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Music Of Florence
The music of Florence is foundational in the history of Classical music, Western European music. Music was an important part of the Italian Renaissance. It was in Florence that the Florentine Camerata convened in the mid-16th century and experimented with setting tales of Greek mythology to music and staging the result—in other words, the first operas, setting the wheels in motion not just for the further development of the operatic form, but for later developments of separate "classical" forms such as the symphony. History Pre-1450 Florence had a very important music history during the Italian Trecento and was one of the main centres of the Italian Ars nova. Civic music In Florence, the most substantial patron of music until the fall of the Republic of Florence, Republic was the city itself; therefore, music was primarily used as a symbol of the city's cultural achievements. Civic musicians first appeared in civic record starting in the 13th century. These musicians were all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surviving earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marsilio Ficino
Marsilio Ficino (; Latin name: ; 19 October 1433 – 1 October 1499) was an Italian scholar and Catholic priest who was one of the most influential humanist philosophers of the early Italian Renaissance. He was an astrologer, a reviver of Neoplatonism in touch with the major academics of his day, and the first translator of Plato's complete extant works into Latin. His Florentine Academy, an attempt to revive Plato's Academy, influenced the direction and tenor of the Italian Renaissance and the development of European philosophy. Early life Ficino was born at Figline Valdarno. His father, Diotifeci d'Agnolo, was a physician under the patronage of Cosimo de' Medici, who took the young man into his household and became the lifelong patron of Marsilio, who was made tutor to his grandson, Lorenzo de' Medici. Giovanni Pico della Mirandola, the Italian humanist philosopher and scholar was another of his students. Career and thought Platonic Academy During the sessions at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgin Mary
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she raised him in the city of Nazareth in Galilee, and was in Jerusal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mendicant
A mendicant (from la, mendicans, "begging") is one who practices mendicancy, relying chiefly or exclusively on alms to survive. In principle, mendicant religious orders own little property, either individually or collectively, and in many instances members have taken a vow of poverty, in order that all their time and energy could be expended on practicing their respective faith, preaching and serving society. Mendicancy is a form of asceticism, especially in Western Christianity. In Eastern Christianity, some ascetics are referred to as Fools for Christ, whereby they spurn the convention of society in pursuit of living a more wholly Christian life. Religious practice Many religious orders adhere to a mendicant way of life, including the Catholic mendicant orders, Hindu ascetics, some Sufi dervishes of Islam, and the monastic orders of Jainism and Buddhism. While mendicants are the original type of monks in Buddhism and have a long history in Indian Hinduism and the countries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confraternities
A confraternity ( es, cofradía; pt, confraria) is generally a Christians, Christian voluntary association of laity, laypeople created for the purpose of promoting special works of Christian charity or piety, and approved by the Christian Church, Church hierarchy. They are most common among Roman Catholics, Anglicans, Lutherans and the Western Orthodox. When a Catholic confraternity has received the authority to aggregate to itself groups erected in other localities, it is called an archconfraternity. Examples include the various Confraternity of penitents, confraternities of penitents and the confraternities of the cord, as well as the Confraternity of the Rosary. History Pious associations of laymen existed in very ancient times at Constantinople and Alexandria. In France, in the eighth and ninth centuries, the laws of the Carlovingians mention confraternities and guilds. But the first confraternity in the modern and proper sense of the word is said to have been founded at Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnival Song
A carnival song or ''canto carnascialesco'' ( pl. ''canti carnascialeschi'') was a late fifteenth- and early sixteenth-century song used to celebrate the carnival season in Florence, mainly the weeks preceding Lent and the Calendimaggio, which lasted from May 1 to June 24. The festivities included song and dance, usually performed or led by masked professionals. The carnival song was elaborated under the rule of Duke Lorenzo the Magnificent (1469–92) and the ducal court became more involved. Lorenzo wrote lyric poems designed to be sung by members of his court and of the city's guilds, whose members also sang their own songs, with lyrics drawn mostly from popular legend and daily life. These ''canti'' are the textual descendants of the '' caccia'', a song form that was typically satiric and obscene, revelling in the double entendre. The musical settings were generally chordal and strophic (often ABBC), similar to the frottola, which was then popular in Mantua. The A and B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laude
