Mess Of Blues (Jeff Healey Album)
''Mess of Blues '' is an album by Jeff Healey. It was released in March 2008, less than two weeks after Healey's death. Four of the album's tracks were recorded live in front of audiences, two of the live tracks at the Islington Academy in London, and the other two live tracks at Jeff Healey's Roadhouse in Toronto. The other six tracks were recorded at Studio 92 in Canada by Norm Barker and Richard Uglow. The whole album features the band which normally accompanied Jeff at his club, Jeff Healey's Roadhouse. The song "Mess of Blues", which appears on the album was written by Doc Pomus and Mort Shuman and was originally recorded by Elvis Presley. Track listing # "I'm Tore Down" – 5:23 # " How Blue Can You Get" – 8:54 # "Sugar Sweet" – 3:46 # "Jambalaya (On the Bayou) "Jambalaya (On the Bayou)" is a song written and recorded by American country music singer Hank Williams that was first released in July 1952. It is Williams' most covered song. Named for a Creole and Ca ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jeff Healey
Norman Jeffrey Healey (March 25, 1966 – March 2, 2008) was a Canadian blues, rock and jazz singer, guitarist, and songwriter who attained popularity in the 1980s and 1990s. He reached No. 5 on the U.S. ''Billboard'' Hot 100 chart with " Angel Eyes" and reached the Top 10 in Canada with the songs "I Think I Love You Too Much" and "How Long Can a Man Be Strong". Early life Born in Toronto, Ontario, Canada, Healey was raised in the city's west end. He was adopted as an infant; his adoptive father was a firefighter. When he was almost one year old, Healey lost his sight due to retinoblastoma, a rare cancer of the eyes. His eyes had to be surgically removed, and he was given ocular prostheses. Early career and success Healey began playing guitar when he was three, developing his unique style of playing the instrument flat on his lap. At nine years old, his musical talents were showcased in an interview on the TVOntario children's programme ''Cucumber''. When he was 15, Healey ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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How Blue Can You Get
"How Blue Can You Get" (alternatively "Downhearted") is a blues song first recorded by Johnny Moore's Three Blazers in 1949. It is a slow 12-bar blues that jazz critic Leonard Feather and his wife, Jane Feather, are credited with writing. The song has been recorded by several blues and other artists. In 1964, it was a hit for B.B. King and became a staple of his live shows. Earlier songs In 1949, Johnny Moore with his brother, Oscar Moore, on guitars, Billy Valentine on piano and vocal, and Johnny Miller on bass recorded "How Blue Can You Get" in the West Coast blues-style. It was included on the jazz and blues compilation album ''Singin' the Blues'' (1960). Feather described the song as having "the type of intimate instrumental setting heard in so many best blues vocal performances of the 1940s". In 1951, Louis Jordan recorded the song using a big band arrangement. B.B. King versions B.B. King first recorded the song as "Downhearted", which was included on his 1963 ''Blues ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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2008 Albums
The following is a list of Album, albums, Extended play, EPs, and Mixtape, mixtapes released in 2008. These albums are (1) original, i.e. excluding Reissue, reissues, Remasters, remasters, and Compilation album, compilations of previously released recordings, and (2) WP:MUS, notable, defined as having received significant coverage from reliable sources independent of the subject. For additional information about bands formed, reformed, disbanded, or on hiatus, for deaths of musicians, and for links to musical awards, see 2008 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{DEFAULTSORT:2008 albums 2008 albums, 2008-related lists, Albums Lists of albums by release date, 2008 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shake, Rattle And Roll
"Shake, Rattle and Roll" is a song, written in 1954 by Jesse Stone (usually credited as Charles Calhoun, his songwriting name). The original recording by Big Joe Turner is ranked number 127 on the ''Rolling Stone'' magazine's list of The 500 Greatest Songs of All Time. Background In early 1954, Ahmet Ertegun of Atlantic Records suggested to Jesse Stone that he write an up-tempo blues for Big Joe Turner, a blues shouter whose career had begun in Kansas City before World War II. Stone played around with various phrases before coming up with "shake, rattle and roll".Nick Tosches, ''Unsung Heroes of Rock 'n' Roll'' (2nd ed. 1991), page 12-21. (Stone used his real name for ASCAP songs, while using the pseudonym "Charles Calhoun" for BMI-registered songs, such as "Shake, Rattle and Roll"). However, the phrase had been used in earlier songs. In 1910, vaudeville performer "Baby" Franklin Seals published "You Got to Shake, Rattle and Roll", a ragtime tune about gambling with dice ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sitting On Top Of The World
"Sitting on Top of the World" (also "Sittin' on Top of the World") is a country blues song written by Walter Vinson and Lonnie Chatmon. They were core members of the Mississippi Sheiks, who first recorded it in 1930. Vinson claimed to have composed the song one morning after playing at a white dance in Greenwood, Mississippi. It became a popular crossover hit, and was inducted into the Grammy Hall of Fame in 2008. "Sitting on Top of the World" has become a standard of traditional American music. The song has been widely recorded in a variety of different stylesfolk, blues, country, bluegrass, rockoften with considerable variations and/or additions to the original verses. The lyrics of the original song convey a stoic optimism in the face of emotional setbacks, and the song has been described as a "simple, elegant distillation of the Blues". In 2018, it was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, histor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Like A Hurricane (Neil Young Song)
