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Museo Civico D'Arte Antica
The Museo Civico d'Arte Antica is an art museum located in the Palazzo Madama, Turin, Palazzo Madama in Turin, Italy. It has a renowned collection of paintings from the Medieval art, medieval, Renaissance art, Renaissance and Baroque art, Baroque periods. It reopened in 2006 after several years of restorations. History The museum was founded in 1934, as the heir of the Pinacoteca Regia and the Galleria Reale, which had been established in Palazzo Madama by King Charles Albert of Savoy in 1832. A Civic Museum had been founded in 1860 in the wake of the unification of Italy although, three years later, the collections were moved to another location in Turin, in Via Gaudenzio Ferrari. These were increased gradually with acquisitions from private collectors, from closed residences of the House of Savoy, or from donations by the same family. In 1898 the collections of "ancient art" were separated from those of "modern art". The former were moved to the current location in 1934 by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo D'Arte Antica
The Museo d'Arte Antica ('Museum of Ancient Art') is an art museum in the Castello Sforzesco in Milan, in Lombardy in northern Italy. It has a large collection of sculpture from late antiquity and the medieval and Renaissance periods. The various frescoed rooms of the museum house an armoury, a tapestry room, some funerary monuments, Michelangelo's '' Rondanini Pietà'' and two medieval portals. The Sala Verde ('green room') displays 15th- and 16th-century sculptures, the collection of arms of the Castello Sforzesco and the Portale del Banco Mediceo, a gate removed from Via Bossi. The collection of arms, in the second part of the room, displays sculptures, armour, swords and firearms in chronological sequence from the Middle Ages to the 18th century. The Sala delle Asse, designed and frescoed by Leonardo da Vinci at the request of Lodovico il Moro, represents the Sforza The House of Sforza () was a ruling family of Renaissance Italy, based in Milan. They acquired the Duc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Oriental Art (Turin)
The ''Museum of Oriental Art'' ( it, Museo d'Arte Orientale, also known by the acronym ''MAO'') is a museum located in a 17th-century palazzo in the city of Turin, Italy. The museum contains one of the most important collections of Asian art in Italy. The collection of some 2200 works represents cultural and artistic traditions from across the Asian continent. History The museum opened on December 5, 2008, with the merger of the Asian collection of the Turin City Museum of Ancient Art at the Palazzo Madama and contributions from Turin City Hall, the Region of Piedmont, the Fondazione Giovanni Agnelli and Compagnia di San Paolo. Architect Andrea Bruno oversaw the restoration of the Palazzo Mazzonis to house the newly formed museum. Collection Two Japanese rock gardens are located in a courtyard on the ground floor, as well as space for temporary exhibitions. The first floor includes collections from India, ancient Gandhara, and Southeast Asia. The collections of Chinese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivarini
Antonio Vivarini (Antonio of Murano) (active c. 14401480) was an Italian painter of the early Renaissance-late Gothic period, who worked mostly in the Republic of Venice. He is probably the earliest of a family of painters, which was descended from a family of glassworkers active in Murano. The painting dynasty included his younger brother Bartolomeo and Antonio's son Alvise Vivarini. Life He initially trained with Andrea da Murano, and his works show the influence of Gentile da Fabriano. The earliest known date of a picture of his, an altar-piece in the Accademia is 1440; the latest, in the Vatican Museums, 1464, but he appears to have been alive in 1470. He collaborated with his brother in law, Giovanni d'Alemagna (also known as "Joannes de Alemania"), who sometimes has been regarded as a brother (Giovanni of Murano). No trace of this painter exists of a date later than 1447. After 1447 Antonio painted either alone or in combination with his younger brother Bartolommeo i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Defendente Ferrari
Defendente Ferrari (c. 1480/1485 – c. 1540) was an Italian painter active in Piedmont. His work marks the transition from late Gothic traditions to Renaissance art in the region. Life and work Ferrari was born at Chivasso, near Turin. Here he trained and initially worked in the workshop of Giovanni Martino Spanzotti. Spanzotti had been the pre-eminent painter in western Piedmont after moving to Chivasso c. 1502. Many works previously thought to have been by Spanzotti are now attributed to Defendente.Riccardo Passoni. "Ferrari, Defendente." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 30 March 2016 Defendente achieved considerable success as a painter of polyptychs and altarpieces. He painted a number of nocturnal scenes such as the :File:Defendente Ferrari - Nativity in Nocturnal Light - WGA07812.jpg, ''Nativity in Nocturnal Light'' (1510, Museo Civico d'Arte Antica, Turin). He left a number of signed and dated works. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Martino Spanzotti
Giovanni Martino Spanzotti (c. 1455 – c. 1528; also known as ''Gian Martino Spanzotti'') was an Italian painter active in Piedmont, Lombardy and northern Italy. Biography He was born in Casale Monferrato and died in Chivasso. Little is known of his life. Born into a family of painters from Varese, he likely apprenticed with his father, Pietro. He appears to have had contacts with either Francesco del Cossa or his works, including the ''Madonna Enthroned'' (or ''Madonna Tucker'') in the Turin City Museum of Ancient Art. Other influences are Zanetto Bugatto and Vincenzo Foppa. Spanzotti painted between 1480 and 1498 in the Piedmont, as well as in Casale Monferrato and Vercelli. Works from this period include the Triptych in the Galleria Sabauda (his sole signed work) and the ''Adoration with Child'' in Rivarolo Canavese. Around 1485-1490 he executed a cycle of frescoes of the ''Life of Christ'' in the church of San Bernardino in Ivrea. His pupils included il Sodoma and De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Jaquerio
