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Montag Aus Licht
(Monday from Light) is an opera by Karlheinz Stockhausen in a greeting, three acts, and a farewell, and was the third of seven to be composed for the opera cycle '' Licht: die sieben Tage der Woche'' (Light: The Seven Days of the Week). The libretto was written by the composer. is an opera for 21 solo performers (14 voices, 6 instrumentalists, and 1 actor) plus mimes, a mixed choir, children's choir, and "modern orchestra". It was composed between 1984 and 1988. Monday is Eve's day. Its exoteric colour is bright green; its esoteric colours are opal and silver. History was given its staged premiere by the Teatro alla Scala in Milan on 7 May 1988. Subsequent performances were on 8, 10, 11, 12, and 13 May. The stage direction was by Michael Bogdanov, sets by Chris Dyer, costumes by Mark Thompson. Karlheinz Stockhausen was the sound projectionist. Roles Synopsis Within the ''Licht'' cycle, the opera ''Monday'' focuses on the character of Eve, on the feminine side of existence, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Concert Flute
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in American English), or simply a flute player. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, flute ensembles, and occasionally jazz bands and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern fifes. These were later modified to include between one and eight keys for chromatic notes. "Six-finger" D is the most common pitch for keyless wooden transverse flutes, which continue to be used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pied Piper Of Hamelin
The Pied Piper of Hamelin (german: der Rattenfänger von Hameln, also known as the Pan Piper or the Rat-Catcher of Hamelin) is the title character of a legend from the town of Hamelin (Hameln), Lower Saxony, Germany. The legend dates back to the Middle Ages, the earliest references describing a piper, dressed in multicolored ("pied") clothing, who was a rat catcher hired by the town to lure rats away with his magic pipe. When the citizens refuse to pay for this service as promised, he retaliates by using his instrument's magical power on their children, leading them away as he had the rats. This version of the story spread as folklore and has appeared in the writings of Johann Wolfgang von Goethe, the Brothers Grimm, and Robert Browning, among others. The phrase "pied piper" has become a metaphor for a person who attracts a following through charisma or false promises. There are many contradictory theories about the Pied Piper. Some suggest he was a symbol of hope to the peopl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klavierstücke (Stockhausen)
The ''Klavierstücke'' (German for "Piano Pieces") constitute a series of nineteen compositions by German composer Karlheinz Stockhausen. Stockhausen has said the ''Klavierstücke'' "are my ''drawings''". Originating as a set of four small pieces composed between February and June 1952, Stockhausen later formulated a plan for a large cycle of 21 ''Klavierstücke'', in sets of 4 + 6 + 1 + 5 + 3 + 2 pieces. He composed the second set in 1954–55 (''VI'' was subsequently revised several times and ''IX'' and ''X'' were finished only in 1961), and the single ''Klavierstück XI'' in 1956. Beginning in 1979, he resumed composing ''Klavierstücke'' and finished eight more, but appears to have abandoned the plan for a set of 21 pieces. The pieces from ''XV'' onward are for the synthesizer or similar electronic instruments, which Stockhausen had come to regard as the natural successor to the piano. The dimensions vary considerably, from a duration of less than half a minute for ''Klavierst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suzanne Stephens 1990
Suzanne may refer to: People * Suzanne (given name), a feminine given name (including a list of people with the name) * S. U. Zanne, pen name of August Vandekerkhove (1838–1923), Belgian writer and inventor * Suzanne, pen name of Renée Méndez Capote (1901–1989), Cuban writer * Suzanne (television personality) (born 1986), Japanese variety ''tarento'', actress, and singer * Suzanne Lynch (born 1951), New Zealand singer who performed as "Suzanne" Places * Suzanne, Ardennes, France, a commune * Suzanne, Somme, France, a commune Films * ''Suzanne'' (1932 film), a French film * ''Suzanne'' (1980 film), a Canadian film * ''Suzanne'' (2013 film), a French film * ''Suzanne, Suzanne'', a 1982 documentary film Music * "Suzanne" (Leonard Cohen song), a 1966 poem and 1967 song, covered by numerous artists * "Suzanne" (Creeper song), a 2016 song by English band Creeper * "Suzanne" (VOF de Kunst song), 1983 * "Suzanne" (Journey song), a song from ''Raised on Radio'' by Journey * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conjoined Twins
