Mozart's Berlin Journey
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Mozart's Berlin Journey
One of the longest adulthood journeys of Wolfgang Amadeus Mozart was a visit, beginning in Spring 1789, to a series of cities lying northward of his adopted home in Vienna: Prague, Leipzig, Dresden, and Berlin. Departure The journey took place during a difficult period of Mozart's career when he was no longer earning much money from concerts, and his income from the composition of operas had not made up the difference. He was borrowing money, for example from his friend Michael Puchberg, and the financial situation was very worrisome. Mozart's passage to Berlin was free of charge: he accompanied his aristocratic patron and fellow Mason Prince Karl Lichnowsky, (a patron of both Mozart and Beethoven) who had his own reasons for visiting Berlin and had offered Mozart a ride. Mozart and Lichnowsky departed Vienna on the morning of 8 April 1789. They reached Prague on 10 April. In a letter written that day to his wife Constanze, Mozart reported the good news that oboist Friedrich ...
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Anton Teyber
Anton Teyber (8 September 1756 (bapt.) – 18 November 1822) was an Austrian organist, Kapellmeister and composer. Anton Teyber was born and died in Vienna. His brother was Franz Teyber. He taught the children of the Holy Roman Emperor before working as a composer to (among others) the Dresden opera and Vienna court. He is notable for his two 'Concertos for Corni da Caccia'. He also performed alongside Mozart and Nikolaus Kraft in 1789 during Mozart's Berlin journey. His daughter was Elena Teyber who was born in Vienna and became a professor at Iaşi Conservatory where she was known as a pianist and composer from 1827 to 1863. She married Gheorghe Asachi. Works * 11 Masses * Requiem in E flat ("Pro defuncta Imperatrice Ludovica") * ''Gioas re di Giuda'' Oratorio (Libretto by Pietro Metastasio; Premiered at Burgtheater The Burgtheater (literally:"Castle Theater" but alternatively translated as "(Imperial) Court Theater"), originally known as '' K.K. Theater an der Burg ...
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Friedrich Schiller
Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friendship with the already famous and influential Johann Wolfgang von Goethe. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works that he had left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on ''Xenien'', a collection of short satirical poems in which both Schiller and Goethe challenge opponents of their philosophical vision. Early life and career Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg, as the only son of military doctor Johann Kaspar Schiller (1733–1796) and Elisabetha Dorothea Schiller (1732–1802). They also had five daughters, including Christophine, the eldest. ...
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Christian Gottfried Körner
Christian Gottfried Körner (2 July 1756 – 13 May 1831) was a German jurist. His home was a literary and musical salon, and he was a friend of Friedrich Schiller. Biography Born in Leipzig, he studied law at the University of Göttingen and at the Leipzig University. He got his degrees at Leipzig. In 1783 he became chief councillor of the Lutheran Upper Consistory at Dresden; he was appointed to the office of judge in the Court of Appeals in 1790; and, in 1811, he returned to the appellate court. His home in Dresden was an important center for culture and the arts. Riggs (1997) writes: The Körner household in Dresden ... became a literary and musical salon. Plays and essays were read; Singspiele and chamber music were performed; and lectures on art were given. Guests and participants included Johann Gottfried von Herder, Goethe, Wilhelm von Humboldt, the Schlegel brothers , Ludwig Tieck, Novalis, and the musicians Johann Naumann, Johann Hiller, Karl Zelter, Mozart, and Weber. ...
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Johann Wilhelm Hässler
Johann Wilhelm Hässler (March 29, 1747 – March 22 (other sources, March 29), 1822), was a German composer, organist and pianist.Joan Benson Clavichord for Beginners 0253011647 - 2014 - Page 61 "Johann Wilhelm Hässler. (1747–1822). Hässler studied with Johann Christian Kittel, a favored pupil of J. S. Bach in his last years, and later taught the clavichordist Türk. He knew Emanuel Bach and greatly admired his work." Hässler was born in Erfurt. He first studied under his uncle Johann Christian Kittel, who was an organist at Erfurt. His first post was as organist of the local Barfüßerkirche in around 1762. His father died in 1769 and from then on he also managed the family fur business, though he still managed concert tours of Germany in the early 1770s, then in other places in Europe in the 1780s and 1790s. On 15 April 1789 he entered an organ competition with Wolfgang Amadeus Mozart in Dresden during Mozart's Berlin journey. On these tours he also came into contact ...
