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Musée Des Beaux-arts De Marseille
The Musée des beaux-arts de Marseille is one of the main museums in the city of Marseille, in the Provence-Alpes-Côte d'Azur region. It occupies a wing of the Palais Longchamp, and displays a collection of paintings, sculptures and drawings from the 16th to 19th centuries. History The museum is one of five created by the Consulate in 1801, in the main cities of France. The basis for the collection was the seizure by revolutionaries of state property after the consular decree of 1 September 1800. Successive deposits of state property were made in 1814, 1817 and 1819, and throughout the rest of the 19th century. In 1856, the Borély collection was acquired by the museum. In 1869, the museum moved into the left wing of the Palais Longchamp. As of 2012, the museum was closed for renovations. Building The museum is located in the right wing of the Palais Longchamp, built by the architect Henri-Jacques Espérandieu between 1862 and 1869 to commemorate the arrival in the city ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Longchamp
The Palais Longchamp is a monument in the 4th arrondissement of Marseille, France. It houses the Musée des beaux-arts and Muséum d'histoire naturelle de Marseille. The surrounding Longchamp Park (French: ''Parc Longchamp'') is listed by the French Ministry of Culture as one of the Notable Gardens of France. History The Palais Longchamp was created to celebrate the construction of the Canal de Marseille, which was built to bring water from the river Durance to Marseille. Although the foundation stone was laid by the Duke of Orleans on 15 November 1839, the building took 30 years to complete, partly because of the enormous expense and partly because of difficulties with local regulations. Designed by the architect Henri-Jacques Espérandieu, the building was centered on the structure and elaborate fountain known as the ''château d'eau'' ("water castle"). Description The Palais Longchamp has three main parts: * The ''château d'eau'' * The east wing, which houses the Musà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Mignard
Nicolas Mignard, called Mignard d’Avignon, (7 February 1606 (baptised) – 20 March 1668) was a French painter known for his religious and mythological scenes and portraits.Lada Nikolenko. "Mignard." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 22 May. 2017 He spent most of his active life in Avignon creating religious and mythological paintings for religious institutions and stately homes but ended his career as court painter in Paris.Nicolas Mignard at the Getty Museum Biography Nicolas Mignard was born in Troyes in 1606 as the son of Pierre and Marie Gallois. He came from a family of artisans. He was the older brother of |
Joseph-Marie Vien
Joseph-Marie Vien (sometimes anglicised as Joseph-Mary Wien; 18 June 1716 Р27 March 1809) was a French painter. He was the last holder of the post of Premier peintre du Roi, serving from 1789 to 1791. Biography He was born in Montpellier Montpellier (, , ; oc, Montpelhi̬r ) is a city in southern France near the Mediterranean Sea. One of the largest urban centres in the region of Occitania, Montpellier is the prefecture of the department of H̩rault. In 2018, 290,053 people l .... Protected by Comte de Caylus, he entered at an early age the studio of Charles-Joseph Natoire, Natoire, and obtained the ''grand prix'' in 1745. He used his time at Rome in applying to the study of nature and the development of his own powers all that he gleaned from the masterpieces around him; but his tendencies were so foreign to the reigning taste that on his return to Paris he owed his admission to the academy for his picture ''Daedalus and Icarus'' (Louvre) solely to the indignant pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Greuze
Jean-Baptiste Greuze (, 21 August 1725 Р4 March 1805) was a French painter of portraits, genre scenes, and history painting. Biography Early life Greuze was born at Tournus, a market town in Burgundy. He is generally said to have formed his own talent; at an early age his inclinations, though thwarted by his father, were encouraged by a Lyonnese artist named Grandon, or Grondom, who enjoyed during his lifetime considerable reputation as a portrait-painter. Grandon not only persuaded Greuze's father to give way to his son's wishes, and permit the boy to accompany him as his pupil to Lyon, but, when at a later date he left Lyon for Paris, Grandon carried young Greuze with him. Settled in Paris, Greuze worked from the living model in the school of the Royal Academy, but did not attract the attention of his teachers; and when he produced his first picture, ''Le P̬re de famille expliquant la Bible a ses enfants'', considerable doubt was felt and shown as to his share in its pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Joseph Vernet
Claude-Joseph Vernet (14 August 17143 December 1789) was a French painter. His son, Antoine Charles Horace Vernet, was also a painter. Life and work Vernet was born in Avignon. When only fourteen years of age he aided his father, Antoine Vernet (1689–1753), a skilled decorative painter, in the most important parts of his work. The panels of sedan chairs, however, could not satisfy his ambition, and Vernet started for Rome. The sight of the whales at Marseilles and his voyage thence to Civitavecchia (Papal States' main port on the Tyrrhenian Sea) made a deep impression on him, and immediately after his arrival he entered the studios of whale painter Bernardino Fergioni and marine landscapist Adrien Manglard. Manglard and Fergioni initiated Vernet into seascape painting. In 1734, Vernet left for Rome to study landscape designers and maritime painters, like Claude Gellee, where we find the styles and subjects of Vernet's paintings. Slowly Vernet attracted notice in the artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Robert
Hubert Robert (22 May 1733 – 15 April 1808) was a French painter in the school of Romanticism, noted especially for his landscape paintings and capricci, or semi-fictitious picturesque depictions of ruins in Italy and of France.Jean de Cayeux. "Robert, Hubert." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 13 Jan. 2017 Biography Early years Hubert Robert was born in Paris in 1733. His father, Nicolas Robert, was in the service of François-Joseph de Choiseul, marquis de Stainville a leading diplomat from Lorraine. Young Robert finished his studies with the Jesuits at the Collège de Navarre in 1751 and entered the atelier of the sculptor Michel-Ange Slodtz who taught him design and perspective but encouraged him to turn to painting. In 1754 he left for Rome in the train of Étienne-François de Choiseul, son of his father's employer, who had been named French ambassador and would become a Secretary of State for Foreign Affairs to Louis XV in 1758. In Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-André Van Loo
