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Music And Letters
''Music & Letters'' is an academic journal published quarterly by Oxford University Press with a focus on musicology. The journal sponsors the Music & Letters Trust, twice-yearly cash awards of variable amounts to support research in the music field. A. H. Fox Strangways established the journal in 1920 and served as editor-in-chief until 1937. Eric Blom served as editor from 1937 to 1950 and again from 1954 to 1959. Other editors-in-chief have included Richard Capell, J.A. Westrup, Denis Arnold, Edward Olleson, Nigel Fortune, John Whenham John Whenham is an English musicologist and academic who specializes in early Italian baroque music. He earned both a Bachelor of Music and a Master of Music from the University of Nottingham, and a Doctor of Philosophy from the University of Oxfor ..., and Tim Carter. References External links * {{DEFAULTSORT:Music and Letters Music journals Oxford University Press academic journals Publications established in 1920 ...
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Musicology
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ...
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Academic Journal
An academic journal or scholarly journal is a periodical publication in which scholarship relating to a particular academic discipline is published. Academic journals serve as permanent and transparent forums for the presentation, scrutiny, and discussion of research. They nearly-universally require peer-review or other scrutiny from contemporaries competent and established in their respective fields. Content typically takes the form of articles presenting original research, review articles, or book reviews. The purpose of an academic journal, according to Henry Oldenburg (the first editor of ''Philosophical Transactions of the Royal Society''), is to give researchers a venue to "impart their knowledge to one another, and contribute what they can to the Grand design of improving natural knowledge, and perfecting all Philosophical Arts, and Sciences." The term ''academic journal'' applies to scholarly publications in all fields; this article discusses the aspects common to all ac ...
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Musicology
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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Editor-in-chief
An editor-in-chief (EIC), also known as lead editor or chief editor, is a publication's editorial leader who has final responsibility for its operations and policies. The highest-ranking editor of a publication may also be titled editor, managing editor, or executive editor, but where these titles are held while someone else is editor-in-chief, the editor-in-chief outranks the others. Description The editor-in-chief heads all departments of the organization and is held accountable for delegating tasks to staff members and managing them. The term is often used at newspapers, magazines, yearbooks, and television news programs. The editor-in-chief is commonly the link between the publisher or proprietor and the editorial staff. The term is also applied to academic journals, where the editor-in-chief gives the ultimate decision whether a submitted manuscript will be published. This decision is made by the editor-in-chief after seeking input from reviewers selected on the basis of re ...
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Eric Blom
Eric Walter Blom (20 August 188811 April 1959) was a Swiss-born British-naturalised music lexicographer, music critic and writer. He is best known as the editor of the 5th edition of ''Grove's Dictionary of Music and Musicians'' (1954). Biography Blom was born in Bern, Switzerland. His father was of Danish and British descent, and his mother was Swiss. He was educated in German-speaking Switzerland,Frank Howes, "Blom, Eric (Walter)" in ''Grove's Dictionary of Music and Musicians'', 5th edition, Supplementary Volume, 1961 and later in England. He was largely self-taught in music. He started in music journalism by assisting Rosa Newmarch in writing program notes for Sir Henry J. Wood's Prom Concerts, which were notable for their abundance of accurate information. From 1923 to 1931 he was the London music correspondent for the ''Manchester Guardian''. He then went to the ''Birmingham Post'' (1931–46, succeeding A J Sheldon), and returned to London in 1949, as music critic ...
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Richard Capell
Richard Capell (23 March 188521 June 1954) was a British journalist who was music critic for the ''Daily Mail'' (1911–1933) and thereafter at ''The Daily Telegraph''."Obituary in ''The Times'', ''Mr. Richard Capell'', 22 June 1954, p.10 Biography Capell was born in Northampton and educated at Bedford Modern School. He then studied the cello in London and Lille, before becoming a journalist. He served in France during the First World War; he was awarded a Military Medal for gallantry at the Battle of Vimy Ridge.Brown, Maurice J.E" Capell, Richard" ''Grove Music Online'', Oxford Music Online, accessed 23 April 2012 From 1928 to 1933 he worked on the ''Monthly Musical Record'', where, according to ''Grove's Dictionary of Music and Musicians'', his abilities as an editor were evident. He became chief music critic of ''The Daily Telegraph'' from 1933 until his death in 1954. In 1937 he took on the proprietorship of the journal ''Music and Letters'', and he was its editor from 195 ...