"Like a Hurricane" is a song written by Neil Young in 1975 and first released on the album ''American Stars 'n Bars'' in 1977. History There is a story that Young wrote the song in July 1975 with the help of his friend and La Honda neighbor Taylor Phelps in the back of his DeSoto Suburban, during a time when Young was unable to sing because of an operation on his vocal cords. Driven by Young's trademark fierce guitars, the song became a landmark of the 'electric side' of his concerts. The song has been played on nearly every tour Young has done since its release. It has also appeared on the compilations ''Decade'' and ''Greatest Hits'' and on the live albums ''Live Rust'', '' Weld'', ''Unplugged'' (this rendition is played almost entirely on a pump organ) and ''Way Down in the Rust Bucket''. An edited version of "Like a Hurricane" was released as a single on August 8, 1977, with "Hold Back the Tears" as B-side. Composition The melody of Like a Hurricane was inspired by Del Shann ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Weight
"The Weight" is a song by the Canadian-American group the Band that was released as a single in 1968 and on the group's debut album ''Music from Big Pink''. It was their first release under this name, after their previous releases as Canadian Squires and Levon and the Hawks. Written by Band member Robbie Robertson, the song is about a visitor's experiences in a town mentioned in the lyric's first line as Nazareth. "The Weight" has significantly influenced American popular music, having been listed as No. 41 on ''Rolling Stone''s 500 Greatest Songs of All Time published in 2004. Pitchfork Media named it the 13th best song of the Sixties, and the Rock and Roll Hall of Fame named it one of the 500 Songs that Shaped Rock and Roll. PBS, which broadcast performances of the song in ''Ramble at the Ryman'' (2011), ''Austin City Limits'' (2012), and ''Quick Hits'' (2012), describes it as "a masterpiece of Biblical allusions, enigmatic lines and iconic characters" and notes its enduring ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jambalaya (On The Bayou)
"Jambalaya (On the Bayou)" is a song written and recorded by American country music singer Hank Williams that was first released in July 1952. It is Williams' most covered song. Named for a Creole and Cajun dish, jambalaya, it spawned numerous cover versions and has since achieved popularity in several different music genres. Composition Williams began writing the song while listening to the Cajuns talk about food on the Hadacol Caravan bus. With a melody based on the Cajun song "Grand Texas", some sources, including AllMusic, claim that the song was co-written by Williams and Moon Mullican, with Williams credited as sole author and Mullican receiving ongoing royalties. Williams' biographer Colin Escott speculates that it is likely Mullican wrote at least some of the song and Hank's music publisher Fred Rose paid him surreptitiously so that he wouldn't have to split the publishing with Moon's label King Records. Williams' song resembles "Grand Texas" in melody only. " ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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I'm Tore Down
"I'm Tore Down" or "Tore Down" is a blues song first recorded in 1961 by Freddie King (who was then known as "Freddy" King) for Federal Records. Pianist Sonny Thompson, who played on several early King songs, is credited as the songwriter. When Federal released it as single in 1961, with the instrumental "Sen-Sa-Shun" as the B-side, it reached number five on ''Billboard's'' Hot R&B Sides singles chart. Federal parent company King Records included the song on King's first album ''Freddy King Sings'' (1961). In 1971, King recorded a longer version for his Shelter Records album ''Getting Ready...'' Other renditions English rock musician Eric Clapton recorded "I'm Tore Down" for his 1994 blues tribute album ''From the Cradle''. For his recording, Clapton uses an arrangement close to King's original, including the falsetto vocal phrases and guitar fills. Reprise Records released a compact disc promotional single in 1994, which reached number five on ''Billboard's'' Mainstream R ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Blues Rock
Blues rock is a fusion music genre that combines elements of blues and rock music. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, and drums, sometimes with keyboards and harmonica). From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal music, heavy metal. Blues rock started with rock musicians in the United Kingdom and the United States performing American blues songs. They typically recreated electric Chicago blues songs, such as those by Willie Dixon, Muddy Waters, and Jimmy Reed, at faster tempos and with a more aggressive sound common to rock. In the UK, the style was popularized by groups such as the Rolling Stones, the Yardbirds, and the Animals, who put several blues songs into the pop charts. In the US, Lonnie Mack, the Paul Butterfield Blues B ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Elvis Presley
Elvis Aaron Presley (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the "Honorific nicknames in popular music, King of Rock and Roll", he is regarded as Cultural impact of Elvis Presley, one of the most significant cultural figures of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a civil rights movement, transformative era in race relations, led him to both great success and Cultural impact of Elvis Presley#Danger to American culture, initial controversy. Presley was born in Tupelo, Mississippi, and relocated to Memphis, Tennessee, with his family when he was 13 years old. His music career began there in 1954, recording at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on rhythm acoustic guitar, and accompanied by lead ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mort Shuman
Mortimer Shuman (12 November 1938 – 2 November 1991) was an American singer, pianist and songwriter, best known as co-writer of many 1960s rock and roll hits, including "Viva Las Vegas". He also wrote and sang many songs in French, such as "Le Lac Majeur", "Papa-Tango-Charly", "Sha Mi Sha", "Un Été de Porcelaine", and "Brooklyn by the Sea" which became hits in France. Life and career Shuman was born in Brooklyn, New York, United States, of Polish Jewish immigrants and went to Abraham Lincoln High School, subsequently studying music at the New York Conservatory. He became a fan of R&B music and after he met Doc Pomus the two teamed up to compose for Aldon Music at offices in New York City's Brill Building. Their songwriting collaboration saw Pomus write the lyrics and Shuman the melody, although occasionally each worked on both. Their compositions would be recorded by artists such as Dion, The Flamingos, Andy Williams, Bobby Darin, Fabian, Ajda Pekkan, The Drifters, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |