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Music For The People (Marky Mark And The Funky Bunch Album)
''Music for the People'' is the debut studio album by American hip hop group Marky Mark and the Funky Bunch, released on July 23, 1991. The album was a success, reaching #1 on the Top Heatseekers Albums chart, and #21 on the ''Billboard'' 200, thanks to the hit single, "Good Vibrations". Alongside "Good Vibrations", the album spawned an additional top-ten single, " Wildside" (#10 on the ''Billboard'' Hot 100) and the minor hit "I Need Money". The album was certified platinum by the RIAA on January 14, 1992. "Good Vibrations" was Marky Mark and the Funky Bunch's first single, and after its release it went to number one on the U.S. ''Billboard'' Hot 100 chart. The song, and most of the album, was produced by Mark Wahlberg's brother, Donnie Wahlberg, who is part of the group New Kids on the Block. Background Before the group was even formed, Mark Wahlberg, who was the lead singer, was in jail for beating a Vietnamese man. Even before Mark got arrested, he dropped out of school ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marky Mark And The Funky Bunch
Marky Mark and the Funky Bunch was an American hip-hop group formed in 1991 by Mark Wahlberg (alias Marky Mark), Scott Gee, Hector the Booty Inspector, DJ-T, and Ashey Ace. The group's best known song is "Good Vibrations", which made it to number one on the ''Billboard'' Hot 100 in 1991, while their follow-up song " Wildside" peaked at number 10. History Marky Mark and the Funky Bunch released their debut album, '' Music for the People'' on July 23, 1991. The album was a huge success for the group, making it to No. 1 on the Top Heatseekers chart and No. 21 on the ''Billboard'' 200. The album's success was fueled by two top-10 singles, both of which were certified gold, "Good Vibrations", which went to No. 1 on the ''Billboard'' Hot 100, and " Wildside" which went to No. 10 on the Hot 100. The album itself first went gold on November 15, 1991, before being certified platinum on January 14, 1992. At the height of the group's success, they also had a video game released by Digit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vietnamese Americans In Boston
There is a Vietnamese American population in Boston. As of 2012 Boston has the largest group of ethnic Vietnamese in the state. Other groups of Vietnamese are in Braintree, Chelsea, Everett, Lynn, Malden, Medford, Quincy, Randolph, Revere, and Weymouth. Vietnamese also live in more distant cities in the Boston combined statistical area and the area around Boston: Attleboro, Brockton, Fall River, Haverhill, Methuen, Lowell and Worcester. History After the Vietnam War ended in 1975, refugees from Vietnam settled amongst many states, one of which includes Boston. Many early refugees fled by boat due to fear of political persecution. These people are called Vietnamese Boat People.Enwemeka, Zeninjor.40 Years After Saigon’s Fall, Dorchester’s Vietnamese Community Recalls Loss, Opportunity (). ''WBUR''. April 30, 2015. Retrieved on September 9, 2015. By 1992 some Vietnamese gangs were active in the Boston area. Demographics In 2000 there were 1,112 ethnic Vietnamese in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Marino
George Marino (April 15, 1947 – June 4, 2012) was an American mastering engineer known for working on albums by rock bands starting in the late 1960s. Biography Marino was born on April 15, 1947, in the New York City borough The Bronx. He attended Christopher Columbus High School there and learned to play the saxophone and bass fiddle in the high school band and was classically trained on guitar. Marino broke into the music business as a guitarist playing rock and roll in local New York City bands such as The Chancellors and The New Sounds Ltd. until most of the band members were drafted into the service for the war in Vietnam. In 1967, Marino landed his first job in the industry as a librarian and assistant at Capitol Studios. Soon after, he apprenticed in the mastering department alongside of Joe Lansky, cutting rock, pop, jazz and classical albums. There, in 1968, he met his future wife, Rose Gross, whom he married in 1973. Gross became Clive Davis' assistant in 1974, a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Jensen
Ted Jensen (born September 19, 1954) is an American mastering engineer, known for having mastered many recordings, including the Eagles' ''Hotel California'', Green Day's '' American Idiot'' and Norah Jones' ''Come Away with Me''. Biography Ted Jensen was born to Carl and Margaret (Anning) Jensen, both of whom were musicians. Carl had studied at Yale University. Margaret went to Oberlin College & Conservatory and Skidmore College and was also a pilot. Carl and Margaret met on a train while going to a choral workshop. Ted has one brother, Rick, and two daughters, Kristen and Kim. While attending High School, Jensen was building his own stereo and recording equipment and began recording local bands both in the studio and at live events. During this time, he recorded several performances for the Yale Symphony Orchestra at Woolsey Hall in New Haven and also met Mark Levinson, who was starting an audio equipment company. Jensen joined up with Levinson and aided in the design and man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Castor
James Walter Castor (January 23, 1940 – January 16, 2012) was an American funk, R&B, and soul musician. He is credited with vocals, saxophone and composition. He is best known for songs such as "It's Just Begun", "The Bertha Butt Boogie", and his biggest hit single, the million-seller "Troglodyte (Cave Man)." Castor has been described as "one of the most sampled artists in music history" by the BBC. Musical career He was born in Manhattan, New York, United States. He started a group called Jimmy and the Juniors, who in 1956 recorded the original version of "I Promise to Remember", which according to Castor Mercury Records did not want to promote. George Goldner had the famous doo-wop group The Teenagers record it and it became their third hit single. Later, Castor was asked to join the Teenagers. In late 1966, he released "Hey Leroy, Your Mama's Callin' You". As a solo artist and leader of The Jimmy Castor Bunch (TJCB) in the 1970s, Castor released several successful albums a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Jonzun
