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MS. Egerton 1994
Egerton MS 1994 is a manuscript collection of English Renaissance theatre, English Renaissance plays, now in the Egerton Collection of the British Library. Probably prepared by the actor William Cartwright (actor), William Cartwright around 1642, and later presented by him to Dulwich College, the collection contains unique copies of several Elizabethan, Jacobean, and Caroline dramas, including significant works like ''Edmund Ironside (play), Edmund Ironside'' and ''Thomas of Woodstock (play), Thomas of Woodstock''. The collection contains fourteen plays and an anonymous masque: * ''The Elder Brother'', by John Fletcher (playwright), John Fletcher and Philip Massinger — folios 2–29 * ''Dick of Devonshire'', attributed to Robert Davenport (dramatist), Robert Davenport or Thomas Heywood — ff. 30–51 * ''The Captives'', by Thomas Heywood — ff. 52–73 * ''The Escapes of Jupiter'', by Thomas Heywood — ff. 74–95 * ''Edmund Ironside (play), Ed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Renaissance Theatre
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642. This is the style of the plays of William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Heywood
Thomas Heywood (early 1570s – 16 August 1641) was an English playwright, actor, and author. His main contributions were to late Elizabethan and early Jacobean theatre. He is best known for his masterpiece ''A Woman Killed with Kindness'', a domestic tragedy, which was first performed in 1603 at the Rose Theatre by the Worcester's Men company. He was a prolific writer, claiming to have had "an entire hand or at least a maine finger in two hundred and twenty plays", although only a fraction of his work has survived. Early years Few details of Heywood's life have been documented with certainty. Most references indicate that the county of his birth was most likely Lincolnshire, while the year has been variously given as 1570, 1573, 1574 and 1575. It has been speculated that his father was a country parson and that he was related to the half-century-earlier dramatist John Heywood, whose death year is, again, uncertain, but indicated as having occurred not earlier than 1575 and n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Plays
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Manuscripts
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Conspiracy And Tragedy Of Charles, Duke Of Byron
''The Conspiracy and Tragedy of Charles, Duke of Byron, Marshall of France'' is a Jacobean tragedy by George Chapman, a two-part play or double play first performed and published in 1608. It tells the story of Charles de Gontaut, duc de Biron, executed for treason in 1602. Genre The two plays that comprise the larger work, ''The Conspiracy of Byron'' and ''The Tragedy of Byron'', can also be described as "contemporary history;" they form the second and third installments in a series of dramas that Chapman wrote on French politics and history in his time, from ''Bussy D'Ambois'' through ''The Tragedy of Chabot, Admiral of France''. Date and performance In all likelihood, Chapman composed both parts of ''Byron'' in 1607–8; his primary source on the political events portrayed in the plays, Edward Grimeston's ''A General Inventory of the History of France'', was first published in 1607. The plays were first acted by the Children of the Chapel (by 1608 known as the Children of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Chapman
George Chapman (Hitchin, Hertfordshire, – London, 12 May 1634) was an English dramatist, translator and poet. He was a classical scholar whose work shows the influence of Stoicism. Chapman has been speculated to be the Rival Poet of Shakespeare's sonnets by William Minto, and as an anticipator of the metaphysical poets of the 17th century. Chapman is best remembered for his translations of Homer's ''Iliad'' and ''Odyssey'', and the Homeric ''Batrachomyomachia''. Life and work Chapman was born at Hitchin in Hertfordshire. There is conjecture that he studied at Oxford but did not take a degree, though no reliable evidence affirms this. Very little is known about Chapman's early life, but Mark Eccles uncovered records that reveal much about Chapman's difficulties and expectations. In 1585 Chapman was approached in a friendly fashion by John Wolfall Sr., who offered to supply a bond of surety for a loan to furnish Chapman money "for his proper use in Attendance upon the the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard II (play)