Giacomo Jaquerio ( 1375 – 1453) was an Italian medieval painter, one of the main exponents of Gothic painting in Piedmont. He was active in his native Turin, in Geneva and in other localities of Savoy. Biography He was born into a family of painters, and his early life he moved frequently from Turin to Geneva, Thonon-les-Bains and other French localities, mostly working for Duke Amadeus VIII of Savoy, noble families and religious institutions. Starting from 1429 he lived in Turin. For the princes of Acaja he frescoed the castle of Turin (the current Palazzo Madama), but his work there has been lost. His other works include fragments of frescoes with ''Musician Angels'' (c. 1410 – 1415) in the Maccabi Chapel of the Cathedral of Geneva, now in that city's Musée d'Art et d'Histoire, and a series of frescoes in the Preceptory of Sant'Antonio in Ranverso (from c. 1410). Also attributed to Jaquerio are two tables with the ''Stories of St. Peter'' in the Museo Civico d'Arte A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macrino D'Alba
Macrino d'Alba (c. 1460–1465 – c. 1510–1520) was an Italian painter of the Renaissance period, active mainly in Piedmont, who is known for his altarpieces and portraits. His birth name was ''Gian Giacomo de' Alladio''. Life The lack of documentary sources on Macrino who is believed to have been born in Alba has led in the past to many dubious attributions of works from the Piedmont area to this painter. A more thorough critique has allowed to lift some of the uncertainty about his biography. It is now known that he was in fact called Gian Giacomo de 'Alladio and was nicknamed 'Macrino' probably because of his slim and gaunt build. His ''Self-portrait'' (Torino, Museo Civico d'Arte Antica) does not throw much light on the question of his build. He was a descendant of a family with some social status in Alba. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Emmanuel I Of Savoy
Charles Emmanuel I ( it, Carlo Emanuele di Savoia; 12 January 1562 – 26 July 1630), known as the Great, was the Duke of Savoy from 1580 to 1630. He was nicknamed (, in context "the Hot-Headed") for his rashness and military aggression. Being ambitious and confident, Charles pursued a policy of expansion for his duchy, seeking to expand it into a kingdom. Biography Charles was born in the Castle of Rivoli in Piedmont, the only child of Emmanuel Philibert, Duke of Savoy and Margaret of France, Duchess of Berry. He succeeded his father as duke on 30 August 1580. Well-educated and intelligent, Charles spoke Italian, French, Spanish, as well as Latin. He proved an able warrior although short and hunchbacked. In the autumn of 1588, taking advantage of the civil war weakening France, he occupied the Marquisate of Saluzzo, which was under French protection. The new king, Henry IV, demanded the restitution of that land, but Charles Emmanuel refused, and war ensued. In 1590 he s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trivulzio Portrait
''Portrait of a Man'' is the conventional title of several male portraits by the Italian Renaissance artist Antonello da Messina. ''Portrait of a Man'' (Pavia) One such painting is in the Town Museum of Pavia, in Lombardy in northern Italy. It is signed in the Flemish manner by directly engraving the painter's name on the parapet in the lower foreground (instead of using a false glued panel), as with the Madrid portrait. Despite the sign, the similarity to Flemish portrait paintings and the poor state of preservation have caused some scholars to doubt the attribution to Antonello. The work has been dated to the 1460s based on the fashion of the subject's dress and headgear. ''Portrait of a Man'' (Madrid) Another painting, executed in c. 1475, is housed in the Museo Thyssen-Bornemisza in Madrid. Among Antonello's portraits, it is among the most expressively animated. The subject, a young man, is drawn from a quite near point of view, with the master's usual skill in rendering det ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonello Da Messina
Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina ( 1430February 1479), was an Italian painter from Messina, active during the Early Italian Renaissance. His work shows strong influences from Early Netherlandish painting, although there is no documentary evidence that he ever travelled beyond Italy. Giorgio Vasari credited him with the introduction of oil painting into Italy, although this is now disputed. Unusually for a southern Italian artist of the Renaissance, his work proved influential on painters in northern Italy, especially in Venice. Biography Early life and training Antonello was born at Messina around 1429–1431, to Garita (Margherita) and Giovanni de Antonio Mazonus, a sculptor who trained him early on. He and his family resided in the Sicofanti district of the city. Antonello is thought to have apprenticed in Rome before going to Naples, where Netherlandish painting was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maiolica
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ("painted with stories"). By the late 15th century, multiple locations,L. Arnoux, 1877, British Manufacturing Industries – Pottery "Most of the Italian towns had their manufactory, each of them possessing a style of its own. Beginning at Caffagiolo and Deruta, they extended rapidly to Gubbio, Ferrara, and Ravenna, to be continued to Casteldurante, Rimini, Urbino, Florence, Venice, and many other places." mainly in northern and central Italy, were producing sophisticated pieces for a luxury market in Italy and beyond. In France maiolica developed as faience, in the Netherlands and England as delftware, and in Spain as talavera. In English the spelling was anglicised to ''majolica'' but the pronunciation usually preserved the vowel with an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turin–Milan Hours
The Turin–Milan Hours (or Milan–Turin hours, Turin Hours etc.) is a partially destroyed illuminated manuscript, which despite its name is not strictly a book of hours. It is of exceptional quality and importance, with a very complicated history both during and after its production. It contains several miniature (illuminated manuscript), miniatures of about 1420 attributed to an artist known as "Hand G" who was probably either Jan van Eyck, his brother Hubert van Eyck, or an artist very closely associated with them. About a decade or so later Barthélemy d'Eyck may have worked on some miniatures. Of the several portions of the book, that kept in Turin was destroyed in a fire in 1904, though black-and-white photographs exist. Work on the manuscript began around 1380 or 1390, and over the course of almost sixty years involved a variety of artists, assistants and patrons during perhaps seven separate campaigns of work. Its conception and first leaves were commissioned by a high- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
