Midnight At Minton's
''Midnight at Minton's'' is an album by jazz musician Don Byas, first released in 1973. It is a live recording of a 1941 jam session at Minton's Playhouse, the New York City nightclub at which the emerging style of bebop was being pioneered. It features one of the earliest known recordings of Thelonious Monk, who was then playing piano in Minton's house band. The album is taken from private recordings made by Columbia University student Jerry Newman on a portable acetate disc recorder. Newman made the recordings for "Delayed on Disc" broadcasts on college radio station WKCR — the discs were rushed back to the radio studio shortly after being cut and presented in the style of a live broadcast from the venue. In a review for AllMusic, Michael G. Nastos concludes that, "the music itself is priceless, the document of a transitional period from swing to bop, and some of the people that made it happen, especially the underappreciated genius Byas."AllMusic review/ref> Track listin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Don Byas
Carlos Wesley "Don" Byas (October 21, 1912 – August 24, 1972) was an American jazz tenor saxophonist, associated with swing and bebop. He played with Count Basie, Duke Ellington, Art Blakey, and Dizzy Gillespie, among others, and also led his own band. He lived in Europe for the last 26 years of his life. Biography Oklahoma and Los Angeles Byas was born in Muskogee, Oklahoma, United States. Both of Byas' parents were musicians. His mother played the piano, and his father, the clarinet. Byas began his musical education in the European classical tradition, learning to play violin, clarinet and alto saxophone, which he played until the end of the 1920s. Benny Carter, who played many instruments, was his idol at this time. Byas started to perform in local orchestras at the age of 17, with Bennie Moten, Terrence Holder and Walter Page. He founded and led his own college band, Don Carlos and His Collegiate Ramblers, during 1931–1932, at Langston College, Oklahoma. Byas swi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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College Radio
Campus radio (also known as college radio, university radio or student radio) is a type of radio station that is run by the students of a college, university or other educational institution. Programming may be exclusively created or produced by students, or may include program contributions from the local community in which the radio station is based. Sometimes campus radio stations are operated for the purpose of training professional radio personnel, sometimes with the aim of broadcasting educational programming, while other radio stations exist to provide alternative to commercial broadcasting or government broadcasters. Campus radio stations are generally licensed and regulated by national governments, and have very different characteristics from one country to the next. One commonality between many radio stations regardless of their physical location is a willingness—or, in some countries, even a licensing requirement—to broadcast musical selections that are not cat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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I Can't Give You Anything But Love
"I Can't Give You Anything but Love, Baby" is an American popular song and jazz standard by Jimmy McHugh (music) and Dorothy Fields (lyrics). The song was introduced by Adelaide Hall at Les Ambassadeurs Club in New York in January 1928 in Lew Leslie's ''Blackbird Revue'', which opened on Broadway later that year as the highly successful '' Blackbirds of 1928'' (518 performances), wherein it was performed by Adelaide Hall, Aida Ward, and Willard McLean. In the 100-most recorded songs from 1890 to 1954, "I Can't Give You Anything But Love, Baby" (1928) is No. 24. Background Jimmy McHugh and Dorothy Fields had written the score for a revue at Les Ambassadeurs Club on 57th Street, New York, which featured the vocalist Adelaide Hall. However, the producer Lew Leslie believed that they still missed a 'smash' tune. The team pondered for a while before finally playing Leslie "I Can't Give You Anything but Love, Baby". This was the song Leslie had been looking for and he immediately ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Johnny Green
John Waldo Green (October 10, 1908 – May 15, 1989) was an American songwriter, composer, musical arranger, conductor and pianist. He was given the nickname "Beulah" by colleague Conrad Salinger. His most famous song was one of his earliest, " Body and Soul" from the revue ''Three's a Crowd''. Green won four Academy Awards for his film scores and a fifth for producing a short musical film, and he was inducted into the Songwriters Hall of Fame in 1972. He was also honored with a star on the Hollywood Walk of Fame. Early years John Waldo Green was born in New York City, the son of musical parents Vivian Isidor Green (June 29, 1885 – January 3, 1940) and Irina Etelka Jellenik (April 12, 1885 – November 15, 1947), a.k.a. Irma (or Erma) Etelka Jellenik. Vivian and Irina wed on December 16, 1907 in Manhattan. John attended Horace Mann School and the New York Military Academy, and was accepted by Harvard at the age of 15, entering the university in 1924. His musical tuto ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Frank Eyton
