Musée Des Beaux-Arts De Reims
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Musée Des Beaux-Arts De Reims
The Museum of Fine Arts (french: Musée des beaux-arts) is a fine arts museum in Reims, France. History Antoine Ferrand de Monthelon, founder of the school of drawings, bequeaths in 1752 his collection to the city of Reims. Organizer and first curator of the Museum of Reims (1793-1806), Nicolas Bergeat safeguarded works of art seized from the Catholic institutions in Reims and first official deposit was recorded on 10 Vendémiaire, Year II in the former hospice of Magneuses.Biographie des Magneuses de l'hospice général de Reims
The Museum of Fine Arts was founded in 1794 with objects seized during the and was first housed in the city's
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Reims
Reims ( , , ; also spelled Rheims in English) is the most populous city in the French department of Marne, and the 12th most populous city in France. The city lies northeast of Paris on the Vesle river, a tributary of the Aisne. Founded by the Gauls, Reims became a major city in the Roman Empire. Reims later played a prominent ceremonial role in French monarchical history as the traditional site of the coronation of the kings of France. The royal anointing was performed at the Reims Cathedral, Cathedral of Reims, which housed the Holy Ampulla of chrism allegedly brought by a white dove at the baptism of Frankish king Clovis I in 496. For this reason, Reims is often referred to in French as ("the Coronation City"). Reims is recognized for the diversity of its heritage, ranging from Romanesque architecture, Romanesque to Art Deco, Art-déco. Reims Cathedral, the adjacent Palace of Tau, and the Abbey of Saint-Remi were listed together as a UNESCO World Heritage Site in 1991 ...
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Marinus Van Reymerswaele
Marinus may refer to: *Marinus (crater), a crater on the Moon *Marinus (given name), for people named Marinus *Dr. Marinus, a recurring character in the novels of David Mitchell See also *''The Keys of Marinus ''The Keys of Marinus'' is the fifth serial in the British science fiction television series '' Doctor Who'', which was first broadcast on BBC TV/BBC1 in six weekly parts from 11 April to 16 May 1964. Written by Terry Nation and directed by Joh ...
'', a serial in the ''Doctor Who'' TV series {{disambig ...
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Simon Vouet
Simon Vouet (; 9 January 1590 – 30 June 1649) was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris,"Posner, Donald. "''The Paintings of Simon Vouet'' " (book review), ''The Art Bulletin'', Vol. 45, No. 3 (Sept., 1963), pp. 286–291. and was immensely influential in introducing the Italian Baroque style of painting to France. He was also "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco." Career Simon Vouet was born on January 9, 1590, in Paris. His father Laurent was a painter in Paris and taught him the rudiments of art. Simon's brother Aubin Vouet was also ...
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Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ...
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Bartolomeo Manfredi
Bartolomeo Manfredi (baptised 25 August 1582 – 12 December 1622) was an Italian painter, a leading member of the Caravaggisti (followers of Michelangelo Merisi da Caravaggio) of the early 17th century. Life Manfredi was born in Ostiano, near Cremona. He may have been a pupil of Caravaggio in Rome: at his famous libel trial in 1603 Caravaggio mentioned that a certain Bartolomeo Cristofori, accused of distributing scurrilous poems attacking Caravaggio's detested rival Baglione, had been a servant of his. Certainly the Bartolomeo Manfredi known to art history was a close follower of Caravaggio's innovatory style, with its enhanced chiaroscuro and insistence on naturalism, with a gift for story-telling through expression and body-language. Caravaggio in his brief career — gaining fame in 1600, exiled from Rome in 1606, and dead by 1610 — had a profound effect on the younger generation of artists, particularly in Rome and Naples. And of these ''Caravaggisti'' (followers of Ca ...
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Giovanni Battista Moroni
Giovanni Battista Moroni ( – 5 February 1579) was an Italian painter of the Late Renaissance period. He also is called Giambattista Moroni. Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of sixteenth century Italy. Biography Moroni was the son of architect Andrea Moroni. He trained under Alessandro Bonvicino "Il Moretto" in Brescia, where he was the main studio assistant during the 1540s, and worked in Trento, Bergamo and his home town of Albino, near Bergamo, where he was born and died. His two short periods in Trento coincided with the first two sessions of the Council of Trent, 1546–48 and 1551–53. On both occasions Moroni painted a number of religious works (including the altarpiece of the ''Doctors of the Church'' for the church of Santa Maria Maggiore, Bergamo) as well as the series of portraits for which he is remembered. During his stay in Trento he also made contact wi ...
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Matthias Withoos
Matthias Withoos (1627–1703), also known as Calzetta Bianca and Calzetti, was a Dutch painter of still lifes and city scenes, best known for the details of insects, reptiles and undergrowth in the foreground of his pictures.Seymour Slive, ''Dutch Painting 1600-1800'', Yale University Press Pelican history of Art, New Haven, Conn: Yale University Press, 1995, p. 290. .H.-G. Dijk-Koekoek, "Withoos [Calzetti; Galzetta Bianca], Matthias [Matteo]," ''Grove Art Online''. Oxford University Press, [October 29, 2007]. Life Withoos was born in Amersfoort. He studied under Jacob van Campen, at his painters' school just outside the city at his country house, and then with Otto Marseus van Schrieck. When he was 21, Withoos made a trip to Rome with van Schrieck, and Willem van Aelst. In Rome they joined the group of northern artists known as the "Bentvueghels" ("Birds of a feather"), and Withoos went by the alias "Calzetta Bianca" ("White Hose (clothing), Hose") — a translation of his ...
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Melchior D'Hondecoeter
Melchior d'Hondecoeter (; 1636 – 3 April 1695), Dutch animalier painter, was born in Utrecht and died in Amsterdam. After the start of his career, he painted virtually exclusively bird subjects, usually exotic or game, in park-like landscapes. Hondecoeter's paintings featured geese (brent goose, Egyptian goose and red-breasted goose), fieldfares, partridges, pigeons, ducks, northern cardinal, magpies and peacocks, but also African grey crowned cranes, Asian sarus cranes, Indonesian yellow-crested cockatoos, an Indonesian purple-naped lory and grey-headed lovebirds from Madagascar. Biography Being the grandson of the painter Gillis d'Hondecoeter and the son of Gijsbert d'Hondecoeter, whose sister Josina married Jan Baptist Weenix, he was brought up in an artistic milieu.Melchior Hondecoeter
in Houbrake ...
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Nicolaes Maes
Nicolaes Maes (January 1634December 1693 (buried 24 December 1693)) was a Dutch painter known for his genre scenes, portraits, religious compositions and the occasional still life. A pupil of Rembrandt in Amsterdam, he returned to work in his native city of Dordrecht for 20 years. In the latter part of his career he returned to Amsterdam where he became the leading portrait painter of his time.Nicolaes Maes, ''Portrait of a man''
at the Museo Nacional Thyssen-Bornemisza, Madrid
Maes contributed to the development of genre painting in the Netherlands and was the most prominent portrait painter working in Amsterdam in the final three decades of the 17th century.
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David Teniers The Younger
David Teniers the Younger or David Teniers II (bapt. 15 December 1610 – 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output.Teniers the Younger, David
at the National Gallery of Art
He was an innovator in a wide range of genres such as history painting, genre painting, ,

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Gerard Seghers
Gerard SeghersGerard Seghers
at the
Frans Jozef Peter Van den Branden, ''Geschiedenis der Antwerpsche schilderschool'', Antwerpen, 1883, pp. 879–884 (1591 – 18 March 1651) was a Flemish painter, art collector, and art dealer. After a period of study and residence in Italy, he returned to Flanders where he became one of the leading representatives of the Flemish movement. In his later career he abandoned the Caravaggist style and genre motifs to become an important painter of large altar ...
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Jacob Van Loo
Jacob van Loo (1614 – 26 November 1670) was a painter of the Dutch Golden Age, chiefly active in Amsterdam and, after 1660, in Paris. Van Loo is known for his conversational groupings; particularly his mythological and biblical scenes generally attributed to the genre of History painting. He was especially celebrated for the quality of his nudes to the extent that, during his lifetime, particularly his female figures were said to have been considered superior and more popular than those of his Amsterdam contemporary and competitor Rembrandt.Pilkington, Matthew, A.M, ''A General Dictionary of Painters'', vol II, London 1829, p.485. In 1663, three years after fleeing to Paris, Jacob van Loo was accepted into the Académie royale de peinture et de sculpture. Though his father also painted, Jacob's success ensured that he would forever be referred to as the founder of the Van Loo family of painters; a dynasty which was influential in French and European painting from the 17th t ...
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