Madame Rentz's Female Minstrels
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Madame Rentz's Female Minstrels
Madame Rentz's Female Minstrels was a blackface minstrel troupe composed completely of women. M. B. Leavitt founded the company in 1870. Unlike mainstream minstrelsy at the time, Leavitt's cast was entirely made up of women, whose primary role was to showcase their scantily clad bodies and tights, not the traditional role of comedy routines or song and dance numbers. The women still performed a basic minstrel show, but they added new pieces that titillated the audience. John E. Henshaw, who began his career as a stage hand with Madame Rentz's Female Minstrels, recalled, "In San Francisco San Francisco (; Spanish language, Spanish for "Francis of Assisi, Saint Francis"), officially the City and County of San Francisco, is the commercial, financial, and cultural center of Northern California. The city proper is the List of Ca ..., we had advertised that we were going to put on the can-can. Mabel Santley did this number and when the music came to the dum-de-dum, she raised he ...
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Blackface
Blackface is a form of theatrical makeup used predominantly by non-Black people, Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of Ethnic stereotype, racial stereotypes such as the "happy-go-lucky List of ethnic slurs#D, darky on the plantation" or the "dandy, dandified List of ethnic slurs#Coon, coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly of ...
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Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character
, Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.
John Kenrick
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San Francisco
San Francisco (; Spanish language, Spanish for "Francis of Assisi, Saint Francis"), officially the City and County of San Francisco, is the commercial, financial, and cultural center of Northern California. The city proper is the List of California cities by population, fourth most populous in California and List of United States cities by population, 17th most populous in the United States, with 815,201 residents as of 2021. It covers a land area of , at the end of the San Francisco Peninsula, making it the second most densely populated large U.S. city after New York City, and the County statistics of the United States, fifth most densely populated U.S. county, behind only four of the five New York City boroughs. Among the 91 U.S. cities proper with over 250,000 residents, San Francisco was ranked first by per capita income (at $160,749) and sixth by aggregate income as of 2021. Colloquial nicknames for San Francisco include ''SF'', ''San Fran'', ''The '', ''Frisco'', and '' ...
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Bernard Sobel
Bernard Sobel (1887–1964) was an American playwright, a drama critic for the ''New York Daily Mirror'', an author of a number of books on theatre and theatre history, and a publicist. Career Among his clients were Florenz Ziegfeld, Charles Dillingham, A. L. Erlanger, and Lee, Sam, and Jacob Shubert. A collection of Bernard Sobel's papers from 1923-1962 is in the possession of the Wisconsin Center for Film and Theater Research of the University of Wisconsin–Madison. He was born in Attica, Indiana and died in New York City. Select works Plays * ''Jennie Knows'' (1913) * ''Mrs. Bompton's Dinner Party'' (1913) * ''There's Always A Reason'' (1913) Articles * Books * * * * * * * References External links Bernard Sobel papers, 1823-1965 (bulk 1901-1965) held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center, at 40 Lincoln Center ...
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Organizations Established In 1870
An organization or organisation (Commonwealth English; see spelling differences), is an entity—such as a company, an institution, or an association—comprising one or more people and having a particular purpose. The word is derived from the Greek word ''organon'', which means tool or instrument, musical instrument, and organ. Types There are a variety of legal types of organizations, including corporations, governments, non-governmental organizations, political organizations, international organizations, armed forces, charities, not-for-profit corporations, partnerships, cooperatives, and educational institutions, etc. A hybrid organization is a body that operates in both the public sector and the private sector simultaneously, fulfilling public duties and developing commercial market activities. A voluntary association is an organization consisting of volunteers. Such organizations may be able to operate without legal formalities, depending on jurisdiction, including ...
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Blackface Minstrel Troupes
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practice ( ...
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