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Machaut
Guillaume de Machaut (, ; also Machau and Machault; – April 1377) was a French composer and poet who was the central figure of the style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the from the subsequent movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading European composer. One of the earliest European composers on whom considerable biographical information is available, Machaut has an unprecedented amount of surviving music, in part due to his own involvement in his manuscripts' creation and preservation. Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of troubadour and ''trouvère''; well into the 15th century his poetry was greatly admired and imitated by other poets, including Geoffrey Chaucer and Eustache Deschamps, the latter of whom was Machaut's student. Machaut comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machaut 1
Guillaume de Machaut (, ; also Machau and Machault; – April 1377) was a French composer and poet who was the central figure of the style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the from the subsequent movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading European composer. One of the earliest European composers on whom considerable biographical information is available, Machaut has an List of compositions by Guillaume de Machaut, unprecedented amount of surviving music, in part due to his own involvement in his manuscripts' creation and preservation. Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of troubadour and ''trouvère''; well into the 15th century his poetry was greatly admired and imitated by other poets, including Geoffrey Chaucer and Eustache Deschamps, the latter o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messe De Nostre Dame
''Messe de Nostre Dame'' (''Mass of Our Lady'') is a polyphonic mass composed before 1365 by French poet and composer Guillaume de Machaut (c. 1300–1377). Widely regarded as one of the masterpieces of medieval music and of all religious music, it is historically notable as the earliest complete setting of the Ordinary of the Mass attributable to a single composer (in contrast to earlier compilations such as the Tournai Mass). Structure The ''Messe de Nostre Dame'' consists of 5 movements, the ''Kyrie'', '' Gloria'', ''Credo'', ''Sanctus'', and ''Agnus Dei'', followed by the dismissal ''Ite, missa est''. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another.Gombosi, O."Machaut's 'Messe Notre-Dame'." ''The Musical Quarterly'', Vol. 36, No. 2 (April, 1950), pp. 204–224 Machaut's ''Messe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Guillaume De Machaut
The French composer Guillaume de Machaut was the most prolific composer of his time, with surviving works many forms, the three ''formes fixes'' rondeaux, virelais, ballades, as well as motets, lais and a single representative of the complainte, chanson royale, double hocket and mass genres. Most of his extant output is secular music, with a notable exception in the renowned ''Messe de Nostre Dame''. His ''oeuvre'' as a whole represents an unprecedented amount of surviving music for a single medieval composer, largely in part due to his own efforts to preserve and curate manuscripts for his music. The dominate figure of the style in late medieval music, Machaut is regarded as the most significant French composer and poet of the 14th century and often seen as the century's leading European composer. Since many titles are merely the first lines of the texts used, in different sources individual pieces may be referred to by slightly different titles. For example, R20 is known both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondeau (forme Fixe)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three ''formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Douce Dame Jolie
"Douce Dame Jolie", sometimes referred to only as 'Douce Dame', is a song from the 14th century, by the French composer Guillaume de Machaut. The song is a virelai, belonging to the style ars nova, and is one of the most often heard medieval tunes today. Many modern recordings omit the lyrics, however. One of the most famous musical pieces of the Middle Ages, 'Douce Dame' has been performed by a plethora of artists, mostly but not always in medieval style. Among others are Annwn (with lyrics), Ayragon (with lyrics), Theo Bleckmann (with lyrics), Els Berros de la Cort, Corvus Corax, Schelmish (with lyrics), Dr Cosgill, Fable of the Bees, Filia Irata, Två fisk och en fläsk (with lyrics), Wisby Vaganter, A La Via! (with lyrics), Lisa Lynne, The John Renbourn Group (with English lyrics), WirrWahr, Wolfenmond, Saltatio Mortis, Angels of Venice (soprano Christina Linhardt, harpist Carol Tatum) and Legião Urbana (no lyrics, named "A Ordem dos Templários" (The Templar Order) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballade (forme Fixe)
The ''ballade'' (; ; not to be confused with the ballad) is a form of medieval and Renaissance French poetry as well as the corresponding musical chanson form. It was one of the three ''formes fixes'' (the other two were the rondeau and the virelai) and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. The formes fixes were standard forms in French-texted song of the fourteenth and fifteenth centuries. The ballade is usually in three stanzas, each ending with a refrain (a repeated segment of text and music). The ballade as a verse form typically consists of three eight-line stanzas, each with a consistent metre and a particular rhyme scheme. The last line in the stanza is a refrain. The stanzas are often followed by a four-line concluding stanza (an ''envoi'') usually addressed to a prince. The rhyme scheme is therefore usually , where the capital "C" is a refrain. The many different rhyming words that are needed (the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virelai
