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My Man's Gone Now
"My Man's Gone Now" is an aria composed by George Gershwin, with lyrics by DuBose Heyward, written for the opera ''Porgy and Bess'' (1935). Sung in the original production by Ruby Elzy, it has been covered by many singers, notably Ella Fitzgerald (on the 1958 ''Porgy and Bess'' album), Leontyne Price, Audra McDonald (who would later sing the part of Bess), Nina Simone, Sarah Vaughan, and Shirley Horn, among others. In the opera In the opera, the aria is sung by Serena, the grieving widow, at her husband Robbins's wake. He has been murdered by Crown, a drunken stevedore, during a crap game played in the courtyard of Catfish Row. She sings that she will no longer hear his footsteps coming up stairs and that "ol man sorrow" will be her companion from now on, telling her she is old. The aria's music and lyrics refer to popular African American spiritual songs and are accompanied by melodic wails which are picked up by the chorus. Versions *Leontyne Price, who regularly played Bess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Class
A master class is a Class (education), class given to students of a particular Academic discipline, discipline by an expert of that discipline—usually music, but also science, painting, drama, games, or on any other occasion where skills are being developed. "Masterclass" is also used in a figurative sense to describe a display of great skill in a context where education was not the primary intention; e.g., “his last few laps were a ''masterclass'' in overtaking” (referencing a race around a track). Around music The difference between a normal class and a ''master class'' is typically the setup. In a master class, all the students (and often spectators) watch and listen as the master takes one student at a time. The student (typically intermediate or advanced, depending on the status of the master) usually performs a single piece (music), piece which they have prepared, and the master will give them advice on how to play it, often including anecdotes about the composer, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria (Grover Washington Jr
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; melod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mulgrew Miller
Mulgrew Miller (August 13, 1955 – May 29, 2013) was an American jazz pianist, composer, and educator. As a child he played in churches and was influenced on piano by Ramsey Lewis and then Oscar Peterson. Aspects of their styles remained in his playing, but he added the greater harmonic freedom of McCoy Tyner and others in developing as a hard bop player and then in creating his own style, which influenced others from the 1980s on. After leaving university he was pianist with the Duke Ellington Orchestra for three years, then accompanied vocalist Betty Carter. Three-year stints with trumpeter Woody Shaw and with drummer Art Blakey's high-profile Jazz Messengers followed, by the end of which Miller had formed his own bands and begun recording under his own name. He was then part of drummer Tony Williams' quintet from its foundation, while continuing to play and record with numerous other leaders, mostly in small groups. Miller was Director of Jazz Studies at William Paterso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Work!
''Work!'' is an album by jazz pianist Mulgrew Miller, recorded together with Charnett Moffett on bass and Terri Lyne Carrington on drums. The album was recorded on April 23–24, 1986 and released that year by Landmark Records. The album is named after the song "Work" by Thelonious Monk and Sonny Rollins from their 1954 album ''Thelonious Monk and Sonny Rollins''. Reception Scott Yanow of Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databa ... noted: "Made about the time he left Art Blakey's Jazz Messengers to go out on his own, Mulgrew Miller's second date as a leader matches his modern mainstream modal style with bassist Charnett Moffett and drummer Terri Lyne Carrington. Once again, the repertoire is a mixture of Miller originals, jazz standards ("Without a Song," "Powell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Gun Club
The Gun Club were an American rock band from Los Angeles, California, United States, which existed from 1979 to 1996. It was formed and led by singer-songwriter and guitarist Jeffrey Lee Pierce. History Early days (1979–1980) The Gun Club were formed by Jeffrey Lee Pierce (guitar and vocals) with friend, chief of the Ramones fan club and fellow music enthusiast Brian Tristan, also known as Kid Congo Powers. Pierce was the former head of the Blondie fan club in Los Angeles and previously a member of the Red Lights, the E-Types, the Individuals, Phast Phreddie & Thee Precisions, and the Cyclones. The Gun Club's precursor band, The Creeping Ritual, formed in late 1979. Along with Pierce (lead vocals and guitar), the first lineup consisted of Brian Tristan (lead guitar); Don Snowden (bass), who was at the time a music critic for the ''Los Angeles Times''; and Brad Dunning (drums), now a prominent designer and writer. In April 1980, they changed their name to “The Gun Club” ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Las Vegas Story (album)
''The Las Vegas Story'' is the third studio album by American rock band The Gun Club, released in 1984. This album saw the return of founding member and lead guitarist Kid Congo Powers, after a three-year stint with The Cramps. The album was dedicated to Debbie Harry "for her love, help and encouragement." Track listing All songs composed by Jeffrey Lee Pierce; except where indicated Personnel The Gun Club * Jeffrey Lee Pierce – vocals, guitars, bells, musical tube, montage and piano on "The Master Plan" * Kid Congo Powers – excessive feedback, guitar and slide guitar, whirling whirlies, maracas and ancient mutterings * Patricia Morrison – bass, backing vocals, maracas and Bacardi * Terry Graham – drums Additional musicians * Mustang Dave Alvin – lead guitar on "Eternally Is Here" and "The Stranger in Our Town" * The Synanon Reeds (Lois Graham and Phast Phreddie Patterson) - wooden recorders on "The Master Plan" Production *Jeff Eyrich - producer *Mark Ettel - e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We Want Miles
''We Want Miles'' is a double album recorded by jazz trumpeter Miles Davis in 1981, produced by Teo Macero and released by Columbia Records in 1982. The album combines recordings from the first live appearances by Davis in more than five years, at Boston's Kix Club, on June 27, 1981. Other tracks were recorded at Avery Fisher Hall, New York City, on July 5, and a specially prepared stage at Nishi-Shinjuku in Tokyo, Japan, October 4 of that year. Background Miles Davis had returned to the studio in 1980, after a long hiatus during which he left the trumpet alone and focused on women and cocaine, according to his autobiography. Changing some personnel while recording '' The Man with the Horn'', he formed a live band consisting of Mike Stern on guitar (replacing Barry Finnerty), Al Foster on drums, Mino Cinelu on percussion (he had replaced Sammy Figueroa), Bill Evans on soprano, and Marcus Miller on bass.Freeman 178-80. By this time it had been six years since he played live. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porgy And Bess (Miles Davis Album)
''Porgy and Bess'' (CL 1274) is a studio album by jazz musician Miles Davis, released in March 1959 on Columbia Records. The album features arrangements by Davis and collaborator Gil Evans from George Gershwin's 1935 opera of the same name. The album was recorded in four sessions on July 22, July 29, August 4, and August 18, 1958, at Columbia's 30th Street Studio in New York City. It is the second collaboration between Davis and Evans and has garnered much critical acclaim since its release, being acknowledged by some music critics as the best of their collaborations. Jazz critics have regarded the album as historically important.Larkin, Colin.Review: ''Porgy and Bess''". ''Virgin Encyclopedia of Popular Music'': March 1, 2002. Background Conception In 1958, Davis was one of many jazz musicians growing dissatisfied with bebop, seeing its increasingly complex chord changes as hindering creativity. Five years earlier, in 1953, pianist George Russell published his ''Lydian Chroma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gil Evans
Ian Ernest Gilmore Evans (né Green; May 13, 1912 – March 20, 1988) was a Canadian–American jazz pianist, arranger, composer and bandleader. He is widely recognized as one of the greatest orchestrators in jazz, playing an important role in the development of cool jazz, modal jazz, free jazz, and jazz fusion. He is best known for his acclaimed collaborations with Miles Davis. Early life Gil Evans was born in Toronto, Canada on May 13, 1912 to Margaret Julia McConnachy. Little is known about Evans' biological father, although a family friend said that he was a doctor who had died before Evans was born. Originally named Gilmore Ian Ernest Green, Evans took the last name of his step-father, John Evans, a miner. The family moved frequently, living in Saskatchewan, British Columbia, Washington, Idaho, Montana, and Oregon, migrating to wherever Evans' father could find work. Eventually, the family ended up in California, first in Berkeley, where Evans attended the ninth and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunday At The Village Vanguard
''Sunday at the Village Vanguard'' is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Released in 1961, the album is routinely ranked as one of the best live jazz recordings of all time. History ''Sunday at the Village Vanguard'' was drawn from material recorded on June 25, 1961, at the Village Vanguard in New York City. The trio played five sets -two in the afternoon and three in the evening- each one comprising four or five numbers and lasting about half an hour.Peter Pettinger, ''Bill Evans: How My Heart Sings'' (Yale University Press, New Haven & London, (1998): p.109-114, ) This was the last performance by the Bill Evans Trio with bassist Scott LaFaro, who was killed in a car accident eleven days after the recording. Riverside had been looking for only one album from this date, but LaFaro's death changed the economics. The album was subtitled ''"Featuring Scott LaFaro"'' and was rushed out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
