. Lowe, a British career army officer who achieved the rank of general. Patrick Pearse, the leader of the 1916 Easter Rising in Dublin, Ireland, surrendered to him. Both were present at the surrender. His mother was Frances Broster Johnson (née de Salvo; 1857–1942), daughter of Francesco de Salvo of Palermo, Sicily and his English wife Emma Broster. Frances was widowed when she married Lowe; she had been married to the late Captain Robert Harry Johnson of the 64th Foot Regiment. Loder had a younger sister, Elizabeth ...
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Marlene Dietrich
Marie Magdalene "Marlene" DietrichBorn as Maria Magdalena, not Marie Magdalene, according to Dietrich's biography by her daughter, Maria Riva ; however Dietrich's biography by Charlotte Chandler cites "Marie Magdalene" as her birth name . (, ; 27 December 1901 – 6 May 1992) was a German and American actress and singer whose career spanned from the 1910s to the 1980s. In 1920s Berlin, Dietrich performed on the stage and in silent films. Her performance as Lola-Lola in Josef von Sternberg's ''The Blue Angel'' (1930) brought her international acclaim and a contract with Paramount Pictures. She starred in many Hollywood films, including six iconic roles directed by Sternberg: ''Morocco'' (1930) (her only Academy Award nomination), ''Dishonored'' (1931), '' Shanghai Express'' and ''Blonde Venus'' (both 1932), ''The Scarlet Empress'' (1934) and '' The Devil Is a Woman'' (1935), ''Desire'' (1936) and ''Destry Rides Again'' (1939). She successfully traded on her glamorous persona a ...
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Camilla Horn
Camilla Martha Horn (25 April 1903 – 14 August 1996) was a German dancer and a film star of the silent and sound era. She starred in several Hollywood films of the late 1920s and in a few British and Italian productions. Biography The daughter of a civil servant, Horn was educated as a dressmaker and worked at Erfurt. In 1925, together with Marlene Dietrich, she worked as an extra in the German film '' Madame Wants No Children'', and later she was seen in a musical review by director Alexander Korda. She made her great breakthrough in 1926, when she replaced Lillian Gish as "Gretchen" in F. W. Murnau's UFA production of ''Faust''. In 1928 she sailed for Hollywood, where she played opposite John Barrymore in ''Tempest'' and '' Eternal Love''. She returned to Europe, and in the 1930s refused to follow the official line of the Nazis and was prosecuted for a monetary offense. After the war the British tribunal at Delmenhorst convicted her for minor offenses (among them travelling ...
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Camilla Von Hollay
Camilla von Hollay (born Kamilla Borbála Hollay; 11 July 1899 – 9 February 1967) was a Hungarian film actress of the silent era. She appeared in more than 40 films between 1917 and 1930. She was born in Budapest, Austria-Hungary and died in Budapest. Selected filmography * '' A Régiséggyüjtö'' (1917) * ''Casanova'' (1918) * ''Az Élet királya'' (1917) * ''The Fire Ship'' (1922) * ''The Stolen Professor'' (1924) * '' Passion'' (1925) * '' Madame Wants No Children'' (1926) * '' Superfluous People'' (1926) * '' The Eleven Schill Officers'' (1926) * '' A Sister of Six'' (1926) * '' The Queen of the Baths'' (1926) * '' At the Edge of the World'' (1927) * ''The Weavers'' (1927) * '' The Salvation Army Girl'' (1927) * '' Break-in'' (1927) * ''Potsdam'' (1927) * ''The Duty to Remain Silent'' (1928) * ''The Green Alley'' (1928) * '' When the Mother and the Daughter'' (1928) * ''Immorality'' (1928) * ''The Saint and Her Fool'' (1928) * '' The Abduction of the Sabine Women'' ...
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Hermann Vallentin
Hermann Vallentin (24 May 1872 – 18 September 1945) was a German actor. Biography Hermann Vallentin was born in Berlin in 1872. He was the son of a Jewish timber merchant and factory owner, Felix Vallentin. He was the older brother of actress Rosa Valetti. After training as an actor at the Royal Theatre in Berlin with Max Grube and Hans Oberländer, he received his first engagement at the Central-Theatre in Berlin in the 1895/96 season. In the next few years, appearances on various Berlin stages followed. From 1914, Vallentin was also a film actor. He mostly embodied fatherly figures, patriarchs and directors, but also small-minded philistines. In the 1931 film version of '' Der Hauptmann von Köpenick'', he played the uniform tailor Adolph Wormser. The seizure of power by the National Socialists in 1933, ended his film career abruptly. In 1933 Vallentin, emigrated to Czechoslovakia, where he appeared on German language stages in Ústí and Prague. In 1938 he left for Switze ...
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