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Mad Scene
A mad scene is an enactment of insanity in an opera or play. It was a popular convention of Italian and French opera in the early decades of the nineteenth century. Mad scenes were often created as a way to offer star singers a chance to show off their abilities, though many of them are also very dramatic. The vocal writing is often exciting and highly demanding, requiring immense skill. Most mad scenes were composed for the soprano voice, but there are examples for the baritone and the tenor. They are most popularly associated with works of the bel canto period, though examples may also be found in earlier works, such as George Frederick Handel's ''Orlando'' and Wolfgang Amadeus Mozart's ''Idomeneo''. Almost all mad scenes were composed for either ''opere serie'' or '' opere semiserie''; Gaetano Donizetti was probably the most famous exponent of the form. The convention of writing mad scenes largely died out after the bel canto era, as composers sought to inject more real ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insanity
Insanity, madness, lunacy, and craziness are behaviors performed by certain abnormal mental or behavioral patterns. Insanity can be manifest as violations of societal norms, including a person or persons becoming a danger to themselves or to other people. Conceptually, mental insanity also is associated with the biological phenomenon of contagion (that mental illness is infectious) as in the case of copycat suicides. In contemporary usage, the term ''insanity'' is an informal, un-scientific term denoting "mental instability"; thus, the term insanity defense is the legal definition of mental instability. In medicine, the general term psychosis is used to include the presence either of delusions or of hallucinations or both in a patient; and psychiatric illness is " psychopathology", not ''mental insanity''. An interview with Dr. Joseph Merlino, David Shankbone, '' Wikinews'', 5 October 2007. In English, the word "sane" derives from the Latin adjective ''sanus'' meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera '' Peter Grimes'' (1945), the '' War Requiem'' (1962) and the orchestral showpiece ''The Young Person's Guide to the Orchestra'' (1945). Born in Lowestoft, Suffolk, the son of a dentist, Britten showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the '' a cappella'' choral work '' A Boy was Born'' in 1934. With the premiere of ''Peter Grimes'' in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to large-sca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Dolce Suono
"Il dolce suono" ("The Sweet Sound") is the incipit of the recitativo of a ''scena ed aria'' taken from Act III scene 2, ''Lucia di Lammermoor'' by Gaetano Donizetti. It is also commonly known as the "mad scene" sung by the leading soprano, Lucia. Lucia descends into madness, and on her wedding night, while the festivities are still being held in the Great Hall, she stabs her new husband, Arturo, in the bridal chamber. Disheveled, unaware of what she has done, she wanders in the Great Hall, recalling her meetings with Edgardo and imagining herself married to him. Donizetti intended the aria to be accompanied by the eerie sound of the glass harmonica, though this instrument is often replaced in performance by a flute. An arrangement of the aria was featured in the film ''The Fifth Element'', sung by the alien character Diva Plavalaguna voiced by Inva Mula. Russian pop countertenor Vitas recorded a similar shortened version under the title "Lucia Di Lammermoor". While singing the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel '' The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semiramide
''Semiramide'' () is an opera in two acts by Gioachino Rossini. The libretto by Gaetano Rossi is based on Voltaire's tragedy ''Semiramis'', which in turn was based on the legend of Semiramis of Assyria. The opera was first performed at La Fenice in Venice on 3 February 1823. ''Semiramide'' was Rossini's final Italian opera and according to Richard Osborne, "could well be dubbed ''Tancredi Revisited''". As in ''Tancredi'', Rossi's libretto was based on a Voltaire tragedy. The music took the form of a return to vocal traditions of Rossini's youth, and was a melodrama in which he "recreated the baroque tradition of decorative singing with unparalleled skill". The ensemble-scenes (particularly the duos between Arsace and Semiramide) and choruses are of a high order, as is the orchestral writing, which makes full use of a large pit. After this splendid work, one of his finest in the genre, Rossini turned his back on Italy and moved to Paris. Apart from ''Il viaggio a Reims'', which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ermione
''Ermione'' (1819) is a tragic opera (azione tragica) in two acts by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, based on the play ''Andromaque'' by Jean Racine. Performance history 19th century ''Ermione'' was first performed at the Teatro di San Carlo, Naples, on 27 March 1819. For reasons that are as yet unclear, the opera was withdrawn on 19 April after only seven performances, and was not seen again until over a hundred years after Rossini's death. One possible explanation for its failure might be Rossini's choice to renounce the use of ''secco'' recitative in favour of accompanied declamation and to connect each closed number to the next in a manner reminiscent of Gluck's French operas and of Spontini (the latter was also to have a huge influence on Weber's ''Euryanthe'', four years later) Despite the opera's failure, Rossini seemed to be quite fond of this work and kept its manuscript, along with a few other from his Neapolitan years, until his d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artaserse
' is the name of a number of Italian operas, all based on a text by Metastasio. ' is the Italian form of the name of the king Artaxerxes I of Persia. There are over 90 known settings of Metastasio's text. The libretto was originally written for, and first set to music by Leonardo Vinci in 1730 for Rome ('' Artaserse''). It was subsequently set by Johann Adolph Hasse in 1730 ('' Artaserse'') for Venice and in 1760 for Naples, by Christoph Willibald Gluck in 1741 for Milan, by Pietro Chiarini in 1741 for Verona, by Carl Heinrich Graun in 1743 for Stuttgart, by Domènec Terradellas in 1744 for Venice, by Baldassare Galuppi in 1749 for Vienna, by Johann Christian Bach in 1760 for Turin, by Josef Mysliveček in 1774 for Naples ('' Artaserse)'', by Marcos Portugal in 1806 for Lisbon and many other times. The text was often altered. Thomas Arne's 1762 '' Artaxerxes'' is set to an English libretto that is based on Metastasio's. Mozart's aria for soprano and orchestra " Conservati fedele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hercules (Handel)
''Hercules'' ( HWV 60) is a ''Musical Drama'' in three acts by George Frideric Handel, composed in July and August 1744. The English language libretto was by the Reverend Thomas Broughton, based on Sophocles's ''Women of Trachis'' and the ninth book of Ovid's ''Metamorphoses''. Performance history ''Hercules'' was first given at the King's Theatre in London on 5 January 1745 in concert style. There were only two performances in the original run. The role of Lichas was written first as a small one for tenor, but it was greatly expanded before the premiere to provide Susanna Cibber with six airs. She was too ill to sing on the first night, and the music was either omitted or redistributed on that occasion. She sang in the second performance on 12 January. The music for the chorus "Wanton God" and the air "Cease, ruler of the day" was never given in this opera: the latter was adapted for the final chorus of ''Theodora''. The work was a total failure and caused Handel to suspend h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunset Boulevard (musical)
''Sunset Boulevard'' is a musical with music by Andrew Lloyd Webber, and lyrics and book by Don Black and Christopher Hampton. It is based on the 1950 film of the same title. The plot revolves around Norma Desmond, a faded star of the silent screen era, living in the past in her decaying mansion on the fabled Los Angeles street. When young screenwriter Joe Gillis accidentally crosses her path, she sees in him an opportunity to make her return to the big screen, with romance and tragedy to follow. Opening first in London in 1993, the musical has had several long runs internationally and enjoyed extensive tours. However, it has been the subject of several legal battles and ultimately lost money due to its extraordinary running costs. Background From approximately 1952 to 1956, Gloria Swanson worked with actor Richard Stapley (aka Richard Wyler) and cabaret singer and pianist Dickson Hughes on a musical adaptation originally entitled ''Starring Norma Desmond'', then ''Boulev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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