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Mezzo-soprano Saxophone
The mezzo-soprano saxophone, sometimes called the F alto saxophone, is an instrument in the saxophone family. It is in the key of F, pitched a whole tone above the alto saxophone. Its size and the sound are similar to the E alto, although the upper register sounds more like a B soprano. Very few mezzo-sopranos exist—they were only produced in 1928 and 1929 by the C.G. Conn company. They were not popular and did not sell widely, as their production coincided with the Wall Street Crash of 1929 and the Great Depression. Harsh economic conditions forced Conn to reduce the range of saxophones they produced to the most popular models. Conn used the surplus stock of mezzo-sopranos to teach instrument repair in Conn's Elkhart workshops. Typically, a Conn instructor would deliberately damage the mezzo-sopranos (e.g. dropping them onto a concrete floor) and the students would then be tasked with repairing them. The repeated wear and tear of these actions eventually destroyed the saxophon ...
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Perfect Fifth
In music theory, a perfect fifth is the Interval (music), musical interval corresponding to a pair of pitch (music), pitches with a frequency ratio of 3:2, or very nearly so. In classical music from Western culture, a fifth is the interval from the first to the last of five consecutive Musical note, notes in a diatonic scale. The perfect fifth (often abbreviated P5) spans seven semitones, while the Tritone, diminished fifth spans six and the augmented fifth spans eight semitones. For example, the interval from C to G is a perfect fifth, as the note G lies seven semitones above C. The perfect fifth may be derived from the Harmonic series (music), harmonic series as the interval between the second and third harmonics. In a diatonic scale, the dominant (music), dominant note is a perfect fifth above the tonic (music), tonic note. The perfect fifth is more consonance and dissonance, consonant, or stable, than any other interval except the unison and the octave. It occurs above the ...
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Sopranino Saxophone
The sopranino saxophone is the second-smallest member of the saxophone family. It is tuned in the key of E, and sounds an octave higher than the alto saxophone. An F sopranino (an octave above the F alto (also called mezzo-soprano) saxophone) were described in Adolphe Sax's patent, but no known examples have ever been built. The sopranino saxophone has a sweet sound and although it is one of the least common of the saxophones in regular use today, it is still being produced by several of the major musical manufacturing companies. Due to their small size, sopraninos are not usually curved like other saxophones. Orsi, however, does make curved sopranino saxophones. The original patented saxophone family, as developed by Adolphe Sax, included Eb and Bb saxophones in the voices of sopranino, soprano, alto, tenor, baritone, bass, contrabass, and subcontrabass instruments (although he never built the last), as well as the same seven in C and F though only the soprano, alto, and t ...
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Sinfonia Domestica
''Symphonia Domestica'', Op. 53, is a tone poem for large orchestra by Richard Strauss. The work is a musical reflection of the secure domestic life so valued by the composer himself and, as such, harmoniously conveys daily events and family life. History and composition In 1898, Strauss became the chief conductor of the Royal Court Opera in Berlin. It was at this point in his life that the composer took a keen interest in his own circumstances and turned his attention to his status and personal history. When he began composing the ''Symphonia Domestica'', he intended it to be the sequel to ''Ein Heldenleben'', the next installment of the autobiography of the now-successful artist. He worked on the piece during 1903, finishing it on New Year's Eve, in Charlottenburg. The piece is scored for piccolo, 3 flutes, 2 oboes, oboe d'amore, English horn, clarinet in D, 3 clarinets (2 in B, 1 in A), bass clarinet in B, 4 bassoons, contrabassoon, 4 saxophones ( soprano in C, a ...
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Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ...
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Johnathan Blake
Johnathan Blake (born July 1, 1976, in Philadelphia) is an American jazz drummer. Biography Johnathan Blake is the son of jazz violinist John Blake Jr. He started playing the drums when he was ten; He gained his first experience in his hometown in the ''Lovett Hines Youth Ensemble''. After graduating from George Washington High School, he studied jazz at William Paterson University with Rufus Reid, John Riley, Steve Wilson and Horacee Arnold. During this time he began to work as a professional musician, among other things in the Oliver Lake Big Band, with Roy Hargrove and David Sánchez. In 2006, he received the ASCAP ''Young Composers Award''; the following year he completed his studies with a master's in composition at Rutgers University (studied with Ralph Bowen, Conrad Herwig and Stanley Cowell). His first recordings were made in 1996 by Norman Simmons; Blake then worked in the Mingus Big Band in the 2000s and appeared on their Grammy-nominated albums ''Tonight at ...
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Kenny Werner
Kenny Werner (born November 19, 1951) is an American jazz pianist, composer, and author. Early life Born in Brooklyn, New York, on November 19, 1951 and then growing up in Oceanside, Long Island, Werner began playing and performing at a young age, first appearing on television at the age of 11. Although he studied classical piano as a child, he enjoyed playing anything he heard on the radio and improvisation was his true calling. In high school and his first years of college he attended the Manhattan School of Music as a classical piano major. His aptitude for improvisation led him to the Berklee College of Music in 1970, where he met and studied with his first piano/spiritual teacher, Madame Chaloff. From Boston, Werner traveled to Brazil with the saxophonist Victor Assis Brasil. There he met Assis's twin brother, Brazilian pianist Joao Assis Brasil. His studies with Joao and Madame Chaloff would lead to the writing of the book '' Effortless Mastery''. Later life and career W ...
