|
Move Somethin' (album)
''Move Somethin is the second studio album by the Miami-based hip hop group 2 Live Crew. It was released on August 17, 1988, via Luke Records and was produced by Luke Skyywalker and Mr. Mixx. It was certified Gold by Recording Industry Association of America. The album improved on the charts from the previous album, making in to number 68 on the ''Billboard'' 200 and number 20 on the Top R&B/Hip Hop Albums chart. It contains the singles "Move Somethin'" and "Do Wah Diddy Diddy". The album incorporates samples from such diverse sources as James Brown ("With Your Badself"), Manfred Mann ("Do Wah Diddy Diddy"), The Kinks ("One and One"), Yellow Magic Orchestra ("Mega-Mixx II"), Kraftwerk ("Drop the Bomb"), and Quadrant Six (the title track). On the song "Word II", 2 Live Crew's DJ Mr. Mixx scratches up Brian May's guitar solo (as well as the chorus) on "We Will Rock You" over the crowd stomp-and-clap beat, which was sampled from the same song. Its wide musical range is nonethele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2 Live Crew
2 Live Crew is an American hip hop music, hip hop group from Miami, Florida, which had its greatest commercial success from the late 1980s to the early 1990s. The group's most well-known line up was composed of Luther Campbell, Luke Campbell, Fresh Kid Ice, Mr. Mixx, and Brother Marquis. They were considerably controversial in the U.S. due to the sexually explicit content in their songs, particularly on their 1989 album ''As Nasty as They Wanna Be''. History 1984–1986: Group formation and breakthrough The 2 Live Crew, although seen as a main fixture in the Miami hip-hop scene, actually got their start in California and was created by DJ Mr. Mixx (David Hobbs) with fellow rappers Fresh Kid Ice (Chris Wong Won), and Amazing Vee (Yuri Vielot). The group released its first single, "Revelation", on its own label "Fresh Beat Records" in 1984. The A-side of "Revelation" contained a song where the only rapper featured was Amazing Vee. The B-side contained a song named "2 Live" whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouble Funk
Trouble Funk is an American R&B and funk band from Washington, D.C. The group helped to popularize funk and the subgenre go-go in the Washington metropolitan area. Among the band's well-known songs are the go-go anthem "Hey, Fellas". They released several studio albums including ''Drop the Bomb'', ''In Times of Trouble'', ''Live'', and ''Trouble Over Here Trouble Over There'' (UK No. 54), and two live albums, ''Trouble Funk: Straight Up Go-Go Style'' and ''Saturday Night Live''. In 1982, they released a single "So Early in the Morning" on D.E.T.T Records, later reissued on diverse labels as 2.13.61 and Tuff City. Trouble Funk sometimes shared the stage with hardcore punk bands of the day such as Minor Threat and the Big Boys. Trouble Funk's song "Pump Me Up" was sampled by many other artists, including Dimples D.'s one-hit wonder " Sucker DJ", which went to No. 1 in Australia, Public Enemy's "Fight the Power", Kurtis Blow's song "If I Ruled the World" and M.A.R.R.S.'s song " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The J
J is the tenth letter of the Latin alphabet. J may also refer to: * Palatal approximant in the International Phonetic Alphabet * J, Cyrillic letter Je Astronomy * J, a provisional designation prefix for some objects discovered between May 1 and 15 of a year Computing * J (programming language), successor to APL * J# programming language for the Microsoft .NET Framework * J operator, a programming construct * J (operating system), an operating system for ICL's System 4 series of computers Genetics and medicine * Haplogroup J (mtDNA) * Haplogroup J (Y-DNA) * ATC code J ''Antiinfectives for systemic use'', a section of the Anatomical Therapeutic Chemical Classification System Mathematics * J, symbol used to denote the Bessel function * ''j'', used as the symbol for the imaginary unit (\sqrt) in fields where ''i'' is used for a different purpose (such as electrical current) * ''j'' and ''j2'' (or \bar) are also used for the complex cube roots of unity * ''j'', a numb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Wesley
Fred Wesley (born July 4, 1943) is an American trombonist who worked with James Brown in the 1960s and 1970s and Parliament-Funkadelic in the second half of the 1970s. Biography Wesley was born the son of a high school teacher and big band leader in Columbus, Georgia, and raised in Mobile, Alabama. As a child he took piano and later trumpet lessons. He played baritone horn and trombone in school, and at around age 12 his father brought a trombone home, whereupon he switched (eventually permanently) to trombone. During the 1960s and 1970s, he was a pivotal member of James Brown's bands, playing on many hit recordings including "Say it Loud - I'm Black and I'm Proud," "Mother Popcorn" and co-writing tunes such as "Hot Pants." His slippery riffs and pungent, precise solos, complementing those of saxophonist Maceo Parker, gave Brown's R&B, soul, and funk tunes their instrumental punch. In the 1970s he also served as band leader and musical director of Brown's band the J.B.'s and d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland TR-808
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by the Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples (prerecorded sounds). Launched when electronic music had yet to become mainstream, the 808 received mixed reviews for its unrealistic drum sounds and was a commercial failure. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We Will Rock You
"We Will Rock You" is a song written by Brian May and recorded by British rock band Queen for their 1977 album ''News of the World''. ''Rolling Stone'' ranked it number 330 of "The 500 Greatest Songs of All Time" in 2004, and it placed at number 146 on the Songs of the Century list in 2001. In 2009, "We Will Rock You" was inducted into the Grammy Hall of Fame. Other than the last 30 seconds, which contains a guitar solo by May, the song is generally set in a cappella form, using only stomping and clapping as a rhythmic body percussion beat. In 1977, "We Will Rock You" and "We Are the Champions" were issued together as a worldwide top 10 single. Soon after the album was released, many radio stations played the songs consecutively, without interruption. Since its release, "We Will Rock You" has been covered, remixed, sampled, parodied, referred to, and used by multiple recording artists, TV shows, films and other media worldwide. It has also become a popular stadium anthem at sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian May
Brian Harold May (born 19 July 1947) is an English guitarist, singer, songwriter, and astrophysicist, who achieved worldwide fame as the lead guitarist of the rock band Queen (band), Queen. May was a co-founder of Queen with lead singer Freddie Mercury and drummer Roger Taylor (Queen drummer), Roger Taylor. His songwriting contributions helped Queen become among the most successful acts in music history. May previously performed with Taylor in the blues rock band Smile (band), Smile, which he had joined while he was at university. After Queen's formation in 1970, bass guitarist John Deacon joined to complete the line-up in 1971. They became one of the biggest rock bands in the world with the success of the album ''A Night at the Opera (Queen album), A Night at the Opera'' and its single "Bohemian Rhapsody". From the mid-1970s until the early 1990s, Queen played at some of the biggest venues in the world, including at Live Aid in 1985. As a member of Queen, May became regarded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yellow Magic Orchestra
Yellow Magic Orchestra (YMO for short) is a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals) and Ryuichi Sakamoto (keyboards, vocals). The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, arcade games, funk music, and the disco productions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Do Wah Diddy Diddy
"Do Wah Diddy Diddy" is a song written by Jeff Barry and Ellie Greenwich and originally recorded in 1963, as "Do-Wah-Diddy", by the American vocal group the Exciters. ''Cash Box'' described the Exciters' version as "a sparkling rocker that bubbles over with coin-catching enthusiasm" and said that the "great lead job is backed by a fabulous instrumental arrangement." It was made internationally famous by the British band Manfred Mann. Manfred Mann version It was soon covered by British R&B, beat and pop band Manfred Mann. Manfred Mann's version was released on 10 July 1964. It spent two weeks at No. 1 of the UK Singles Chart in August and two weeks at No. 1 of the U.S. ''Billboard'' Hot 100 in October. ''Billboard'' said it "features powerful beat with Mann's solo echoed by male chorus." ''Cash Box'' described it as "a thumpin' novelty rocker that's right up the teeners' alley." Chart history Weekly charts Year-end charts Fun Factory version In 1995, Fun Factory r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Kraftwerk")