''The Life and Death of King Richard the Second'', commonly called ''Richard II'', is a history play by William Shakespeare believed to have been written around 1595. It is based on the life of King Richard II of England (ruled 1377–1399) and chronicles his downfall and the machinations of his nobles. It is the first part of a tetralogy, referred to by some scholars as the Henriad, followed by three plays about Richard's successors: ''Henry IV, Part 1''; '' Henry IV, Part 2''; and ''Henry V''. Although the First Folio (1623) includes the play among the histories, the earlier Quarto edition of 1597 calls it ''The tragedie of King Richard the second''. Characters * King Richard II * John of Gaunt, Duke of Lancaster – Richard's uncle * Duke of York – Richard's uncle * Duke of Aumerle – York's son * Thomas Mowbray, Duke of Norfolk * Queen – Richard's wife (an unnamed composite of his first wife, Anne of Bohemia, and his second, Isabella of Valois, who was still a chil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Daborne
Robert Daborne (c. 1580 – 23 March 1628) was an English dramatist of the Jacobean era. His father was also Robert Daborne, heir to family property in Guildford, Surrey and other places, including London, and a wealthy haberdasher by trade. He is now thought to have been a "sizar"—an undergraduate exempt from fees—at King's College, Cambridge in 1598. His marriage record suggests that he was a Gent. and member of the Inner Temple. Daborne was married to Anne Younger in 1602 at St Mary's Church in South Walsham by the local cleric, who was nephew to Anne's father, Robert Younger, the owner of Old Hall in South Burlingham; they had at least one child, a daughter, but his wife Anne died in childbirth. He was living with his father-in-law in Shoreditch by 1609, but his father-in-law died and there was a bitter dispute among the family members subsequently regarding the inheritance. A 1608 document show that Daborne owed £50 to Robert Keysar, one of the managers of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Poor Man's Comfort
''The Poor Man's Comfort'' is a Jacobean era stage play, a tragicomedy by Robert Daborne — one of his two extant plays. Date, performance, publication The play's date is uncertain, though it is generally assigned to the 1610–18 era. It was not published until several decades after it was written. ''The Poor Man's Comfort'' was entered into the Stationers' Register on 20 June 1655, and published in quarto later that year by the booksellers Robert Pollard and John Sweeting. Both the Register entry and the title page of the quarto refer to Daborne as a "Master of Arts." In the original text, a stage direction at line 186 reads "Enter 2 Lords, Sands, Ellis." The names refer not to the characters of the play but the actors who played the roles — a feature that occurs on rare occasions in the texts of English Renaissance drama. (See, for example, ''Sir John van Olden Barnavelt''.) The two actors may have been Gregory Sanderson and Ellis Worth, who played with Que ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Glapthorne
Henry Glapthorne (baptised, 28 July 1610 – c. 1643) was an English dramatist and poet, baptized in Cambridgeshire, the son of Thomas Glapthorne and Faith ''née'' Hatcliff. His father was a bailiff of Lady Hatton, the wife of Sir Edward Coke. Before turning 14, Henry Glapthorne had matriculated as a pensioner at Corpus Christi College, Cambridge, but there is no record of him ever taking a degree. From then until he emerges as a playwright in the mid-1630s, little is known of him. There is evidence that he may have been employed as a groom-porter in a nobleman's household for some of that time – a later document refers to him as "Glapthorne the Porter" – but there is nothing conclusive. Writings His best-regarded work is ''Argalus and Parthenia'' (c. 1633, printed 1639), based on Sidney's ''Arcadia''. Other plays are the comedy ''The Hollander'' (licensed for performance 12 March 1636), ''Wit in a Constable'' (c. 1638), and the tragicomedy ''The Lady's Privilege'' (all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lady Mother
''The Lady Mother'' is a Caroline era stage play, a tragicomedy generally attributed to Henry Glapthorne, and dating from the middle 1630s. Never printed in its own era, the play survived in a manuscript marked as a theatre prompt-book, revealing significant details about the stage practice of its time. ''The Lady Mother'' was licensed for performance by the office the Master of the Revels on 15 October 1635. It was originally staged by the King's Revels Men at the Salisbury Court Theatre, and was acted for the royal court at Whitehall Palace that year. Yet the play was not published for more than two centuries; it was first issued in 1883 by editor A. H. Bullen in his ''Old English Plays'' Vol. 2. Bullen first assigned the play to Glapthorne. The Malone Society produced a modern text in 1959, edited by Arthur Brown. The drama survived the centuries in manuscript form, part of MS. Egerton 1994 (folios 186–211) in the collection of the British Library. In the MS., the entrances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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