Music Of Uttar Pradesh
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Uttar Pradesh is a state of India. The region's folk heritage includes songs called rasiya (known especially in Braj), which celebrate the divine love of Radha and Shri Krishna. These songs are played by large drums known as bumb, and are performed at many festivals. During the eras of Guptas and Harsh Vardhans, Uttar Pradesh was a major center for musical innovation. Folk dances or folk theatre forms include: * Ghazals * Khayal * Marsiya * Naqal (mimicry) * Nautanki * Qawwali * Ramlila * Raslila * Swang Uttar Pradesh Uttar Pradesh (; , 'Northern Province') is a state in northern India. With over 200 million inhabitants, it is the most populated state in India as well as the most populous country subdivision in the world. It was established in 1950 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Uttar Pradesh
Uttar Pradesh (; , 'Northern Province') is a state in northern India. With over 200 million inhabitants, it is the most populated state in India as well as the most populous country subdivision in the world. It was established in 1950 after India had become a republic. It was a successor to the United Provinces (UP) during the period of the Dominion of India (1947–1950), which in turn was a successor to the United Provinces (UP) established in 1935, and eventually of the United Provinces of Agra and Oudh established in 1902 during the British Raj. The state is divided into 18 divisions and 75 districts, with the state capital being Lucknow, and Prayagraj serving as the judicial capital. On 9 November 2000, a new state, Uttaranchal (now Uttarakhand), was created from Uttar Pradesh's western Himalayan hill region. The two major rivers of the state, the Ganges and its tributary Yamuna, meet at the Triveni Sangam in Prayagraj, a Hindu pilgrimage site. Ot ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Khayal
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity than intellectual rigour. Etymology (خیال) is an Urdu word of Arabic origin which means "imagination, thought, ideation, meditation, reflection". Hence khyal connotes the idea of a song that is imaginative and creative in either its nature or execution. The word entered India through the medium of the Persian language. Just as the word reflects ideas of imagination and imaginative composition, the musical form is imaginative in conception, artistic and decorative in execution and romantic in appeal.Francis Joseph Steingassخیال A Comprehensive Persian-English Dictionary Characteristics T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Swang (dance Drama)
Saang ( hi, सांग), also known as Swang (meaning "initiation") or Svang (), is a popular folk dance–theatre form in Rajasthan, Haryana, Uttar Pradesh and Malwa region of Madhya Pradesh. Swang incorporates suitable theatrics and Impressionist (entertainment), mimicry (or ''naqal'') accompanied by song and dialogue. It is dialogue-oriented rather than movement-oriented. Religious stories and folk tales are enacted by a group of ten or twelve persons in an open area or an open-air theatre surrounded by the audience.Swang as an art of imitation means Rang-Bharna, Naqal-Karna. Swang can be considered as the most ancient folk theatre form of India. Nautanki, Saang, Tamasha originated from the Swang traditions. Old Swang traditions are: "EK MARDANA EK JANANA MANCH PAR ADE THE RAI" means one male and one female performers start the story. "EK SAARANGI EK DHOLAKIA SAATH MEIN ADE THE RAI" means one sarangi player and one dholak player joins the performance. This Swang/Saang perfor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Raslila
The rasalila (), also rendered the raslila or the ras dance, is part of the traditional story of Krishna described in Hindu scriptures such as the Bhagavata Purana and literature such as the Gita Govinda, where he dances with Radha and the gopis of Vraja. Rasalila has also been a popular theme for other India classical dances including Bharatanatyam, Odissi, Manipuri, Kuchipudi, and Kathak. The Indian classical dance of Kathak evolved from the rasalila of Vraja and ''Manipuri Raas Leela Classical Dance'' (Vrindavana) also known as ''Natwari Nritya'', which was revived in 1960s by the Kathak dancer, Uma Sharma. Etymology The term, '' rasa'' meaning "aesthetics" and ''lila'' meaning "act," "play" or "dance" is a concept from Hinduism, which roughly translates to "play (lila) of aesthetics (rasa)," or more broadly as "Dance of Divine Love". Apart from the definition above, the term also comes from the Sanskrit words '' rasa'' and ''lila'', with ''rasa'' meaning "juice", "nectar", ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ramlila
Ramlila (Rāmlīlā) (literally 'Rama's lila or play') is any dramatic folk re-enactment of the life of Rama according to the ancient Hindu epic ''Ramayana'' or secondary literature based on it such as the ''Ramcharitmanas''. It particularly refers to the thousands of Hindu god Rama-related dramatic plays and dance events, that are staged during the annual autumn festival of Navratri in India. After the enactment of the legendary war between Good and Evil, the Ramlila celebrations climax in the Dussehra (Dasara, Vijayadashami) night festivities where the giant grotesque effigies of Evil such as of demon Ravana are burnt, typically with fireworks.Ramlila, the traditional performance of the Ramayana UNESCO Rama is the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Qawwali