Michael Jonzun is a musician and music producer. His specialty genres are electro, electronic dance, and electrofunk. Born in Florida, he formed the Jonzun Crew in Boston with Steve Thorpe and Gordy Worthy. In the early 1980s, the group recorded electro dance tracks including "Pack Jam (Look Out for the OVC)" and "Space Cowboy". The former was inspired by Michael Jonzun's distaste toward the popular ''Pac-Man'' video game. He made several more LPs in the 1980s, but with less commercial success. He also produced many recordings by other artists. He collaborated with his brother, Soni Jonzun, and with collaborator Maurice Starr, contributed to early tracks by both groups. He also worked on Peter Wolf's ''Lights Out'' and Tom Browne's ''Rockin' Radio''. In 1986, he left the band to pursue a solo career and released an album on A&M Records. In 2012, Jonzun sued the estate of Michael Jackson for $24 million, claiming co-writing credit on " This is It," a song Jackson recorded in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Reed
Lewis Allan Reed (March 2, 1942October 27, 2013) was an American musician, songwriter, and poet. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground became regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career. Having played guitar and sung in doo-wop groups in high school, Reed studied poetry at Syracuse University under Delmore Schwartz, and had served as a radio DJ, hosting a late-night avant garde music program while at college. After graduating from Syracuse, he went to work for Pickwick Records in New York City, a low-budget record company that specialized in sound-alike recordings, as a songwriter and sess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loleatta Holloway
Loleatta Holloway (, ; November 5, 1946 – March 21, 2011) was an American singer known for disco songs such as "Hit and Run" and "Love Sensation". In December 2016, ''Billboard'' named her the 95th most successful dance artist of all time. According to the ''Independent'', Holloway is the most sampled female singer in popular music, used in house and dance tracks such as the 1989 single "Ride on Time". Biography Holloway began singing gospel with her mother in the Holloway Community Singers in Chicago and recorded with Albertina Walker in the Caravans gospel group between 1967 and 1971. Holloway was also a cast member of the Chicago troupe of ''Don't Bother Me, I Can't Cope''. Around this time, she met her future producer, manager, and husband Floyd Smith, and recorded " Rainbow ’71" in 1971, a Curtis Mayfield song that Gene Chandler had recorded in 1963. It was initially released on the Apache label, but was picked up for national distribution by Galaxy Records. In the ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alliteration
Alliteration is the conspicuous repetition of initial consonant sounds of nearby words in a phrase, often used as a literary device. A familiar example is "Peter Piper picked a peck of pickled peppers". Alliteration is used poetically in various languages around the world, including Arabic, Irish, German, Mongolian, Hungarian, American Sign Language, Somali, Finnish, Icelandic. Historical use The word ''alliteration'' comes from the Latin word ''littera'', meaning "letter of the alphabet". It was first coined in a Latin dialogue by the Italian humanist Giovanni Pontano in the 15th century. Alliteration is used in the alliterative verse of Old English, Old Norse, Old High German, Old Saxon, and Old Irish. It was an important ingredient of the Sanskrit shlokas. Alliteration was used in Old English given names. This is evidenced by the unbroken series of 9th century kings of Wessex named Æthelwulf, Æthelbald, Æthelberht, and Æthelred. These were followed in the 10th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperbole
Hyperbole (; adj. hyperbolic ) is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric, it is also sometimes known as auxesis (literally 'growth'). In poetry and oratory, it emphasizes, evokes strong feelings, and creates strong impressions. As a figure of speech, it is usually not meant to be taken literally. Etymology 'Hyperbole' is derived from the grc, ''huperbolḗ'' by way of Latin. The word is composed from ''hupér'' 'above, beyond' and ''bállō'' 'throw'. Unlike most English words beginning with ''hyper-'', it is stressed on the second syllable. The first known use is in the 15th century. 'Hype' is a shortened version. Usage Hyperbole is often used for emphasis or effect. In casual speech, it functions as an intensifier: saying "the bag weighed a ton" simply means that the bag was extremely heavy. The rhetorical device may be used for serious or ironic or comic effects. Understanding hyperbole and its use in context can help un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simile
A simile () is a figure of speech that directly ''compares'' two things. Similes differ from other metaphors by highlighting the similarities between two things using comparison words such as "like", "as", "so", or "than", while other metaphors create an implicit comparison (i.e. saying something "''is''" something else). This distinction is evident in the etymology of the words: simile derives from the Latin word ''similis'' ("similar, like"), while metaphor derives from the Greek word ''metapherein'' ("to transfer"). Like in the case of metaphors, the thing that is being compared is called the tenor, and the thing it is being compared to is called the vehicle. Author and lexicographer Frank J. Wilstach compiled a dictionary of similes in 1916, with a second edition in 1924. Uses In literature * "O My like a red, red rose." "A Red, Red Rose," by Robert Burns. * John Milton, ''Paradise Lost'', a Homeric simile:::As when a prowling Wolf, ::Whom hunger drives to seek new haun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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