A ''virelai'' is a form of medieval French verse used often in poetry and music. It is one of the three ''formes fixes'' (the others were the ballade and the rondeau) and was one of the most common verse forms set to music in Europe from the late thirteenth to the fifteenth centuries. One of the most famous composers of virelai is Guillaume de Machaut (c. 1300–1377), who also wrote his own verse; 33 separate compositions in the form survive by him. Other composers of virelai include Jehannot de l'Escurel, one of the earliest (d. 1304), and Guillaume Dufay (c. 1400–1474), one of the latest. By the mid-15th century, the form had become largely divorced from music, and numerous examples of this form (including the ballade and the rondeau) were written, which were either not intended to be set to music, or for which the music has not survived. A virelai with only a single stanza is also known as a bergerette. Musical virelai The virelai as a song form of the 14t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into Early (500–1150), High (1000–1300), and Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, and secular music, non-religious music; solely vocal music, such as Gregorian chant and choral music (music for a group of singers), solely instrumental music, and music that uses both voices and instruments (typically with the instruments accompanying the voices). Gregorian chant was sung by monks during Catholic Mass. The Mass is a reenactment of Christ's Last Supper, intended to provide a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reims
Reims ( , , ; also spelled Rheims in English) is the most populous city in the French department of Marne, and the 12th most populous city in France. The city lies northeast of Paris on the Vesle river, a tributary of the Aisne. Founded by the Gauls, Reims became a major city in the Roman Empire. Reims later played a prominent ceremonial role in French monarchical history as the traditional site of the coronation of the kings of France. The royal anointing was performed at the Reims Cathedral, Cathedral of Reims, which housed the Holy Ampulla of chrism allegedly brought by a white dove at the baptism of Frankish king Clovis I in 496. For this reason, Reims is often referred to in French as ("the Coronation City"). Reims is recognized for the diversity of its heritage, ranging from Romanesque architecture, Romanesque to Art Deco, Art-déco. Reims Cathedral, the adjacent Palace of Tau, and the Abbey of Saint-Remi were listed together as a UNESCO World Heritage Site in 1991 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eustache Deschamps
Eustache Deschamps (13461406 or 1407) was a French poet, byname Morel, in French "Nightshade". Life and career Deschamps was born in Vertus. He received lessons in versification from Guillaume de Machaut and later studied law at Orleans University. He then traveled through Europe as a diplomatic messenger for Charles V, being sent on missions to Bohemia, Hungary and Moravia. In 1372 he was made ''huissier d'armes'' to Charles. He received many other important offices, was ''bailli'' of Valois, and afterwards of Senlis, squire to the Dauphin, and governor of Fismes. In 1380, Charles died, and Deschamps's estate was pillaged by the English, after which he often used the name "Brulé des Champs". In his childhood he had been an eyewitness of the English invasion of 1358, he had been present at the siege of Reims in 1360 and seen the march on Chartres, and he had witnessed the signing of the Treaty of Brétigny. In consequence he hated the English and continuously abused them in h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lai (poetic Form)
A ''lai'' (or ''lay lyrique'', "lyric lay", to distinguish it from a ''lai breton'') is a lyrical, narrative poem written in octosyllabic couplets that often deals with tales of adventure and romance. ''Lais'' were mainly composed in France and Germany, during the 13th and 14th centuries. The English term ''lay'' is a 13th-century loan from Old French ''lai''. The origin of the French term itself is unclear; perhaps it is itself a loan from German '' Leich'' (reflected in archaic or dialectal English ''lake'', "sport, play" and in modern Swedish (leker = to play). The terms ''note'', ''nota'' and ''notula'' (as used by Johannes de Grocheio) appear to have been synonyms for ''lai''. The poetic form of the ''lai'' usually has several stanzas, none of which have the same form. As a result, the accompanying music consists of sections which do not repeat. This distinguishes the lai from other common types of musically important verse of the period (for example, the rondeau and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formes Fixes
The ''formes fixes'' (; singular: ''forme fixe'', "fixed form") are the three 14th- and 15th-century French poetic forms: the ''ballade'', '' rondeau'', and ''virelai''. Each was also a musical form, generally a ''chanson'', and all consisted of a complex pattern of repetition of verses and a refrain with musical content in two main sections. All three forms can be found in 13th-century sources, but a 15th-century source gives Philippe de Vitry as their first composer while the first comprehensive repertory of these forms was written by Guillaume de Machaut.Fallows The ''formes fixes'' stopped being used in music around the end of the 15th century, although their influence continued (in poetry they, especially the rondeau, continued to be used). Sometimes forms from other countries and periods are referred to as ''formes fixes''. These include the Italian 14th-century madrigal and later ballata and barzelletta, the German bar form, Spanish 13th-century cantiga, and the later ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
