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Modesty (Corradini Sculpture)
''Modesty'' or ''Chastity'' ( it, La Pudicizia) or ''Veiled Truth'' by Antonio Corradini is a sculpture completed in 1752 during the Rococo period. Corradini was commissioned by Raimondo di Sangro to sculpt a memorial for his mother in the Cappella Sansevero in Naples, where the marble sculpture remains today. About the work Corradini worked mostly in Venice but also spent some time in Vienna and Naples before his death in 1752. ''Modesty'' was the last in Corradini's series of veiled female nudes, a subject he developed and refined throughout his career. His mastery of the medium of marble is seen in the increasingly skilled representation of seemingly weightless cloth over human flesh in his commissioned pieces. ''Modesty'' is positioned on a pedestal in the chapel and can sometimes be lost in the beauty of the space and its surrounding statues created by other various artists. Raimondo wanted this commemoration to depict his mother's untimely death when he was not even a ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Corradini
Antonio Corradini (19 October 1688 – 12 August 1752) was an Italian Rococo sculptor from Venice. He is best known for his illusory veiled depictions of human body, where the contours of the face and bodies beneath the veil are discernible. Born in Venice, Corradini spent most of his early career working in his hometown for various patrons in Veneto and Venetian Republic in general, as well as for Dresden and Saint Petersburg. Later, in 1730s, he spent a decade in Vienna where he was court sculptor for Charles VI, Holy Roman Emperor. In 1740s he moved first to Rome and later to Naples, where he died. Biography Early life Corradini was the son of Gerolamo Corradini, a professional veler (packer of sails for ships), and his wife Barbara, and born in the parish of SS. Vito and Modesto in Venice. His family was modest. Corradini was apprenticed to the sculptor Antonio Tarsia (1663 - ca 1739), for whom he worked probably for four or five years starting at the age of fourteen or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Corradini, Tuccia (la Velata) 2
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1752 Sculptures
Year 175 ( CLXXV) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Piso and Iulianus (or, less frequently, year 928 ''Ab urbe condita''). The denomination 175 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Aurelius suppresses a revolt of Avidius Cassius, governor of Syria, after the latter proclaims himself emperor. * Avidius Cassius fails in seeking support for his rebellion and is assassinated by Roman officers. They send his head to Aurelius, who persuades the Senate to pardon Cassius's family. * Commodus, son of Marcus Aurelius and his wife Faustina, is named Caesar. * M. Sattonius Iucundus, decurio in Colonia Ulpia Traiana, restores the Thermae of Coriovallum (modern Heerlen) there are sources that state this happen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marble Sculptures In Italy
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This stem is also the ancestor of the English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French , most other European languages (with words like "marmoreal") more closely resemble the original Ancient Greek. Physical origins Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Sculptures
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veiled Rebecca
''The Veiled Rebecca'' or ''The Veiled Rebekah'' is a 19th century sculpture carved out of marble in Italian neoclassical style by the sculptor Giovanni Maria Benzoni.The sculpture is also referred as The Veiled Lady in several records. It depicts a biblical figure of Rebecca placed on a marble pedestal. Originally several copies of the sculpture were made by Benzoni in two different sizes. Presently, location of five sculptures are identified - High Museum of Art in Atlanta, Georgia, listed in the catalog as ''The Veiled Rebekah'' and dated 1864, Berkshire Museum, Pittsfield, Massachusetts Dated c. 1866,Detroit Institute of Arts, Detroit, Michigan (This smaller version (113 cm tall) is listed in the catalog as ''The Veiled Lady'' and dated 1872),Salar Jung Museum, Hyderabad, India. Dated 1876 (three years after Benzoni's death). Cedarhurst Center for the Arts, Mount Vernon, Illinois.) The one located in Detroit Institute of Arts, is the smaller version. The same is noted in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Veiled Nun
''The Veiled Nun'' is a marble bust depicting a female figure that was sculpted by an unidentified Italian workshop in c. 1863. Despite its name, the woman depicted is not a nun. The bust was popular with visitors to the Corcoran Gallery of Art in Washington, D.C. from 1874 until the museum closed in 2014. The bust is now displayed in the National Gallery of Art. Description ''The Veiled Nun'' is a tall marble bust depicting a female figure wearing a veil. The fine details give the illusion that the veil is transparent. Although the title, ''The Veiled Nun'', was already in use in 1874 when the work was first displayed in public, she is not a nun, but rather a woman of means or an allegorical figure. Neither the woman's stylish coiffure that is visible through the veil nor the embroidered border of the veil are consistent with a nun's appearance. Sculptures depicting veiled figures were popular during the 19th century based on an Italian tradition that began in the 18th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Veiled Virgin