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Alexander Belovselsky-Beloserky
Alexander is a male given name. The most prominent bearer of the name is Alexander the Great, the king of the Ancient Greek kingdom of Macedonia who created one of the largest empires in ancient history. Variants listed here are Aleksandar, Aleksander and Aleksandr. Related names and diminutives include Iskandar, Alec, Alek, Alex, Alexandre, Aleks, Aleksa and Sander; feminine forms include Alexandra, Alexandria, and Sasha. Etymology The name ''Alexander'' originates from the (; 'defending men' or 'protector of men'). It is a compound of the verb (; 'to ward off, avert, defend') and the noun (, genitive: , ; meaning 'man'). It is an example of the widespread motif of Greek names expressing "battle-prowess", in this case the ability to withstand or push back an enemy battle line. The earliest attested form of the name, is the Mycenaean Greek feminine anthroponym , , (/Alexandra/), written in the Linear B syllabic script. Alaksandu, alternatively called ''Alakasandu'' or ' ...
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Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Nikolaus Kraft
Nikolaus Kraft (14 December 1778, Eszterháza, Hungary – 18 May 1853, Cheb, Bohemia) was an Austrian cellist and composer (six cello concertos). He was the son of Antonín Kraft, under whom he first studied. He then trained under Jean-Louis Duport (1801). He claimed to have been the soloist for the premiere of Beethoven's ''Triple Concerto'' and played alongside Mozart and Anton Teyber on 12 April 1789 at Dresden on Mozart's Berlin journey One of the longest adulthood journeys of Wolfgang Amadeus Mozart was a visit, beginning in Spring 1789, to a series of cities lying northward of his adopted home in Vienna: Prague, Leipzig, Dresden, and Berlin. Departure The journey took place d .... External links * 1778 births 1853 deaths 18th-century Austrian people 19th-century Austrian people 18th-century Hungarian people 18th-century musicians 19th-century musicians 18th-century composers 19th-century composers Austrian male composers Austrian composers Austrian c ...
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Amalie Of Zweibrücken-Birkenfeld
Amalie of Zweibrücken-Birkenfeld-Bischweiler (Maria Amalie Auguste; 10 May 1752 – 15 November 1828) was the last Electress and first Queen of Saxony and Duchess of Warsaw. Biography Amalie was born in Mannheim, the daughter of Count Palatine Frederick Michael of Palatinate-Zweibrücken-Birkenfeld-Bischweiler and his wife, Countess Palatine Maria Francisca of Palatinate-Sulzbach. She was the sister of Maximilian Joseph, later King of Bavaria. On 29 January 1769 she married the Saxon Elector Frederick Augustus III. In 1806, the Electress and her husband were proclaimed the first King and Queen of Saxony. The following year, Napoleon I made them Duke and Duchess of Warsaw, a newly created principality in Poland. Amalie bore four children, three of whom were stillborn. Only one daughter, Maria Augusta, attained adulthood, but remained unmarried. From 1804, at the death of her sister-in-law Carolina of Parma, she and her other sister-in-law, Maria Theresa of Austria ...
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Frederick Augustus I Of Saxony
pl, Fryderyk August Józef Maria Antoni Jan Nepomucen Alojzy Ksawery , image = Frederick Augustus I of Saxony by Marcello Bacciarelli (ca 1808-1809).png , caption = Portrait by Marcello Bacciarelli (1809) , succession = King of Saxony , coronation = 20 December 1806 , reign = , successor = Anthony , regent = Maria Antonia of Bavaria , succession1 = Grand Duke of the Duchy of Warsaw , reign1 = 9 June 1807 – 22 May 1815 , succession2 = Elector of Saxony , reign2 = 17 December 1763 – , predecessor2 = Frederick Christian , spouse= Amalie of Zweibrücken-Birkenfeld , issue= Princess Maria Augusta of Saxony , house= Wettin , father=Frederick Christian, Elector of Saxony , mother= Princess Maria Antonia of Bavaria , birth_date = , birth_place = Dresden, Electorate of Saxony, Holy Roman Empire , death_date = , death_place = Dresden, Kingdom of Saxony, German Confederation , place of burial=Dresden Cathedral, Dresden , religion= Roman Catholicism , signat ...
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Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ...
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The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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