Conjoined twins – sometimes popularly referred to as Siamese twins – are twins joined ''in utero''. A very rare phenomenon, the occurrence is estimated to range from 1 in 49,000 births to 1 in 189,000 births, with a somewhat higher incidence in Southwest Asia and Africa. Approximately half are stillborn, and an additional one-third die within 24 hours. Most live births are female, with a ratio of 3:1. Two theories exist to explain the origins of conjoined twins. The more generally accepted theory is ''fission'', in which the fertilized egg splits partially. The other theory, no longer believed to be the basis of conjoined twinning, is ''fusion'', in which a fertilized egg completely separates, but stem cells (which search for similar cells) find similar stem cells on the other twin and fuse the twins together. Conjoined twins share a single common chorion, placenta, and amniotic sac, although these characteristics are not exclusive to conjoined twins, as there are some monozyg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinzelmännchen
The Heinzelmännchen () are a mythical race of creatures, appearing in a tale connected with the city of Cologne in Germany akin to gnomes, or elves. The little house gnomes are said to have done all the work of the citizens of Cologne during the night, so that the inhabitants of Cologne could be very lazy during the day. According to the legend, this went on until a tailor's wife got so curious to see the gnomes that she scattered peas onto the floor of the workshop to make the gnomes slip and fall. The gnomes, being infuriated, disappeared and never returned. From that time on, the citizens of Cologne had to do all their work by themselves. This legend was first written down by the Cologne teacher Ernst Weyden (1805–1869) in 1826. It was translated into English by Thomas Keightley and published 1828 in his book ''The Fairy Mythology''. In 1836 the painter and poet August Kopisch published a famous poem beginning with the words: The words were set to music by the German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formula Composition
Formula composition is a serially derived technique encountered principally in the music of Karlheinz Stockhausen, involving the projection, expansion, and '' Ausmultiplikation'' of either a single melody-formula, or a two- or three-voice contrapuntal construction (sometimes stated at the outset). In contrast to serial music, where the structuring features are more or less abstract and remain largely inaccessible to the listener's ear, in formula composition the musical specifications of pitch, dynamics, duration, timbre, and tempo are always directly evident in the sound, through the use of a concisely articulated melodic tone succession, the formula, which defines the large-scale form as well as all the internal musical details of the composition. Stockhausen's music Though foreshadowed in Stockhausen's once-withdrawn '' Formel'' ("Formula") of 1951, the technique made its first appearance in ''Mantra'' in 1970, and became the central focus of Stockhausen's music up to 2003. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inanna
Inanna, also sux, 𒀭𒊩𒌆𒀭𒈾, nin-an-na, label=none is an List of Mesopotamian deities, ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, Divine law, divine justice, and political power. She was originally worshiped in Sumer under the name "Inanna", and later by the Akkadian Empire, Akkadians, Babylonian religion, Babylonians, and Assyrians under the name Ishtar, (occasionally represented by the logogram ). She was known as the "Queen of heaven (antiquity), Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main Cult (religious practice), cult center. She was associated with the planet Venus and her most prominent symbols included the Lion of Babylon, lion and the Star of Ishtar, eight-pointed star. Her husband was the god Dumuzid (later known as Tammuz) and her , or personal attendant, was the goddess Ninshubur (who later became conflated with the male deities Ilabrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mother Goddess
A mother goddess is a goddess who represents a personified deification of motherhood, fertility goddess, fertility, creation, destruction, or the earth goddess who embodies the bounty of the earth or nature. When equated with the earth or the natural world, such goddesses are sometimes referred to as the Mother Earth or Earth Mother, deity in various animistic or pantheistic religions. The earth goddess is usually the wife or feminine counterpart of the Sky Father or ''Father Heaven''. In some polytheistic cultures, such as the Ancient Egyptian religion which narrates the cosmic egg myth, the sky is instead seen as the Heavenly Mother or Sky Mother as in Nut and Hathor, and the earth god is regarded as the male, paternal, and terrestrial partner, as in Osiris or Geb who hatched out of the maternal ''cosmic egg''. Excavations at Çatalhöyük Between 1961 and 1965 James Mellaart led a series of excavations at Çatalhöyük, north of the Taurus Mountains in a fertile agricu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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