Maciste Against The Headhunters
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Maciste Against The Headhunters
''Colossus and the Headhunters'' ( it, Maciste contro i cacciatori di teste, lit=Maciste against the head-hunters), is a 1963 Italian ''peplum'' film written and directed by Guido Malatesta, and starring Kirk Morris. Plot The heroic Maciste arrives on an island only to find it rocked by a catastrophic volcanic eruption...and sinking. The survivors board Maciste's raft, and he pilots toward a nearby yet unknown island. The group are captured by a tribe led by the beautiful Queen Amoa. Her people are under repeat attack by another tribe on the island—a tribe of savage headhunters. Maciste and his survivors decide to help her, so he and some of his friends set out to find Amoa's father. They travel to a ruined castle occupied by the hunters—previously a great city of gold—and find Amoa's father, now blind, imprisoned alone in one of the dungeon rooms by the hunters. The headhunter leader captures Amoa and decides to marry her by compelling her father to give his blessing. A la ...
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Guido Malatesta
Guido Malatesta (1919 – 14 June 1970), born in Gallarate, Italy, was a film director and screenwriter. He began working as a professional journalist. After he moved to Rome, he was drawn to cinema, as creator of treatments, then scriptwriter and assistant director, and finally becoming director in 1957 with the film ''The Billionaires''. He continued to make films until a few days before his death in 1970. He was known for his Peplum movies and having a simple fun style without being overdone by plot. His most popular of the present remains ''Colossus and the Headhunters'' and ''Fire Monsters Against the Son of Hercules''. The former is notable for having no monsters which went against the tradition of the sword and sandal genre as well as being the subject of a 1994 episode of the popular movie-mocking television show ''Mystery Science Theater 3000''. He wrote the story and screenplay of ''Devil of the Desert Against the Son of Hercules''. In the sixties, following the fas ...
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British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery (United Kingdom), National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI act ...
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Sword And Sandal Films
A sword is an edged, bladed weapon intended for manual cutting or thrusting. Its blade, longer than a knife or dagger, is attached to a hilt and can be straight or curved. A thrusting sword tends to have a straighter blade with a pointed tip. A slashing sword is more likely to be curved and to have a sharpened cutting edge on one or both sides of the blade. Many swords are designed for both thrusting and slashing. The precise definition of a sword varies by historical epoch and geographic region. Historically, the sword developed in the Bronze Age, evolving from the dagger; the earliest specimens date to about 1600 BC. The later Iron Age sword remained fairly short and without a crossguard. The spatha, as it developed in the Late Roman army, became the predecessor of the European sword of the Middle Ages, at first adopted as the Migration Period sword, and only in the High Middle Ages, developed into the classical arming sword with crossguard. The word ''sword'' continue ...
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Sword And Sandal
Sword-and-sandal, also known as peplum (pepla plural), is a subgenre of largely Italian-made historical, mythological, or Biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as '' Samson and Delilah'' (1949), '' Quo Vadis'' (1951), '' The Robe'' (1953), ''The Ten Commandments'' (1956), '' Ben-Hur'' (1959), ''Spartacus'' (1960), and ''Cleopatra'' (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films. The term "peplum" (a Latin word referring to the Ancient Greek garment '' peplos''), was introduced by French film critics in the 1960s. The terms "peplum" and "sword-and-sandal" were used in a condescending way by film critics. Later, the terms were embraced by fans of the films, similar to the terms "spaghetti Western" or "shoot-'em-ups". In their English versions, peplum ...
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Films Shot In Yugoslavia
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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Maciste Films
Maciste () is one of the oldest recurring characters of cinema, created by Gabriele d'Annunzio and Giovanni Pastrone. He is featured throughout the history of the cinema of Italy from the 1910s to the mid-1960s. He is usually depicted as a Hercules-like figure, utilizing his massive strength to achieve heroic feats that ordinary men cannot. Many of the 1960s Italian movies featuring Maciste were retitled in other countries, substituting more popular names in the titles (such as Hercules, Goliath or Samson). Name There are a number of references to the name in literature. The name of Maciste appears in a sentence in Strabo's ''Geography'' (Book 8, Chapter 3, Section 21), in which he writes: – "And in the middle is the temple of the Macistian Heracles, and the river Acidon." The epithet Μακίστιος (Makistios, Latinized as ''Macistius'') is generally understood to be an adjective referring to a town called Μάκιστος (Makistos) in the province of Triphylia in E ...
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Films Directed By Guido Malatesta
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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Peplum Films
Peplum originates in the Greek word for 'tunic' and may refer to one of the following: *Sword-and-sandal Sword-and-sandal, also known as peplum (pepla plural), is a subgenre of largely Italian-made historical, mythological, or Biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget ... films, a genre of Greco-Roman era costume adventure films, mostly made in Italy, also known as "peplum". * ''Péplum'' (novel), a 1996 work by Belgian novelist Amélie Nothomb. * Peplos, a kind of women's garment in ancient Greece. *An overskirt {{disambig ...
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English-language Italian Films
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and ...
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American International Pictures Films
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ...
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1963 Films
The year 1963 in film involved some significant events, including the big-budget epic ''Cleopatra'' and two films with all-star casts, '' How the West Was Won'' and '' It's a Mad, Mad, Mad, Mad World''. Top-grossing films (U.S.) The top ten 1963 released films by box office gross in North America are as follows: Events * January 9 – Joseph Vogel resigns as president of MGM and is replaced by Robert O'Brien. * February 20 – The classic epic western '' How the West Was Won'' premieres in the United States. It is an instant success with both audiences and critics and becomes the biggest moneymaker for MGM since '' Ben-Hur''. * June 12 – ''Cleopatra'', starring Elizabeth Taylor, Rex Harrison and Richard Burton, premieres at the Rivoli Theatre in New York City. Its staggering production costs nearly bankrupted Twentieth Century Fox and the adulterous affair between Taylor and Burton made the publicity even worse. ''Cleopatra'' marked the only instance that a film would ...
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Monthly Film Bulletin
''The Monthly Film Bulletin'' was a periodical of the British Film Institute published monthly from February 1934 to April 1991, when it merged with '' Sight & Sound''. It reviewed all films on release in the United Kingdom, including those with a narrow arthouse release. History ''The Monthly Film Bulletin'' was edited in the mid-1950s by David Robinson, in the late 1950s and early 1960s by Peter John Dyer, and then by Tom Milne. By the end of the 1960s, when the character and tone of its reviews changed considerably with the arrival of a new generation of critics influenced by the student culture and intellectual tumult of the time (not least the overthrow of old ideas of "taste" and quality), David Wilson was the editor. It was then edited by Jan Dawson (1938Richard Roud (ed) ''Cinema: a Critical Dictionary; The Major Film Makers'', 1980, Secker & Warburg, p. v – 1980), for two years from 1971, and from 1973 until its demise by the New Zealand-born critic Richard Com ...
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