''The Veiled Virgin'' is a Carrara marble statue carved in Rome by Italian sculptor Giovanni Strazza (1818–1875), depicting the bust of a veiled Virgin Mary. The exact date of the statue's completion is unknown, but it was probably in the early 1850s. The veil gives the appearance of being translucent, but in fact is carved of marble. The technique is similar to Giuseppe Sanmartino's 1753 statue '' Veiled Christ'' in the Cappella Sansevero in Naples. The statue was transported to Newfoundland in 1856, as recorded on December 4 in the diary of Bishop John Thomas Mullock: "Received safely from Rome, a beautiful statue of the Blessed Virgin Mary in marble, by Strazza. The face is veiled, and the figure and features are all seen. It is a perfect gem of art". ''The Veiled Virgin'' was then kept at the Episcopal Palace next to the Roman Catholic Cathedral in St. John's until 1862, when Bishop Mullock presented it to Mother Mary Magdalene O'Shaughnessy, the Superior of Presentat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veiled Vestal
The ''Veiled Vestal'' is an 1847 sculpture by Rafaelle Monti. It was commissioned by William Cavendish, 6th Duke of Devonshire during an 1846 trip to Naples. It is a representation of a Vestal Virgin, the priestesses of the Ancient Roman goddess Vesta. The subject was popular at this time due to the then recent discovery of the House of the Vestals in Pompeii. The depiction of translucent fabrics was popular at the time and Monti was requested to use the technique in this sculpture. Monti completed the sculpture in April 1847 and it was afterwards displayed at Cavendish's West London Chiswick House. The ''Veiled Vestal'' was moved to Chatsworth House, the seat of the Cavendish family, in 1999. In 2005 it appeared in Joe Wright's ''Pride and Prejudice'' film. The sculpture was featured prominently in a scene where the protagonist Elizabeth Bennet visits Pemberley, the house of Mr. Darcy. One critic noted that the sculpture was used as a representation of Elizabeth, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veil Of Isis
The veil of Isis is a metaphor and allegorical motif (visual arts), artistic motif in which nature is personified as the goddess Isis covered by a veil or mantle (clothing), mantle, representing the inaccessibility of nature's secrets. It is often combined with a related motif, in which nature is portrayed as a goddess with multiple breasts who represents Isis, Artemis, or a combination of both. The motif was based on a statue of Isis, or of the goddess Neith who was sometimes equated with her, in the ancient Egypt, Egyptian city of Sais mentioned by the Greco-Roman authors Plutarch and Proclus. They claimed the statue bore an inscription saying "I am all that has been and is and shall be; and no mortal has ever lifted my mantle." Illustrations of Isis with her veil being lifted were popular from the late 17th to the early 19th century, often as allegorical representations of Age of Enlightenment, Enlightenment science and philosophy uncovering nature's secrets. Authors at the end ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pudicitia
Pudicitia ("modesty" or "sexual virtue") was a central concept in ancient Roman sexual ethics. The word is derived from the more general ''pudor'', the sense of shame that regulated an individual's behavior as socially acceptable. ''Pudicitia'' was most often a defining characteristic of women, but men who failed to conform to masculine sexual norms were said to exhibit feminizing ''impudicitia'', sexual shamelessness. The virtue was personified by the Roman goddess Pudicitia, whose Greek equivalent was Aidos. As virtue Romans, both men and women, were expected to uphold the virtue of ''pudicitia'', a complex ideal that was explored by many ancient writers, including Livy, Valerius Maximus, Cicero, Tacitus and Tertullian. Livy describes the legendary figure of Lucretia as the epitome of ''pudicitia''. She is loyal to her husband and is modest, despite her incredible beauty. Some say that the story of Lucretia shows that the more virtuous a woman was, the more appealing she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vestal Virgin Tuccia (Corradini Sculpture)
''The Vestal Virgin Tuccia'' ( it, La Vestale Tuccia) or ''Veiled Woman'' ( it, La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath. The work is housed in the Palazzo Barberini, Rome. Description and history Corradini's subject is Tuccia, an ancient Roman Vestal Virgin who was wrongly accused of being unchaste. She proved her innocence by miraculously carrying water in a sieve from the Tiber River to the Temple of Vesta without spilling a drop. In Corradini's depiction, she holds the sieve on her left hip. The artist began working on ''Tuccia'' shortly after he arrived in Rome from Vienna. He must have been aware of the significance of Tuccia and Vestals to the city. In antiquity, a Vestal's virginity ensured the smooth functioning of the Roman Republic. If a Vestal were sexually active, her impure s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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