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Jack Westrup
Sir Jack Westrup (26 July 190421 April 1975) was an English musicologist, writer, teacher and occasional conductor and composer. Biography Jack Allan Westrup was the second of the three sons of George Westrup, insurance clerk, of Dulwich, and his wife, Harriet Sophia née Allan. He was educated at Dulwich College, London 1917–22, and at Balliol College, Oxford. He first read classics in which he gained first class honours in moderations (1924) and second class honours in ''literae humaniores'' (1926). He gained his B.Mus. degree in 1926, and a Master of Arts in 1929. He took an active part in music in the university as a keyboard and brass player. With an Italian expatriate Arundel del Re, he co-founded the Oxford University Opera Club while still an undergraduate, and was later its conductor. The club had a policy of producing works in English and used its funds to hire professional singers and conductors. In 1925, with William Henry Harris, he staged the first complete per ...
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Denis Arnold
Denis Midgley Arnold (Sheffield, 15 December 1926 – Budapest, 28 April 1986) was a British musicologist. Biography After being employed in the extramural department of Queen's University, Belfast, he became a Lecturer in Music at the University of Hull, and from 1969 to 1975 was Professor of Music at The University of Nottingham. From 1975 he was Heather Professor of Music at Oxford University. He served as editor of ''Music & Letters''. He is best known for his editing of ''The New Oxford Companion to Music'' (1983, Oxford University Press), which under his editorship grew to a two-volume work of some 2000 pages, with a broader coverage than Percy Scholes' original; and for his work on the music of Monteverdi, Marenzio and Giovanni Gabrieli Giovanni Gabrieli (c. 1554/1557 – 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time ...
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Edward Olleson
Edward is an English given name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortune; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy and Ned. Peop ...
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Nigel Fortune
Nigel Cameron Fortune (5 December 1924 – 10 April 2009) was an English musicologist and political activist. Along with Thurston Dart, Oliver Neighbour and Stanley Sadie he was one of Britain's leading musicologists of the post-World War II generation. He played an instrumental part in improving professional musicological standards in England through research initiatives, conferences and scholarly publications. This greatly increased his country's international reputation in the field of music scholarship. Fortune's speciality in musicological research was in 17th-century Italian music and on the lives and works of George Friederich Handel and Henry Purcell. He contributed articles to several encyclopaedias and was notably one of the senior editors of ''The New Grove Dictionary of Music and Musicians''. He also contributed writings or served as an editor to numerous music publications and books. For many years he was the co-editor of the journal ''Music & Letters''. Life and ...
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John Whenham
John Whenham is an English musicologist and academic who specializes in early Italian baroque music. He earned both a Bachelor of Music and a Master of Music from the University of Nottingham, and a Doctor of Philosophy from the University of Oxford. He is a leading expert on the life and works of Claudio Monteverdi, and is the author of the books ''Duet and Dialogue in the Age of Monteverdi'' (Ann Arbor, Michigan: University Microfilms International, 1982) ''Monteverdi, 'Orfeo' '' (London: Cambridge University Press, 1986), ''Monteverdi, Vespers (1610)'' (Cambridge University Press, 1997), and '' The Cambridge Companion to Monteverdi'' (with Richard Wistreich, Cambridge University Press, 2007). For five years he was co-editor of the journal ''Music & Letters''. He currently serves on the board of the Birmingham Early Music Festival and was head of the music history department at the University of Birmingham , mottoeng = Through efforts to heights , established = 1825 – ...
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