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Mad Thad
''Mad Thad'' is a Hardbop jazz album by Thad Jones recorded in 1957 for Period Records. Track listing # Whisper Not (Benny Golson) – 5:35 # Quiet Sip (Thad Jones) – 9:01 # Ballad Medley: #* Flamingo (Ted Grouya, Edmund Anderson) – 1:59 #* If You Were Mine (Johnny Mercer, Matty Malneck) – 1:31 #* I'm Through With Love (Johnny Mercer, Gus Kahn and Joseph A. "Fud" Livingston) – 1:40 #* Love Walked In (George Gershwin, Ira Gershwin) – 2:10 # Cat Meets Chick (Leonard Feather) – 5:22 # Bird Song (Thad Jones) – 8:21 # Jumping For Jane (Jane Feather) – 5:31 # Mad Thad (Quincy Jones) – 4:39 Personnel 24 December 1956 Session: (Tracks 1,6,7) * Thad Jones – Trumpet, Composer * Jimmy Jones – Piano * Frank Foster – Sax, (Tenor) * Doug Watkins – Bass * Jo Jones – Drums * Quincy Jones – Arranger, Conductor on 1,7 6 January 1957 Session: (Tracks 2,3,4,5) * Thad Jones – Trumpet, Composer * Frank Wess – Sax, (Tenor), Flute * Henry Coker – Trombone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thad Jones
Thaddeus Joseph Jones (March 28, 1923 – August 20, 1986) was an American jazz trumpeter, composer, and bandleader who has been called "one of the all-time greatest jazz trumpet soloists". Biography Thad Jones was born in Pontiac, Michigan, United States, to Henry and Olivia Jones, a musical family of 10 (an older brother was pianist Hank Jones and a younger brother was drummer Elvin Jones). A self-taught musician, Thad began performing professionally at the age of 16. He served in U.S. Army bands during World War II (1943–46). After his military service, which included an association with the U.S. Military School of Music and working with area bands in Des Moines and Oklahoma City, Jones became a member of the Count Basie Orchestra in May 1954. He was featured as a soloist on such well-known tunes as " April in Paris", "Shiny Stockings", and "Corner Pocket". However, his main contribution to Basie's organization was nearly two dozen arrangements and compositions, which incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph A
Joseph is a common male given name, derived from the Hebrew Yosef (יוֹסֵף). "Joseph" is used, along with "Josef", mostly in English, French and partially German languages. This spelling is also found as a variant in the languages of the modern-day Nordic countries. In Portuguese and Spanish, the name is "José". In Arabic, including in the Quran, the name is spelled '' Yūsuf''. In Persian, the name is "Yousef". The name has enjoyed significant popularity in its many forms in numerous countries, and ''Joseph'' was one of the two names, along with ''Robert'', to have remained in the top 10 boys' names list in the US from 1925 to 1972. It is especially common in contemporary Israel, as either "Yossi" or "Yossef", and in Italy, where the name "Giuseppe" was the most common male name in the 20th century. In the first century CE, Joseph was the second most popular male name for Palestine Jews. In the Book of Genesis Joseph is Jacob's eleventh son and Rachel's first son, and k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elvin Jones
Elvin Ray Jones (September 9, 1927 – May 18, 2004) was an American jazz drummer of the post-bop era. Most famously a member of John Coltrane's quartet, with whom he recorded from late 1960 to late 1965, Jones appeared on such widely celebrated albums as '' My Favorite Things'', ''A Love Supreme'', '' Ascension'' and '' Live at Birdland''. After 1966, Jones led his own trio, and later larger groups under the name ''The Elvin Jones Jazz Machine''. His brothers Hank and Thad were also celebrated jazz musicians with whom he occasionally recorded. Elvin was inducted into the ''Modern Drummer'' Hall of Fame in 1995. In his ''The History of Jazz'', jazz historian and critic Ted Gioia calls Jones "one of the most influential drummers in the history of jazz." He was also named Number 23 on Rolling Stone Magazine's 100 Greatest Drummers of All Time. Early life Elvin Jones was born in Pontiac, Michigan, to parents Henry and Olivia Jones, who had moved to Michigan from Vicksburg, Mississ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Jones (jazz Musician)
Eddie Jones (March 1, 1929, Greenwood, Mississippi – May 31, 1997, West Hartford, Connecticut) was an American jazz double bassist. Jones grew up in Red Bank, New Jersey, and played early in the 1950s with Sarah Vaughan and Lester Young. Jones taught music in South Carolina from 1951 to 1952, and became a member of Count Basie's orchestra in 1953, remaining there until 1962. He recorded frequently with this ensemble, and also played with Basie in smaller ensembles; these featured both Basie sidemen ( Joe Newman, Frank Foster, Frank Wess, Thad Jones, Ernie Wilkins) and others (Milt Jackson, Coleman Hawkins, Putte Wickman). Jones quit music in 1962 and took a job with IBM; he later became vice president of an insurance company. In the 1980s he returned to jazz and played on and off in swing jazz ensembles. Discography With Dorothy Ashby *''The Jazz Harpist'' (Regent, 1957) With Count Basie *''Dance Session'' (Clef, 1953) *'' Dance Session Album #2'' (Clef, 1954) *'' Basie'' (Cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Flanagan
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album ''Saxophone Colossus''. Recordings under various leaders, including ''Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Coker
Henry Coker (December 24, 1919 – November 23, 1979) was an American jazz trombonist. Biography Coker was born in Dallas, Texas, United States. He made his professional debut with John White in 1935. From 1937 to 1939 he played with Nat Towles's territory band, then moved to Hawaii to play with Monk McFay. After the Japanese bombed Pearl Harbor, Coker returned to California, playing with Benny Carter (1944–46), Illinois Jacquet (1945), Eddie Heywood (1946–47), and Charles Mingus (late 1940s). Coker fell ill from 1949 to 1951 and played little. After his recovery he worked with Sonny Rollins and then joined Count Basie's band, playing and recording with him from 1952 to 1963. Coker worked as a studio musician in the 1960s, then toured with Ray Charles from 1966 to 1971. He worked freelance and in film and television studios in the mid-1970s, returning to Basie briefly in 1973 and Charles in 1976. Osie Johnson wrote a tribute to him entitled "Cokernut Tree" in 1955. Coker app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Wess