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Joe Lovano
Joseph Salvatore Lovano (born December 29, 1952)"Joe Lovano." ''Contemporary Musicians''. Vol. 13. Farmington Hills, MI: Gale, 1994. Retrieved via ''Biography in Context'' database, May 5, 2017. is an American jazz saxophonist, alto clarinetist, flautist, and drummer. He has earned a Grammy Award and several mentions on ''Down Beat'' magazine's critics' and readers' polls. His wife, with whom he records and performs, is singer Judi Silvano. Lovano was a longtime member of drummer Paul Motian‘s trio with guitarist Bill Frisell. Biography Early life Lovano was born in Cleveland, Ohio, United States, to Sicilian-American parents; his father was the tenor saxophonist Tony ("Big T") Lovano. His father's family came from Alcara Li Fusi in Sicily, and his mother's family came from Cesarò, also in Sicily. In Cleveland, Lovano's father exposed him to jazz throughout his early life, teaching him the standards, as well as how to lead a gig, pace a set, and be versatile enough to ...
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Benjamin Koppel
Benjamin ( he, ''Bīnyāmīn''; "Son of (the) right") blue letter bible: https://www.blueletterbible.org/lexicon/h3225/kjv/wlc/0-1/ H3225 - yāmîn - Strong's Hebrew Lexicon (kjv) was the last of the two sons of Jacob and Rachel (Jacob's thirteenth child and twelfth and youngest son) in Jewish, Christian and Islamic tradition. He was also the progenitor of the Israelite Tribe of Benjamin. Unlike Rachel's first son, Joseph, Benjamin was born in Canaan according to biblical narrative. In the Samaritan Pentateuch, Benjamin's name appears as "Binyamēm" ( Samaritan Hebrew: , "son of days"). In the Quran, Benjamin is referred to as a righteous young child, who remained with Jacob when the older brothers plotted against Joseph. Later rabbinic traditions name him as one of four ancient Israelites who died without sin, the other three being Chileab, Jesse and Amram. Name The name is first mentioned in letters from King Sîn-kāšid of Uruk (1801–1771 BC), who called himself “K ...
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Jay Easton
A jay is a member of a number of species of medium-sized, usually colorful and noisy, passerine birds in the Crow family, Corvidae. The evolutionary relationships between the jays and the magpies are rather complex. For example, the Eurasian magpie seems more closely related to the Eurasian jay than to the East Asian blue and green magpies, whereas the blue jay is not closely related to either. Systematics and species Jays are not a monophyletic group. Anatomical and molecular evidence indicates they can be divided into an American and an Old World lineage (the latter including the ground jays and the piapiac), while the grey jays of the genus ''Perisoreus'' form a group of their own.http://www.nrm.se/download/18.4e32c81078a8d9249800021299/Corvidae%5B1%5D.pdf PDF fulltext The black magpies, formerly believed to be related to jays, are classified as treepies. Old World ("brown") jays Grey jays American jays In culture Slang The word ''jay'' has an archaic me ...
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Jon Irabagon
Jon Irabagon is a Filipino-American saxophonist, composer, and founder of Irabbagast Records. Winner of the 2008 Thelonious Monk Jazz Competition and one of '' Time Outs "25 essential New York City jazz icons", Irabagon is known for the breadth of his work on a jazz continuum ranging "from postbop to free improvisation, avant country to doom metal". His "extraordinary eclecticism" has led to performances with such diverse artists as Wynton Marsalis, Lou Reed, Evan Parker, Billy Joel, the Maria Schneider Orchestra, Bertha Hope, Herbie Hancock, Conor Oberst, Christian McBride, Mike Pride, Kenny Barron, Darcy James Argue's Secret Society, Bill Laswell, Peter Evans, Tyshawn Sorey, Ingrid Laubrock, Ava Mendoza, Mick Barr, and Tom Rainey. Irabagon's many projects as bandleader include a quartet with Luis Perdomo, Yasushi Nakamura, and Rudy Royston, as well as a trio with Mark Helias and Barry Altschul. He is also a member of the Mary Halvorson Quintet, Septet, and Octet; the Dave ...
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Vinny Golia
Vinny Golia (born March 1, 1946) is an American composer and multi-instrumentalist specializing in woodwind instruments. He performs in the genres of contemporary music, jazz, free jazz, and free improvisation. Career As a composer, Golia fuses the rich heritage of jazz, contemporary classical music and world music. Also a bandleader, he has presented his music to concert audiences in Europe, Canada, Mexico, Japan, Australia, New Zealand and the United States in ensembles varying dramatically in size and instrumentation. Golia has won numerous awards as a composer, including grants from the National Endowment of the Arts, the Lila Wallace Commissioning Program, the California Arts Council, Meet the Composer, Clausen Foundation of the Arts, Funds for U.S. Artists and the American Composers Forum. In 1982, he created the ongoing 50-piece Vinny Golia Large Ensemble to perform his compositions for chamber orchestra and jazz ensembles. A multi-woodwind performer, Golia's recordings ...
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James Carter (musician)
James Carter (born January 3, 1969) is an American jazz musician widely recognized for his technical virtuosity on saxophones and a variety of woodwinds. He is the cousin of noted jazz violinist Regina Carter. Biography Carter was born in Detroit, Michigan, and learned to play under the tutelage of Donald Washington, becoming a member of his youth jazz ensemble Bird-Trane-Sco-NOW!! As a young man, Carter attended Blue Lake Fine Arts Camp, becoming the youngest faculty member at the camp. He first toured Scandinavia with the International Jazz Band in 1985 at the age of 16. On May 31, 1988, at the Detroit Institute of Arts (DIA), Carter was a last-minute addition for guest artist Lester Bowie, which turned into an invitation to play with his new quintet (forerunner of his New York Organ Ensemble) in New York City that following November at the now defunct Carlos 1 jazz club. This was pivotal in Carter's career, putting him in musical contact with the world, and he moved to New Y ...
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