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Monophonic Synth
Monaural or monophonic sound reproduction (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers (provided that the speakers are set up in a proper symmetrical critical-listening placement). Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is " panned" to the center. In the final stage, the various center-panned signal paths are usually mixed d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1 0 Channels (mono) Label
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signal Strength In Telecommunications
In telecommunications, particularly in radio frequency engineering, signal strength refers to the transmitter power output as received by a reference antenna at a distance from the transmitting antenna. High-powered transmissions, such as those used in broadcasting, are expressed in dB-millivolts per metre (dBmV/m). For very low-power systems, such as mobile phones, signal strength is usually expressed in dB-microvolts per metre (dBμV/m) or in decibels above a reference level of one milliwatt (dBm). In broadcasting terminology, 1 mV/m is 1000 μV/m or 60 dBμ (often written dBu). ;Examples: *100 dBμ or 100 mV/m: blanketing interference may occur on some receivers *60 dBμ or 1.0 mV/m: frequently considered the edge of a radio station's protected area in North America *40 dBμ or 0.1 mV/m: the minimum strength at which a station can be received with acceptable quality on most receivers Relationship to average radiated power The electric field strength at a specific point ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnetic Cartridge
A magnetic cartridge, more commonly called a phonograph cartridge or phono cartridge or (colloquially) a pickup, is an electromechanical transducer that is used to play records on a turntable. The cartridge contains a removable or permanently mounted stylus, the tip - usually a gemstone, such as diamond or sapphire - of which makes physical contact with the record's groove. In popular usage and in disc jockey jargon, the stylus, and sometimes the entire cartridge, is often called the needle. As the stylus tracks the serrated groove, it vibrates a cantilever on which is mounted a permanent magnet which moves between the magnetic fields of sets of electromagnetic coils in the cartridge (or vice versa: the coils are mounted on the cantilever, and the magnets are in the cartridge). The shifting magnetic fields generate an electrical current in the coils. The electrical signal generated by the cartridge can be amplified and then converted into sound by a loudspeaker. History Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Address System
A public address system (or PA system) is an electronic system comprising microphones, amplifiers, loudspeakers, and related equipment. It increases the apparent volume (loudness) of a human voice, musical instrument, or other acoustic sound source or recorded sound or music. PA systems are used in any public venue that requires that an announcer, performer, etc. be sufficiently audible at a distance or over a large area. Typical applications include sports stadiums, public transportation vehicles and facilities, and live or recorded music venues and events. A PA system may include multiple microphones or other sound sources, a mixing console to combine and modify multiple sources, and multiple amplifiers and loudspeakers for louder volume or wider distribution. Simple PA systems are often used in small venues such as school auditoriums, churches, and small bars. PA systems with many speakers are widely used to make announcements in public, institutional and commercial buildings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muzak (brand)
Muzak is an American brand of background music played in retail stores and other public establishments. The name has been in use since 1934, and has been owned by a division or subsidiary of one or another company ever since. In 1981, Westinghouse bought the company and ran it until selling it to the Fields Company of Chicago, publishers of the ''Chicago Sun-Times'', on September 8, 1986. Formerly owned by Muzak Holdings, the brand was purchased in 2011 by Mood Media in a deal worth US$345 million. Muzak was based in various Seattle, Washington locations from 1986 to 1999, after which it moved its headquarters to South Carolina in 2000. The word ''Muzak'' has been a registered trademark since December 21, 1954, of Muzak LLC. In the United States, due in part to the company’s market dominance, ''Muzak'' has come to be used to refer to most forms of background music, regardless of source. It may also be referred to as "elevator music" or "lift music". Though Muzak Holdings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seeburg 1000
The Seeburg 1000 Background Music System is a phonograph designed and built by the Seeburg Corporation to play background music from special 16 RPM vinyl records in offices, restaurants, retail businesses, factories and similar locations. Seeburg provided a service similar to that of Muzak. Phonograph The Seeburg 1000 phonograph was introduced in 1959 as model BMS1. The system replaced the Seeburg Library Unit, which served the same purpose but played standard 45 rpm records. The Seeburg 1000 is enclosed in a metal cabinet 22 inches (55 cm) wide by 14 inches (35 cm) tall by 12 inches (30 cm) deep. A later version (the Seeburg Background Music Compact, model BMC1) is housed in a windowless, blue and grey painted metal box. This version contains only the record-playing mechanism, without any amplifier or timer built in. The player is capable of playing both sides of up to 28 records and repeating the process indefinitely. The records are stacked on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Reading Service
A radio reading service or reading service for the blind is a public service of many universities, community groups and public radio stations, where a narrator reads books, newspapers and magazines aloud for the benefit of the blind and vision-impaired. It is most often carried on a subcarrier, with radio receivers permanently tuned to a given station in the area, or an HD Radio subchannel of the offering station. Some reading services use alternative methods for reaching their audiences, including broadcasting over SAP, streaming Internet radio, cable TV, or even terrestrial TV. The International Association of Audio Information Services (IAAIS) serves as the primary member organization for radio reading services, and has member services or has consulted with and assisted local organizations in Canada, Costa Rica, Dominican Republic, Guatemala, Jamaica, Japan, Mexico, Panama, New Zealand, the Netherlands, the United Kingdom and the United States. The first radio reading service ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Background Music
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement. Listeners are uniquely subject to background music with no control over its Loudness, volume and content. The range of responses created are of great variety, and even opposite, depending on numerous factors such as, setting, culture, audience, and even time of day. Background music is commonly played where there is no audience at all, such as empty hallways and restrooms and fitting rooms. It is also used in artificial space, such as music played while on hold during a telephone call, and virtual space, as in the ambient sounds or thematic Video game music, music in video games. It is typically played at low volumes from multiple small ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subcarrier
A subcarrier is a sideband of a radio frequency carrier wave, which is modulated to send additional information. Examples include the provision of colour in a black and white television system or the provision of stereo in a monophonic radio broadcast. There is no physical difference between a carrier and a subcarrier; the "sub" implies that it has been derived from a carrier, which has been amplitude modulated by a steady signal and has a constant frequency relation to it. FM stereo Stereo broadcasting is made possible by using a subcarrier on FM radio stations, which takes the left channel and "subtracts" the right channel from it — essentially by hooking up the right-channel wires backward (reversing polarity) and then joining left and reversed-right. The result is modulated with suppressed carrier AM, more correctly called sum and difference modulation or SDM, at 38 kHz in the FM signal, which is joined at 2% modulation with the mono left+right audio (which ran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AM Broadcasting
AM broadcasting is radio broadcasting using amplitude modulation (AM) transmissions. It was the first method developed for making audio radio transmissions, and is still used worldwide, primarily for medium wave (also known as "AM band") transmissions, but also on the longwave and shortwave radio bands. The earliest experimental AM transmissions began in the early 1900s. However, widespread AM broadcasting was not established until the 1920s, following the development of vacuum tube receivers and transmitters. AM radio remained the dominant method of broadcasting for the next 30 years, a period called the "Golden Age of Radio", until television broadcasting became widespread in the 1950s and received most of the programming previously carried by radio. Subsequently, AM radio's audiences have also greatly shrunk due to competition from FM (FM broadcasting, frequency modulation) radio, Digital audio broadcasting, Digital Audio Broadcasting (DAB), satellite radio, HD Radio, HD (digi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revolutions Per Minute
Revolutions per minute (abbreviated rpm, RPM, rev/min, r/min, or with the notation min−1) is a unit of rotational speed or rotational frequency for rotating machines. Standards ISO 80000-3:2019 defines a unit of rotation as the dimensionless unit equal to 1, which it refers to as a revolution, but does not define the revolution as a unit. It defines a unit of rotational frequency equal to s−1. The superseded standard ISO 80000-3:2006 did however state with reference to the unit name 'one', symbol '1', that "The special name revolution, symbol r, for this unit is widely used in specifications on rotating machines." The International System of Units (SI) does not recognize rpm as a unit, and defines the unit of frequency, Hz, as equal to s−1. :\begin 1~&\text &&=& 60~&\text \\ \frac~&\text &&=& 1~&\text \end A corresponding but distinct quantity for describing rotation is angular velocity, for which the SI unit is the ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonograph Cylinder
Phonograph cylinders are the earliest commercial medium for recording and reproducing sound. Commonly known simply as "records" in their era of greatest popularity (c. 1896–1916), these hollow cylindrical objects have an audio recording engraved on the outside surface, which can be reproduced when they are played on a mechanical cylinder phonograph. In the 1910s, the competing disc record system triumphed in the marketplace to become the dominant commercial audio medium. Early development In December 1877, Thomas Edison and his team invented the phonograph using a thin sheet of tin foil wrapped around a hand-cranked, grooved metal cylinder. Tin foil was not a practical recording medium for either commercial or artistic purposes, and the crude hand-cranked phonograph was only marketed as a novelty, to little or no profit. Edison moved on to developing a practical incandescent electric light, and the next improvements to sound recording technology were made by others. Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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