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Musée Du Luxembourg
The Musée du Luxembourg () is a museum at 19 rue de Vaugirard in the 6th arrondissement of Paris. Established in 1750, it was initially an art museum located in the east wing of the Luxembourg Palace (the matching west wing housed the Marie de' Medici cycle by Peter Paul Rubens) and in 1818 became the first museum of contemporary art. In 1884 the museum moved into its current building, the former orangery of the Palace. The museum was taken over by the French Ministry of Culture and the French Senate in 2000, when it began to be used for temporary exhibitions, and became part of the Réunion des Musées Nationaux in 2010. History From 1750 to 1780 it was the first public painting gallery in Paris, displaying the King's collection which included Titian's ''The Madonna of the Rabbit'', Da Vinci's ''Holy Family'' (either '' The Virgin and Child with St. Anne'' or ''Virgin of the Rocks'') and nearly a hundred other Old Master works now forming the nucleus of the Louvre. In 1803, the ...
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Rue De Vaugirard
The Rue de Vaugirard (Street of Vaugirard) is the longest street inside Paris's former city walls, at . It spans the 6th arrondissement of Paris, 6th and 15th arrondissement of Paris, 15th arrondissements. The Senate (France), Senate, housed in the Luxembourg Palace, Palais du Luxembourg, is at 15 Rue de Vaugirard. Location The Rue de Vaugirard is mostly a one-way street from the southwest edge of Paris (at the Porte de Versailles) towards the Latin Quarter, Paris, Latin Quarter at the junction of Boulevard Victor and Boulevard Lefebvre. Traffic flows in both directions between the Rue de Rennes and the Place de l'Odéon. Numbering starts in the Latin Quarter, reaching the 400s by Porte de Versailles. It the longest street in Paris. History The road, which appeared in the 15th century, led from Philip II of France, Philip II's city walls towards the village of Vaugirard. This route was itself based on an old Roman roads, Roman road. Origin of the name "Vaugirard" came from an old ...
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Contemporary Art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of Medium (arts), materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In vernacular English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms ''modern art'' and ''contemporary art'' by non-specialists. Scope Some define contemporary art as art produced within "our lifetime," recognising tha ...
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Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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Old Master
In art history, "Old Master" (or "old master")Old Masters Department
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refers to any of skill who worked in Europe before about 1800, or a painting by such an artist. An "" is an original print (for example an or

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Virgin Of The Rocks
The ''Virgin of the Rocks'' ( it, Vergine delle rocce), sometimes the ''Madonna of the Rocks'', is the name of two paintings by the Italian Renaissance artist Leonardo da Vinci, of the same subject, with a composition which is identical except for several significant details. The version generally considered the prime version, the earlier of the two, is unrestored and hangs in the Louvre in Paris. The other, which was restored between 2008 and 2010, hangs in the National Gallery, London. The works are often known as the Louvre ''Virgin of the Rocks'' and London ''Virgin of the Rocks'' respectively. The paintings are both nearly 2 metres (over 6 feet) high and are painted in oils. Both were originally painted on wooden panels, but the Louvre version has been transferred to canvas. Both paintings show the Mary and child Jesus with the infant John the Baptist and an angel Uriel, in a rocky setting which gives the paintings their usual name. The significant compositional differences ...
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The Virgin And Child With St
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor ...
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The Madonna Of The Rabbit
The ''Madonna of the Rabbit'' (French: ''Vierge au lapin'') is an oil painting by Titian, dated to 1530 and now held in the Louvre in Paris. It is signed "Ticianus f." and is named after the white rabbit held in Mary's left hand. The rabbit is a symbol of fertility and – due to its whiteness – of Mary's purity and the mystery of the Incarnation, and is also a symbol of her virginity; female rabbits and hares can conceive a second litter of offspring while still pregnant with the first, resulting in them being able to give birth seemingly without having been impregnated.Lumpkin, Susan; John Seidensticker (2011). ''Rabbits: The Animal Answer Guide''. JHU Press. . p. 122. History Records show that Federico Gonzaga commissioned three paintings from Titian in 1529. One of these can, with some security, be identified with the ''Madonna of the Rabbit''. The painting's small format shows that it was intended for private devotion. The painting also contains echoes of the artist's pers ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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Plan Du Musée Du Luxembourg (1923)
A plan is typically any diagram or list of steps with details of timing and resources, used to achieve an objective to do something. It is commonly understood as a temporal set of intended actions through which one expects to achieve a goal. For spatial or planar topologic or topographic sets see map. Plans can be formal or informal: * Structured and formal plans, used by multiple people, are more likely to occur in projects, diplomacy, careers, economic development, military campaigns, combat, sports, games, or in the conduct of other business. In most cases, the absence of a well-laid plan can have adverse effects: for example, a non-robust project plan can cost the organization time and money. * Informal or ad hoc plans are created by individuals in all of their pursuits. The most popular ways to describe plans are by their breadth, time frame, and specificity; however, these planning classifications are not independent of one another. For instance, there is a close rel ...
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Réunion Des Musées Nationaux
The Réunion des Musées Nationaux (RMN) is a French cultural umbrella organisation, an établissement public à caractère industriel et commercial (EPIC), formed in 2011, through the merger of the Paris National Museums and the Grand Palais. Its genesis came about in 1896, under the leadership of the French statesmen Raymond Poincaré Raymond Nicolas Landry Poincaré (, ; 20 August 1860 – 15 October 1934) was a French statesman who served as President of France from 1913 to 1920, and three times as Prime Minister of France. Trained in law, Poincaré was elected deputy in 1 ... and Georges Leygues, with the aim of purchasing works of art for national collections. The institution has three current directives: the welcoming of the public, the organizing of temporary exhibitions, and the holding of exhibitions and its permanent collections. On January 1, 2011, the Réunion des Musées Nationaux merged with the public establishment of the Grand Palais des Champs-Élysées, w ...
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