Frank Wellington Wess (January 4, 1922 – October 30, 2013) was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music. Biography Wess was born in Kansas City, Missouri, United States, the son of a principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz on moving to Washington, D.C. and by nineteen was working with big bands. His career was interrupted by World War II although he did play with a military band in the period. After leaving the military, he joined Billy Eckstine's orchestra. He returned to Washington D.C. a few years afterwards and received a degree in flute at the city's Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jo Jones
Jonathan David Samuel Jones (October 7, 1911 – September 3, 1985) was an American jazz drummer. A band leader and pioneer in jazz percussion, Jones anchored the Count Basie Orchestra rhythm section from 1934 to 1948. He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones. Biography Born in Chicago, Illinois, United States, Jones moved to Alabama, where he learned to play several instruments, including saxophone, piano, and drums. He worked as a drummer and tap-dancer at carnival shows until joining Walter Page's band, the Blue Devils in Oklahoma City in the late 1920s. He recorded with trumpeter Lloyd Hunter's Serenaders in 1931, and later joined pianist Count Basie's band in 1934. Jones, Basie, guitarist Freddie Green and bassist Walter Page were sometimes billed as an "All-American Rhythm section," an ideal team. Jones took a brief break for two years when he was in the military, but he remained with Basie until 1948. He p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doug Watkins
Douglas Watkins (March 2, 1934 – February 5, 1962) was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean. Biography Watkins was born in Detroit, Michigan, United States. An original member of the Jazz Messengers, he later played in Horace Silver's quintet and freelanced with Gene Ammons, Kenny Burrell, Donald Byrd, Art Farmer, Jackie McLean, Hank Mobley, Lee Morgan, Sonny Rollins, and Phil Woods among others. Some of Watkins' best-known work can be heard, when as a 22-year-old, he appeared on the 1956 album ''Saxophone Colossus'' by tenor saxophonist Sonny Rollins, with Max Roach and Tommy Flanagan. According to Horace Silver's autobiography, ''Let's Get to the Nitty Gritty'', Watkins, along with Silver, later left Art Blakey's Jazz Messengers because the other members of the band at the time (Kenny Dorham, Hank Mobley and Blakey) had serious drug problems, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Foster (jazz Musician)
Frank Benjamin Foster III (September 23, 1928 – July 26, 2011) was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s.Profile AllMusic; accessed June 21, 2017. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award. Early life and education Foster was born in Cincinnati, Ohio, United States, and educated at Wilberforce University. In 1949, he moved to Detroit, Michigan, where he joined the local jazz scene, playing with musicians such as Wardell Gray. Career Drafted into the U.S. Army in 1951, Foster served in Korea with the 7th Infantry Division where he fought alongside (although unknowingly) future collaborator Shawn ‘Thunder’ Wallace. Upon finishing his military service in 1953 he joined Count Basie's big band. Foster contributed both arrangements and original compositions to Count Basie's band including the stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Jones (pianist)
James Henry Jones (December 30, 1918, Memphis, Tennessee – April 29, 1982, Burbank, California) was an American jazz pianist and arranger. Biography As a child, Jones learned guitar and piano. He worked in Chicago orchestras from 1936 and played in a trio with Stuff Smith from 1943 to 1945. Following this, he played with Don Byas, Dizzy Gillespie (1945), J.C. Heard (1945–47), Buck Clayton (1946) and Etta Jones. He accompanied Sarah Vaughan from 1947 to 1952, and then again from 1954 to 1958 after a long illness. In 1954, he played on an album with Clifford Brown and accompanied him on his European tour. Around this time, he also played with Helen Merrill and Gil Evans. In 1959, he accompanied Anita O'Day in her appearance at the Newport Jazz Festival and worked with Dakota Staton, Pat Suzuki, and Morgana King. As a pianist and arranger in New York City, he worked in the 1960s with Harry Belafonte, Johnny Hodges, Budd Johnson, Nat Gonella, and Clark Terry. He accompani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quincy Jones
Quincy Delight Jones Jr. (born March 14, 1933) is an American record producer, musician, songwriter, composer, arranger, and film and television producer. His career spans 70 years in the entertainment industry with a record of 80 Grammy Award nominations, 28 Grammys, and a Grammy Legend Award in 1992. Jones came to prominence in the 1950s as a jazz arranger and conductor before working on pop music and film scores. He moved easily between musical genres, producing pop hit records for Lesley Gore in the early 1960s (including " It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie in the same time period. In 1968, Jones became the first African American to be nominated for an Academy Award for Best Original Song for "The Eyes of Love" from the film '' Banning''. Jones was also nominated for an Academy Award for Best Original Score for his work on the 1967 film ''In Cold Blood'', making him the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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