The ''lauda'' (Italian pl. ''laude'') or ''lauda spirituale'' was the most important form of vernacular sacred song in Italy in the late medieval era and Renaissance. ''Laude'' remained popular into the nineteenth century. The lauda was often associated with Christmas, and so is in part equivalent to the English carol, French noel, Spanish villancico, and like these genres occupies a middle ground between folk and learned lyrics. Origin and spread of the lauda Originally, the ''lauda'' was a monophonic (single-voice) form, but a polyphonic type developed in the early fifteenth century. The early ''lauda'' was probably influenced by the music of the troubadours, since it shows similarities in rhythm, melodic style, and especially notation. Many troubadours had fled their original homelands, such as Provence, during the Albigensian Crusade in the early 13th century, and settled in northern Italy where their music was influential in the development of the Italian secular style. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo De' Medici
Lorenzo di Piero de' Medici (; 1 January 1449 – 8 April 1492) was an Italian statesman, banker, ''de facto'' ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo the Magnificent (''Lorenzo il Magnifico'' ) by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists, and poets. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. He held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the Golden Age of Florence. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo De Medici2
Lorenzo may refer to: People * Lorenzo (name) Places Peru * San Lorenzo Island (Peru), sometimes referred to as the island of Lorenzo United States * Lorenzo, Illinois * Lorenzo, Texas * San Lorenzo, California, formerly Lorenzo * Lorenzo State Historic Site, house in New York State listed on the National Register of Historic Places Art, entertainment, and media ;Films and television * ''Lorenzo'' (film), an animated short film * '' Lorenzo's Oil'', a film based on a true story about a boy suffering from Adrenoleukodystrophy and his parents' journey to find a treatment. * '' Lorenzo's Time'', a 2012 Philippine TV series that aired on ABS-CBN ;Music *Lorenzo (rapper), French rapper * "Lorenzo", a 1996 song by Phil Collins Other uses * List of storms named Lorenzo * Lorenzo patient record systems, a type of electronic health record in the United Kingdom See also * San Lorenzo (other) * De Lorenzo * di Lorenzo * Lorenzen (other) Lorenzen may refer to People ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Entendre
A double entendre (plural double entendres) is a figure of speech or a particular way of wording that is devised to have a double meaning, of which one is typically obvious, whereas the other often conveys a message that would be too socially awkward, sexually suggestive, or offensive to state directly. A double entendre may exploit puns or word play to convey the second meaning. Double entendres generally rely on multiple meanings of words, or different interpretations of the same primary meaning. They often exploit ambiguity and may be used to introduce it deliberately in a text. Sometimes a homophone can be used as a pun. When three or more meanings have been constructed, this is known as a "triple entendre", etc. Etymology According to the Merriam-Webster Unabridged Dictionary and the Oxford English Dictionary, the expression comes from the rare and obsolete French expression, which literally meant "double meaning" and was used in the senses of "double understanding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canti Carnascialeschi
A carnival song or ''canto carnascialesco'' (pl. ''canti carnascialeschi'') was a late fifteenth- and early sixteenth-century song used to celebrate the carnival season in Florence, mainly the weeks preceding Lent and the Calendimaggio, which lasted from May 1 to June 24. The festivities included song and dance, usually performed or led by masked professionals. The carnival song was elaborated under the rule of Duke Lorenzo the Magnificent (1469–92) and the ducal court became more involved. Lorenzo wrote lyric poems designed to be sung by members of his court and of the city's guilds, whose members also sang their own songs, with lyrics drawn mostly from popular legend and daily life. These ''canti'' are the textual descendants of the '' caccia'', a song form that was typically satiric and obscene, revelling in the double entendre. The musical settings were generally chordal and strophic (often ABBC), similar to the frottola, which was then popular in Mantua. The A and B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John The Baptist
John the Baptist or , , or , ;Wetterau, Bruce. ''World history''. New York: Henry Holt and Company. 1994. syc, ܝܘܿܚܲܢܵܢ ܡܲܥܡܕ݂ܵܢܵܐ, Yoḥanān Maʿmḏānā; he, יוחנן המטביל, Yohanān HaMatbil; la, Ioannes Baptista; cop, ⲓⲱⲁⲛⲛⲏⲥ ⲡⲓⲡⲣⲟⲇⲣⲟⲙⲟⲥ or ; ar, يوحنا المعمدان; myz, ࡉࡅࡄࡀࡍࡀ ࡌࡀࡑࡁࡀࡍࡀ, Iuhana Maṣbana. The name "John" is the Anglicized form, via French, Latin and then Greek, of the Hebrew, "Yochanan", which means "YHWH is gracious"., group="note" ( – ) was a mission preacher active in the area of Jordan River in the early 1st century AD. He is also known as John the Forerunner in Christianity, John the Immerser in some Baptist Christian traditions, and Prophet Yahya in Islam. He is sometimes alternatively referred to as John the Baptiser. John is mentioned by the Roman Jewish historian Josephus and he is revered as a major religious figure Funk, Robert W. & the Jes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