Carle or Charles-André van Loo (; 15 February 1705 – 15 July 1765) was a French painter, son of the painter Louis-Abraham van Loo, a younger brother of Jean-Baptiste van Loo and grandson of Jacob van Loo. He was the most famous member of a successful dynasty of painters of Netherlands, Dutch origin. His oeuvre includes every category: religion, history painting, mythology, portraiture, allegory, and genre works, genre scenes. Life He was born in Nice, then part of the Duchy of Savoy. Van Loo followed his brother Jean-Baptiste to Turin, and then to Rome in 1712, where he studied under Benedetto Luti and the sculptor Pierre Le Gros the Younger, Pierre Le Gros. After leaving Italy in 1723, he worked in Paris, studied at the Académie Royale, where he gained first prize for drawing in 1723, and received the first prize for historical painting in 1727—as did his future rival François Boucher. In 1724 he won the Prix de Rome. After again visiting Turin in 1727, he was employed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Marc Nattier
Jean-Marc Nattier (17 March 1685 – 7 November 1766) was a French painter. He was born in Paris, the second son of Marc Nattier (1642–1705), a portrait painter, and of Marie Courtois (1655–1703), a miniaturist. He is noted for his portraits of the ladies of King Louis XV's court in classical mythological attire. Life He received his first instruction from his father, and from his uncle, the history painter Jean Jouvenet (1644–1717). He enrolled in the Royal Academy in 1703 and applied himself to copying pictures in the Luxembourg Palace, making a series of drawings of the Marie de Médici painting cycle by Peter Paul Rubens. The publication (1710) of engravings based on these drawings made Nattier famous, but he declined to proceed to the French Academy in Rome, though he had taken the first prize at the Paris Academy at the age of fifteen. In 1715 he went to Amsterdam, where Peter the Great was then staying, and painted portraits of the tsar and the empr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Joseph Natoire
Charles-Joseph Natoire (3 March 1700 – 23 August 1777) was a French painter in the Rococo manner, a pupil of François Lemoyne and director of the French Academy in Rome, 1751–1775. Considered during his lifetime the equal of François Boucher, he played a prominent role in the artistic life of France. He is remembered above all for the series of the ''History of Psyche'' for Germain Boffrand's oval ''salon de la Princesse'' in the Hôtel de Soubise, Paris, and for the tapestry cartoons for the series of the ''History of Don Quixote'', woven at the Beauvais tapestry manufacture, most of which are present at the Château de Compiègne. First Roman stay (1723–1729) He was born in Nîmes. His sister, Jeanne, was a pastellist. in the ''Dictionary of Pastellists Before 1800''. Natoire's father Flore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Oudry
Jean-Baptiste Oudry (; 17 March 1686 – 30 April 1755) was a French Rococo painter, engraver, and tapestry designer. He is particularly well known for his naturalistic pictures of animals and his hunt pieces depicting game. His son, Jacques-Charles Oudry, was also a painter. Biography Jean-Baptiste Oudry was born in Paris, the son of Jacques Oudry, a painter and art dealer, and his wife Nicole Papillon,Bryan,1886-9 relative of the engraver Jean-Baptiste-Michel Papillon. His father was a director of the Académie de Saint-Luc art school, which Oudry joined. At first, Oudry concentrated on portraiture, and he became a pupil and perhaps a collaborator of Nicolas de Largillière from 1707 to 1712. He graduated at only 22 years of age, on 21 May 1708, at the same time as his two older brothers. The next year, he married Marie–Marguerite Froissé, the daughter of a ''miroitier'' (a mirror-maker) to whom he gave lessons in painting. Oudry became an assistant professor at Acad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyacinthe Rigaud
Jacint Rigau-Ros i Serra (; 18 July 1659 – 29 December 1743), known in French as Hyacinthe Rigaud (), was a Catalan-French baroque painter most famous for his portraits of Louis XIV and other members of the French nobility. Biography Rigaud was born in Perpignan, then part of the Crown of Aragon, a few months before Spain ceded the city to France under the Treaty of the Pyrenees (7 November 1659). His family, the ''Rigau'', were Catalan; he was the son of a tailor, the grandson of painter-gilders from Roussillon, and the elder brother of another painter ( Gaspard). Rigaud was baptised with his Catalan name in the old Cathédrale Saint-Jean-Baptiste de Perpignan on 20 July 1659, two days after his birth at rue de la Porte-d'Assaut. His baptismal name was ''Jyacintho Rigau or Jacint Rigau i Ros'' This is sometimes transliterated as ''HÃacint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau'' After the Roussillon and the Cerdanya were ceded to France the following 7 Nov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre-François Desportes
Alexandre-François Desportes (24 February 1661 — 20 April 1743) was a French painter and decorative designer who specialised in animals. Desportes was born in Champigneulle, Ardennes. He studied in Paris, in the studio of the Flemish painter Nicasius Bernaerts, a pupil of Frans Snyders. During a brief sojourn in Poland, 1695–96, he painted portraits of John III Sobieski and Polish aristocrats; after the king's death Desportes returned to Paris, convinced that he should specialise in animals and flowers. He was received by the Académie de peinture et de sculpture in 1699, with the ''Self-Portrait in Hunting Dress'' now in the Musée du Louvre. In 1712–13 he spent six months in England. He received many commissions for decorative panels for the royal châteaux: Versailles, Marly, Meudon, Compiègne and, his last royal commission, for Louis XV at Choisy, 1742. He also did decorative paintings for the duc de Bourbon at Chantilly. Both Louis XIV and Louis XV commissioned p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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