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Monza Ampullae
The Monza ampullae form the largest collection of a specific type of Early Medieval pilgrimage ampullae or small flasks designed to hold holy oil from pilgrimage sites in the Holy Land related to the life of Jesus. They were made in Palestine, probably in the fifth to early seventh centuries, and have been in the Treasury of Monza Cathedral north of Milan in Italy since they were donated by Theodelinda, queen of the Lombards, (c. 570–628). Since the great majority of surviving examples of such flasks are those in the Monza group, the term may be used to cover this type of object in general. The second largest group was discovered in a burial at Bobbio Abbey, not far from Monza, and names such as Monza/Bobbio flasks ampullae or flagons are among the many terms by which these objects are described. The few other examples are now scattered across the world; this article deals with the whole group of over fifty known ampullae, wherever located. Examples of comparable ampullae fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syrian - Pilgrim Flask Of Saint Sergios - Walters 55105 - Side A
Syrians ( ar, سُورِيُّون, ''Sūriyyīn'') are an Eastern Mediterranean ethnic group indigenous to the Levant. They share common Levantine Semitic roots. The cultural and linguistic heritage of the Syrian people is a blend of both indigenous elements and the foreign cultures that have come to inhabit the region of Syria over the course of thousands of years. The mother tongue of most Syrians is Levantine Arabic, which came to replace the former mother tongue, Aramaic, following the Muslim conquest of the Levant in the 7th century. The conquest led to the establishment of the Caliphate under successive Arab dynasties, who, during the period of the later Abbasid Caliphate, promoted the use of the Arabic language. A minority of Syrians have retained Aramaic which is still spoken in its Eastern and Western dialects. In 2018, the Syrian Arab Republic had an estimated population of 19.5 million, which includes, aside from the aforementioned majority, ethnic minorities such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annunciation To The Shepherds
The annunciation to the shepherds is an episode in the Nativity of Jesus described in the Bible in Luke 2, in which angels tell a group of shepherds about the birth of Jesus. It is a common subject of Christian art and of Christmas carols. Biblical narrative As described in verses 8–20 of the second chapter of the Gospel of Luke, shepherds were tending their flocks out in the countryside near Bethlehem, when they were terrified by the appearance of an angel. The angel explains that he has a message of good news for all people, namely that "Today in the town of David a Savior has been born to you; he is the Messiah, the Lord. This will be a sign to you: You will find a baby wrapped in cloths and lying in a manger." After this, a great many more angels appear, praising God with the words "Glory to God in the highest heaven, and on earth peace to those on whom his favor rests." Deciding to do as the angel had said, the shepherds travel to Bethlehem, and find Mary and Joseph and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Life Of Christ In Art
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects narrating the events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty, and also many types of portrait or devotional subjects without a narrative element. They are often grouped in series or cycles of works in a variety of media, from book illustrations to large cycles of wall paintings, and most of the subjects forming the narrative cycles have also been the subjects of individual works, though with greatly varying frequency. By around 1000, the choice of scenes for the remainder of the Middle Ages became largely settled in the Western and Eastern churches, and was mainly based on the major feasts celebrated in the church calendars. The most common subjects were grouped around the birth and childhood of Jesus, and the Passion of Christ, leading to his Crucifixion and Resurrec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Magi
The Adoration of the Magi or Adoration of the Kings is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him. It is related in the Bible by Matthew 2:11: "On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path". Christian iconography considerably expanded the bare account of the Biblical Magi described in the Gospel of Matthew ( 2:1– 22). By the later Middle Ages this drew from non-canonical sources like the Golden Legend by Jacobus de Voragine. Artists used the expanded Christian iconography to reinforce the idea that J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
True Cross
The True Cross is the cross upon which Jesus was said to have been crucified, particularly as an object of religious veneration. There are no early accounts that the apostles or early Christians preserved the physical cross themselves, although protective use of the sign of the cross was common by at least the 2nd century. Post-Nicene historians such as Socrates of Constantinople relate that Helena, the mother of the Roman emperor ConstantineI, travelled to the Holy Land in the years 326–328, founding churches and establishing relief agencies for the poor. The late 4th-century historians Gelasius of Caesarea and Tyrannius Rufinus claimed that while there she discovered the hiding place of three crosses that were believed to have been used at the crucifixion of Jesus and the two thieves, St. Dismas and Gestas, executed with him. To one cross was affixed the titulus bearing Jesus's name, but according to Rufinus, Helena was not sure until a miracle revealed that this was t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of The Holy Sepulchre
The Church of the Holy Sepulchre, hy, Սուրբ Հարության տաճար, la, Ecclesia Sancti Sepulchri, am, የቅዱስ መቃብር ቤተክርስቲያን, he, כנסיית הקבר, ar, كنيسة القيامة is a church in the Christian Quarter of the Old City of Jerusalem. According to traditions dating back to the 4th century, it contains the two holiest sites in Christianity: the site where Jesus was crucified, at a place known as Calvary or Golgotha, and Jesus's empty tomb, which is where he was buried and resurrected. Each time the church was rebuilt, some of the antiquities from the preceding structure were used in the newer renovation. The tomb itself is enclosed by a 19th-century shrine called the Aedicule. The Status Quo, an understanding between religious communities dating to 1757, applies to the site. Within the church proper are the last four stations of the Cross of the Via Dolorosa, representing the final episodes of the Passion of J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roundel
A roundel is a circular disc used as a symbol. The term is used in heraldry, but also commonly used to refer to a type of national insignia used on military aircraft, generally circular in shape and usually comprising concentric rings of different colours. Other symbols also often use round shapes. Heraldry In heraldry, a ''roundel'' is a circular charge. ''Roundels'' are among the oldest charges used in coats of arms, dating from at least the twelfth century. Roundels in British heraldry have different names depending on their tincture. Thus, while a roundel may be blazoned by its tincture, e.g., ''a roundel vert'' (literally "a roundel green"), it is more often described by a single word, in this case ''pomme'' (literally "apple", from the French) or, from the same origins, ''pomeis''—as in "Vert; on a cross Or five pomeis". One special example of a named roundel is the fountain, depicted as ''a roundel barry wavy argent and azure'', that is, containing alternating horizo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titulus (inscription)
:''See also Titulus (Roman Catholic) for Roman churches called tituli, or titulus (other) for more meanings.'' ''Titulus'' (Latin "inscription" or "label", the plural ''tituli'' is also used in English) is a term used for the labels or captions naming figures or subjects in art, which were commonly added in classical and medieval art, and remain conventional in Eastern Orthodox icons. In particular the term describes the conventional inscriptions on stone that listed the honours of an individual or that identified boundaries in the Roman Empire. A titulus pictus is a merchant's mark or other commercial inscription. The sense of "title", as in "book title", in modern English derives from this artistic sense, just as the legal sense derives from plainer inscriptions of record. Use in Western art The increasing reluctance of the art of the West to use ''tituli'' was perhaps because so few people could read them in the Early Medieval period, and later because they reduce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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