Museum Of The Moving Image (London)
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Museum Of The Moving Image (London)
The Museum of the Moving Image (MOMI) was a museum of the history of cinema technology and media sited below Waterloo Bridge in London. It was opened on 15 September 1988 by Prince Charles. The museum formed part of the cultural complex on the South Bank of the River Thames. MOMI was mainly funded by private subscription and operated by the British Film Institute. MOMI was closed in 1999, initially on a supposedly temporary basis, and with the intention of its being relocated to Jubilee Gardens nearby. Its permanent closure was announced in 2002. Development MOMI was the brainchild of National Film Theatre Controller Leslie Hardcastle. Hardcastle's vision was realised by significant fundraising by then Director of the BFI, Anthony Smith and a development team including David Francis, David Robinson, Charles Beddow (1929-2012), Chief Technical Officer of the National Film Theatre, and the designer Neal Potter. Smith raised the museum's £15m project costs entirely from priv ...
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Momi 1980s
Momi may refer to: People * Hilaire Momi (born 1990), Central African footballer * Momi Zafran (born 1956), Israeli football coach * Raaginder (born 1992), Thai Indian musician Places * Museum of the Moving Image, a museum in New York * Museum of the Moving Image (London), a museum in London * Pali Momi Medical Center, a nonprofit hospital located in West O‘ahu, Hawai‘i * Momi cafe, a coffee house in Pingjiang Road, Suzhou, China Other uses

* Abies firma, the ''momi fir'', a species of fir native to central and southern Japan * Japanese ship Momi, ''Momi'' (ship), several Japanese ships {{disambiguation ...
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Marilyn Monroe
Marilyn Monroe (; born Norma Jeane Mortenson; 1 June 1926 4 August 1962) was an American actress. Famous for playing comedic " blonde bombshell" characters, she became one of the most popular sex symbols of the 1950s and early 1960s, as well as an emblem of the era's sexual revolution. She was a top-billed actress for a decade, and her films grossed $200 million (equivalent to $ billion in ) by the time of her death in 1962. Long after her death, Monroe remains a major icon of pop culture. In 1999, the American Film Institute ranked her sixth on their list of the greatest female screen legends from the Golden Age of Hollywood. Multiple film critics and media outlets have cited Monroe as one of the best actors never to have received an Academy Award nomination. Born and raised in Los Angeles, Monroe spent most of her childhood in a total of 12 foster homes and an orphanage; she married at age sixteen. She was working in a factory during World War II when she met a ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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World War I
World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fighting occurring throughout Europe, the Middle East, Africa, the Pacific, and parts of Asia. An estimated 9 million soldiers were killed in combat, plus another 23 million wounded, while 5 million civilians died as a result of military action, hunger, and disease. Millions more died in genocides within the Ottoman Empire and in the 1918 influenza pandemic, which was exacerbated by the movement of combatants during the war. Prior to 1914, the European great powers were divided between the Triple Entente (comprising France, Russia, and Britain) and the Triple Alliance (containing Germany, Austria-Hungary, and Italy). Tensions in the Balkans came to a head on 28 June 1914, following the assassination of Archduke Franz Ferdin ...
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Birt Acres
Birt Acres (23 July 1854 – 27 December 1918) was an American and British photographer and film pioneer. Among his contributions to the early film industry are the first working 35 mm camera in Britain (Wales), and ''Birtac'', the first daylight loading home movie camera and projector. He also directed a number of early silent films. Early life Born in Richmond, Virginia, on 23 July 1854, to English parents. He became an orphan at the age of 14, during the American Civil War and was raised by an aunt. Career Acres invented the first British 35 mm moving picture camera, ''Birtac'' which was the first daylight loading home movie camera and projector; he was also the first travelling newsreel reporter in international film history and the first European film maker who had his films shown in the United States in public performances. He contributed much to the introduction and development of cinematography in all its aspects, from the construction of cameras, projectors, f ...
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Persistence Of Vision
Persistence of vision traditionally refers to the optical illusion that occurs when visual perception of an object does not cease for some time after the rays of light proceeding from it have ceased to enter the eye. The illusion has also been described as "retinal persistence", "persistence of impressions", simply "persistence" and other variations. A very commonly given example of the phenomenon is the apparent fiery trail of a glowing coal or burning stick while it is whirled around in the dark. Many explanations of the illusion actually seem to describe either positive afterimages or motion blur. "Persistence of vision" can also be understood to mean the same as "flicker fusion," the effect that vision seems to persist continuously when the light that enters the eyes is interrupted with short and regular intervals. When the frequency is too high for the visual system to discern differences between moments, light and dark impressions fuse together into a continuous impressio ...
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Movie Projector
A movie projector is an optics, opto-mechanics, mechanical device for displaying Film, motion picture film by projecting it onto a movie screen, screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras. Modern movie projectors are specially built video projectors. (see also digital cinema) Many projectors are specific to a particular film gauge and not all movie projectors are film projectors since the use of film is required. Predecessors The main precursor to the movie projector was the magic lantern. In its most common setup it had a concave mirror behind a light source to help direct as much light as possible through a painted glass picture slide and a lens, out of the lantern onto a screen. Simple mechanics to have the painted images moving were probably implemented since Christiaan Huygens introduced the apparatus around 1659. Initially candles and oil lamps were used, but other light sources, such ...
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Magic Lantern
The magic lantern, also known by its Latin name , is an early type of image projector that used pictures—paintings, prints, or photographs—on transparent plates (usually made of glass), one or more lenses, and a light source. Because a single lens inverts an image projected through it (as in the phenomenon which inverts the image of a camera obscura), slides were inserted upside down in the magic lantern, rendering the projected image correctly oriented. It was mostly developed in the 17th century and commonly used for entertainment purposes. It was increasingly used for education during the 19th century. Since the late 19th century, smaller versions were also mass-produced as toys. The magic lantern was in wide use from the 18th century until the mid-20th century when it was superseded by a compact version that could hold many 35 mm photographic slides: the slide projector. Technology Apparatus The magic lantern used a concave mirror behind a light source to direct ...
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Photography
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive, depending on the purp ...
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Phantasmagoria
Phantasmagoria (, also fantasmagorie, fantasmagoria) was a form of horror theatre that (among other techniques) used one or more magic lanterns to project frightening images, such as skeletons, demons, and ghosts, onto walls, smoke, or semi-transparent screens, typically using rear projection to keep the lantern out of sight. Mobile or portable projectors were used, allowing the projected image to move and change size on the screen, and multiple projecting devices allowed for quick switching of different images. In many shows, the use of spooky decoration, total darkness, (auto-)suggestive verbal presentation, and sound effects were also key elements. Some shows added a variety of sensory stimulation, including smells and electric shocks. Such elements as required fasting, fatigue (late shows), and drugs have been mentioned as methods of making sure spectators would be more convinced of what they saw. The shows started under the guise of actual séances in Germany in the late ...
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