Qawwali ( Punjabi: (Shahmukhi), (Gurmukhi); Urdu: (Nasta'liq); Hindi: क़व्वाली (Devanagari); Bengali: কাওয়ালি (Bengali)) is a form of Sufi Islamic devotional singing, originating from the Indian subcontinent. It is popular mostly in the Punjab and Sindh regions of Pakistan; in Hyderabad, Delhi and other parts of India, especially North India; as well as the Dhaka and Chittagong Divisions of Bangladesh. Originally performed at Sufi shrines or dargahs throughout South Asia, it gained mainstream popularity and an international audience in late 20th century. Qawwali music received international exposure through the work of Nusrat Fateh Ali Khan, Aziz Mian and Sabri Brothers largely due to several releases on the Real World label, followed by live appearances at WOMAD festivals. Other famous Qawwali singers include Fareed Ayyaz & Abu Muhammad, Rahat Fateh Ali Khan, Badar Miandad, Rizwan & Moazzam Duo, Qutbi Brothers, the late Amjad Sabri, Wad ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nautanki
Nautanki is one of the most popular folk performance forms of South Asia, particularly in northern India. Before the advent of Bollywood (the Hindi film industry), Nautanki was the biggest entertainment medium in the villages and towns of northern India. Nautanki's rich musical compositions and humorous, entertaining storylines hold a strong influence over rural people's imagination. Even after the spread of mass media (such as television, DVDs, and online streaming), a crowd of 10,000 to 15,000 can be seen at the top Nautanki performances. Nautanki's origins lie in the Saangit, Bhagat, and Swang musical theatre traditions of Northern India. One Saangit called ''Saangit Rani Nautanki Ka'' became so popular that the whole genre's name became Nautanki. Nautanki is most faomus in Uttar Pradesh, Rajasthan, Madhya Pradesh, Haryana,and Bihar. Performances Nautanki performances are operas based on a popular folk theme derived from romantic tales, mythologies, or biographies of local he ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marsiya
A marsiya ( fa, مرثیه) is an elegiac poem written to commemorate the martyrdom and valour of Hussain ibn Ali and his comrades of the Karbala. Marsiyas are essentially religious. Background The word ''Marsiya'' is derived from the Arabic word ''marthiyya'' (root R-TH-Y), meaning a great tragedy or lamentation for a departed soul. Marsiya is a poem written to commemorate the martyrdom of Ahl al-Bayt, Imam Hussain and Battle of Karbala. It is usually a poem of mourning. Marsiyas in Urdu first appeared in the sixteenth century in the Deccan kingdoms of India. They were written either in the two-line unit form, ''qasida'', or the four-line unit form, ''murabba''. Over time, the ''musaddas'' became the most suitable form for a marsiya. In this form, the first four lines of each stanza referred to as the ''band'' have one rhyme scheme while the remaining two line referred to as the ''tip'' have another. This form found a specially congenial soil in Lucknow, an important Shia Muslim ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ghazals
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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States Of India
State may refer to: Arts, entertainment, and media Literature * ''State Magazine'', a monthly magazine published by the U.S. Department of State * ''The State'' (newspaper), a daily newspaper in Columbia, South Carolina, United States * ''Our State'', a monthly magazine published in North Carolina and formerly called ''The State'' * The State (Larry Niven), a fictional future government in three novels by Larry Niven Music Groups and labels * States Records, an American record label * The State (band), Australian band previously known as the Cutters Albums * ''State'' (album), a 2013 album by Todd Rundgren * ''States'' (album), a 2013 album by the Paper Kites * ''States'', a 1991 album by Klinik * ''The State'' (album), a 1999 album by Nickelback Television * ''The State'' (American TV series), 1993 * ''The State'' (British TV series), 2017 Other * The State (comedy troupe), an American comedy troupe Law and politics * State (polity), a centralized political organizatio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harsha
Harshavardhana ( IAST Harṣa-vardhana; c. 590–647 CE) was a Pushyabhuti emperor who ruled northern India from 606 to 647 CE. He was the son of Prabhakaravardhana who had defeated the Alchon Huna invaders, and the younger brother of Rajyavardhana, a king of Thanesar, present-day Haryana. At the height of Harsha's power, his territory covered much of north and northwestern India, with the Narmada River as its southern boundary. He eventually made Kannauj (in present Uttar Pradesh state) his capital, and ruled till 647 CE.International Dictionary of Historic Places: Asia and Oceania by Trudy Ring, Robert M. Salkin, Sharon La Boda p.507 Harsha was defeated by the Emperor Pulakeshin II of the Chalukya dynasty in the Battle of Narmada, when he tried to expand his empire into the southern peninsula of India. The peace and prosperity that prevailed made his court a centre of cosmopolitanism, attracting scholars, artists and religious visitors from far and wide. The Chinese tra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |