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Method Ringing
Method ringing (also known as scientific ringing) is a form of change ringing in which the ringers commit to memory the rules for generating each change of sequence, and pairs of bells are affected. This creates a form of bell music which is continually changing, but which cannot be discerned as a conventional melody. It is a way of sounding continually changing mathematical permutations. It is distinct from call changes, where the ringers are instructed how to generate each new change by calls from a conductor, and normally only two adjacent bells swap their position at each change. In method ringing, the ringers are guided from permutation to permutation by following the rules of a ''method.'' Ringers typically learn a particular method by studying its "blue line", a diagram which shows its structure. The underlying mathematical basis of method ringing is intimately linked to group theory. The basic building block of method ringing is plain hunt. The first method, Grandsir ...
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Change Ringing
Change ringing is the art of ringing a set of tuned bells in a tightly controlled manner to produce precise variations in their successive striking sequences, known as "changes". This can be by method ringing in which the ringers commit to memory the rules for generating each change, or by call changes, where the ringers are instructed how to generate each change by instructions from a conductor. This creates a form of bell music which cannot be discerned as a conventional melody, but is a series of mathematical sequences. Change ringing originated following the invention of English full-circle tower bell ringing in the early 17th century, when bell ringers found that swinging a bell through a much larger arc than that required for swing-chiming gave control over the time between successive strikes of the clapper. Ordinarily a bell will swing through a small arc only at a set speed governed by its size and shape in the nature of a simple pendulum, but by swinging through a larg ...
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Diatonic
Diatonic and chromatic are terms in music theory that are most often used to characterize Scale (music), scales, and are also applied to musical instruments, Interval (music), intervals, Chord (music), chords, Musical note, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the Common practice period, common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to ...
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Change Ringing
Change ringing is the art of ringing a set of tuned bells in a tightly controlled manner to produce precise variations in their successive striking sequences, known as "changes". This can be by method ringing in which the ringers commit to memory the rules for generating each change, or by call changes, where the ringers are instructed how to generate each change by instructions from a conductor. This creates a form of bell music which cannot be discerned as a conventional melody, but is a series of mathematical sequences. Change ringing originated following the invention of English full-circle tower bell ringing in the early 17th century, when bell ringers found that swinging a bell through a much larger arc than that required for swing-chiming gave control over the time between successive strikes of the clapper. Ordinarily a bell will swing through a small arc only at a set speed governed by its size and shape in the nature of a simple pendulum, but by swinging through a larg ...
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Campanology
Campanology () is the scientific and musical study of bells. It encompasses the technology of bells – how they are founded, tuned and rung – as well as the history, methods, and traditions of bellringing as an art. It is common to collect together a set of tuned bells and treat the whole as one musical instrument. Such collectionssuch as a Flemish carillon, a Russian ''zvon'', or an English "ring of bells" used for change ringinghave their own practices and challenges; and campanology is likewise the study of perfecting such instruments and composing and performing music for them. In this sense, however, the word ''campanology'' is most often used in reference to relatively large bells, often hung in a tower. It is not usually applied to assemblages of smaller bells, such as a glockenspiel, a collection of tubular bells, or an Indonesian gamelan. Etymology and definition ''Campanology'' is a hybrid word. The first half is derived from the Late Latin , meaning 'bell'; the ...
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Peal
In campanology (bell ringing), a peal is the special name given to a specific type of performance of change ringing which meets certain exacting conditions for duration, complexity and quality. The definition of a peal has changed considerably over the years and its standardisation was one of the motivating factors in the formation of the Central Council of Church Bell Ringers in 1891.Sir Arthur Percival Heywood and the Central Council of Church Bell Ringers by Chris Mew, CC President. The Ringing World 22 April 2016 Currently, for a performance to be recognised as a peal by the Central Council it must consist of sufficient numerical sequences, or "changes" (at least 5,040 changes on up to seven working bells or 5,000 changes on higher numbers), meet a number of other criteria (collectively referred to as the ''decisions''), and be published in ''The Ringing World''. On typical tower bells a peal takes around three hours to ring; the time depends on several factors including t ...
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