Frank Eyton (30 August 1894 – 11 November 1962) was an English popular music lyricist best known for co-writing the lyrics of Johnny Green's " Body and Soul" (1930) with Edward Heyman and Robert Sour. Frank Eyton biographyat Allmusic - retrieved on 18 May 2009 Most of Eyton's work was collaborations with Noel Gay and Billy Mayerl in London-based musical theatre. With Mayerl as composer, Eyton co-wrote with Desmond Carter the lyrics for the celebrated sequence "Side by Side" from ''Over She Goes'' (filmed 1938). His most successful play was the 1948 musical farce, ''Bob's Your Uncle'', written in collaboration with Gay.Frank Eyton at ''jazzbiographies.com'' - retrieved on 18 May 2009 With Gay, Eyton wrote the popular song "All Over The Place" for the 1940 film '' [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Robert Sour
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edward Heyman
Edward Heyman (March 14, 1907October 16, 1981) was an American lyricist and producer, best known for his lyrics to " Body and Soul," "When I Fall in Love," and " For Sentimental Reasons." He also contributed to a number of songs for films. Biography Heyman studied at the University of Michigan where he had an early start on his career writing college musicals. After graduating from college, Heyman moved back to New York City where he started working with a number of experienced musicians like Victor Young ("When I Fall in Love"), Dana Suesse ("You Oughta Be in Pictures") and Johnny Green (" Body and Soul," " Out of Nowhere," "I Cover the Waterfront" and "Easy Come, Easy Go"). From 1935 to 1952, Heyman contributed songs to film scores including '' Sweet Surrender'', ''That Girl from Paris'', ''Curly Top'', '' The Kissing Bandit'', ''Delightfully Dangerous'' and ''Northwest Outpost''. Arguably Heyman's biggest hit is his lyric to " Body and Soul", written in 1930, which was often ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Body And Soul (song)
"Body and Soul" is a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. It was also used as the musical theme and underscoring in the American film noir boxing drama '' Body and Soul''. Background "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence, who introduced it to London audiences. Published in England, it was first performed in the United States by Libby Holman in the 1930 Broadway revue ''Three's a Crowd''. In Britain the orchestras of Jack Hylton and Ambrose recorded the ballad first in the same week in February 1930. In the United States, the tune grew quickly in popularity, and by the end of 1930 at least 11 American bands had recorded it. Louis Armstrong was the first jazz musician to record "Body and Soul", in October 1930, but it was Paul Whiteman and Jack Fulton who popularized it in United States. "Body and Soul" is one of the most record ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts Massachusetts (Massachusett language, Massachusett: ''Muhsachuweesut [Massachusett writing systems, məhswatʃəwiːsət],'' English: , ), officially the Commonwealth of Massachusetts, is the most populous U.S. state, state in the New England ..., United States, where he published about a dozen songs with local publishers. His first success was with the World War I song "Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dorothy Fields
Dorothy Fields (July 15, 1904 – March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), " Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and " Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters. Early life Fields was born in Allenhurst, New Jersey, and grew up in New York City. In 1923, Fields graduated from the Benjamin School for Girls in New York City. At school, she was outstanding in the subjects of English, drama, and baske ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Exactly Like You (song)
"Exactly Like You" is a popular song with music written by Jimmy McHugh and lyrics by Dorothy Fields and published in 1930. The song was introduced by Harry Richman and Gertrude Lawrence in the 1930 Broadway show ''Lew Leslie's International Revue'' which also featured McHugh and Fields's "On the Sunny Side of the Street". Other versions * Ruth Etting (1930) * Louis Armstrong (1930) * Casa Loma Orchestra (1930) * Count Basie with Jimmy Rushing on vocals * Django Reinhardt (1937) * Don Byas with Thelonious Monk (1941) * Dizzy Gillespie and Stan Getz – ''Diz and Getz'' (1953) * Erroll Garner (1954) * Bing Crosby - for his album ''Bing with a Beat'' (1957). * Aretha Franklin * Nina Simone (1959) * Sue Raney - ''Songs for a Raney Day'' (1960) *Sam Cooke - My Kind of Blues (1961) * Benny Goodman with Lionel Hampton on vocals * The Masakowski Family, ''N. O. Escape'' * Dave McKenna, ''Live at Maybeck Recital Hall Volume 2'' (1989) * Willie Nelson * Frank Sinatra * Frank Stallone - ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |