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My Favorite Things (John Coltrane Album)
''My Favorite Things'' is the seventh studio album by jazz musician John Coltrane, released in March 1961 on Atlantic Records. It was the first album to feature Coltrane playing soprano saxophone. An edited version of the title track became a hit single that gained popularity in 1961 on radio. The record became a major commercial success. Background In March 1960, while on tour in Europe, Miles Davis purchased a soprano saxophone for Coltrane. While the instrument had been used in the early days of jazz (notably by Sidney Bechet) it had become rare by the 1950s with the exception of Steve Lacy. Intrigued by its capabilities, Coltrane began playing it at his summer club dates. After leaving the Davis band, Coltrane, for his first regular bookings at New York's Jazz Gallery in the summer of 1960, assembled the first version of the John Coltrane Quartet. The lineup settled by autumn with McCoy Tyner on piano, Steve Davis on bass, and Elvin Jones on drums. Sessions the week before Ha ...
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John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ...
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Steve Davis (bassist)
Steve Davis (March 14, 1929 – August 21, 1987) (also known by his Muslim name Luquman Abdul Syeed) was a jazz bassist who is best known for his time in the John Coltrane Quartet from 1960 to 1961. In 1960, Davis was briefly part of the John Coltrane Quartet, before being replaced temporarily by Reggie Workman and permanently by Jimmy Garrison Davis recorded '' My Favorite Things'' (1961) with the quartet. He also recorded as a sideman with Chuck and Gap Mangione on ''Hey Baby!'' (1961), and with quartet fellow (and brother-in-law) McCoy Tyner on the 1963 album '' Nights of Ballads & Blues''. Discography With John Coltrane *'' My Favorite Things'' (Atlantic, 1961) *''Coltrane Jazz'' (Atlantic, 1961) *''Coltrane Plays the Blues'' (Atlantic, 1962) *''Coltrane's Sound'' (Atlantic, 1964) With Kenny Dorham *''The Flamboyan, Queens, NY, 1963'' ( Uptown, 2009) With Eddie Jefferson *''Body and Soul'' (Prestige, 1968) With Freddie McCoy *'' Spider Man'' (Prestige, 1965) *''Peas 'n' Ric ...
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Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ...
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Vamp (music)
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), and The Verve's "Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of a ...
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Chord Changes
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the " key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ...
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The Sound Of Music
''The Sound of Music'' is a musical with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and a book by Howard Lindsay and Russel Crouse. It is based on the 1949 memoir of Maria von Trapp, '' The Story of the Trapp Family Singers''. Set in Austria on the eve of the ''Anschluss'' in 1938, the musical tells the story of Maria, who takes a job as governess to a large family while she decides whether to become a nun. She falls in love with the children, and eventually their widowed father, Captain von Trapp. He is ordered to accept a commission in the German navy, but he opposes the Nazis. He and Maria decide on a plan to flee Austria with the children. Many songs from the musical have become standards, including "Edelweiss", " My Favorite Things", "Climb Ev'ry Mountain", "Do-Re-Mi", and the title song "The Sound of Music". The original Broadway production, starring Mary Martin and Theodore Bikel, opened in 1959 and won five Tony Awards, including Best Musical, out of nine ...
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Rodgers And Hammerstein
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their popular Broadway productions in the 1940s and 1950s initiated what is considered the "golden age" of musical theater. Gordon, John Steele''Oklahoma'!'. Retrieved June 13, 2010 Five of their Broadway shows, ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'' and ''The Sound of Music'', were outstanding successes, as was the television broadcast of ''Cinderella'' (1957). Of the other four shows that the team produced on Broadway during their lifetimes, ''Flower Drum Song'' was well-received, and none was an outright flop. Most of their shows have received frequent revivals around the world, both professional and amateur. Among the many accolades their shows (and film versions) garnered were thirty-four Tony Awards, fifteen Academ ...
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My Favorite Things (song)
"My Favorite Things" is a song from the 1959 Rodgers and Hammerstein musical ''The Sound of Music.'' In the original Broadway production, this song was introduced by Mary Martin playing Maria and Patricia Neway playing Mother Abbess. Julie Andrews, who played Maria in the 1965 film version of the musical, had previously sung it on the 1961 Christmas special for ''The Garry Moore Show''. In 2004 the movie version of the song finished at No. 64 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. Other notable versions John Coltrane played a fourteen-minute version in E minor as the title track of an album recorded in October 1960 and released in March 1961. It became a jazz classic and a signature song for Coltrane in concert, also appearing on ''Newport '63'' in 1963. In 1964, Jack Jones became the first of many artists to include the song on a Christmas album. Herb Alpert and the Tijuana Brass released a version in 1969 as a single from their 1968 al ...
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Lewis Porter
Lewis Robert Porter (born May 14, 1951) is an American jazz pianist, composer, author, and educator. Education and career Porter was born in Scranton, Pennsylvania, but raised primarily in the Bronx in New York City. Porter decided at age 10 that he wanted to be a musician, and took violin lessons from about age 10 to 12, then taught himself at the family's upright piano, eventually taking some lessons in college and afterward. Porter earned a Bachelor of Arts in Psychology from the University of Rochester in 1972, and, while there, studied music at Eastman. He went on to earn a Master of Education in Counseling from Northeastern University in 1976, followed by a master's degree in Music Theory from Tufts University in 1979, under T. J. Anderson, his primary mentor. In 1983, Porter received his Ph.D. in Musicology from Brandeis University, where he studied under Joshua Rifkin. He first taught at Tufts University, jazz history, part-time, starting in January 1977. (This led to hi ...
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Coltrane's Sound
''Coltrane's Sound'' is an album credited to jazz musician John Coltrane, recorded in 1960 and released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios during the sessions for '' My Favorite Things'', assembled after Coltrane had stopped recording for the label and was under contract to Impulse! Records. Like Prestige and Blue Note Records before them, as Coltrane's fame grew during the 1960s Atlantic used unissued recordings and released them without either Coltrane's input or approval. On February 16, 1999, Rhino Records reissued ''Coltrane's Sound'' as part of its Atlantic 50th Anniversary Jazz Gallery series. Included were two bonus tracks: "26-2" had been previously released on the 1970 album '' The Coltrane Legacy''; and the alternate take of " Body and Soul" had been released on the 1975 album '' Alternate Takes''. Track listing Side one Side two 1999 reissue bonus tracks Personnel * John Coltrane — tenor saxophone on all ex ...
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Coltrane Plays The Blues
''Coltrane Plays the Blues'' is an album of music by jazz musician John Coltrane, released in July 1962 on Atlantic Records. It was recorded at Atlantic Studios during the sessions for '' My Favorite Things'', assembled after Coltrane had stopped recording for the label and was under contract to Impulse Records. Like Prestige Records before them, as Coltrane's fame grew during the 1960s, Atlantic used unissued recordings and released them without either Coltrane's input or approval. On September 19, 2000, Rhino Records reissued ''Coltrane Plays the Blues'' as part of its Atlantic 50th Anniversary Jazz Gallery series. Included were five bonus tracks, all of which had appeared in 1995 on '' The Heavyweight Champion: The Complete Atlantic Recordings''. Reception Coltrane biographer Ben Ratliff wrote: "''Coltrane Plays the Blues''... turned out to be one of the great records in jazz. It was nevertheless overshadowed by other material he recorded during the same sessions..." Coltran ...
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Coltrane Jazz
''Coltrane Jazz'' is the sixth studio album by jazz musician John Coltrane. It was released in early 1961 on Atlantic Records. Most of the album features Coltrane playing with his former Miles Davis bandmates, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb during two sessions in November and December, 1959. The exception is the track "Village Blues", which was recorded October 21, 1960. "Village Blues" comes from the first recording session featuring Coltrane playing with pianist McCoy Tyner and drummer Elvin Jones, who toured and recorded with Coltrane as part of his celebrated " classic quartet" from 1960 to 1965. Background In 1959, Miles Davis' business manager Harold Lovett negotiated a contract for Coltrane with Atlantic, the terms including a $7000 annual guarantee. After having recorded most of ''Giant Steps'' in May of that year, Coltrane started having bridge problems, and did not return to a recording studio for six months. When he returned to the ...
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