McPherson's Mood
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McPherson's Mood
''McPherson's Mood'' is the sixth album led by saxophonist Charles McPherson recorded in 1969 and released on the Prestige label.Fitzgerald, MCharles McPherson discography as leaderaccessed March 14, 2013 Reception Allmusic awarded the album 4 stars with its review by Alex Henderson stating, "''McPherson's Mood'' isn't the least bit innovative (by 1969 standards), but it's definitely solid and enjoyable".Henderson, AAllmusic Review accessed March 13, 2013 Track listing ''All compositions by Charles McPherson except as indicated'' # "Explorations" - 5:22 # "McPherson's Mood" - 8:12 # "Opalescence" - 5:37 # " My Cherie Amour" (Henry Cosby, Sylvia Moy, Stevie Wonder) - 8:23 # "Mish-Mash-Bash" - 6:58 # "I Get a Kick Out of You" (Cole Porter) - 6:47 Personnel * Charles McPherson - alto saxophone *Barry Harris - piano *Buster Williams - bass *Roy Brooks - drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and o ...
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Charles McPherson (musician)
Charles McPherson (born July 24, 1939) is an American jazz alto saxophonist born in Joplin, Missouri, United States, and raised in Detroit, Michigan, who worked intermittently with Charles Mingus from 1960 to 1974, and as a performer leading his own groups. McPherson also was commissioned to help record ensemble renditions of pieces from Charlie Parker, on the 1988 soundtrack for the film ''Bird (1988 film), Bird''. Discography As leader * ''Bebop Revisited!'' (Prestige Records, Prestige, 1965) * ''Con Alma!'' (Prestige, 1965) * ''The Quintet/Live!'' (Prestige, 1967) * ''From This Moment On!'' (Prestige, 1968) * ''Horizons (Charles McPherson album), Horizons'' (Prestige, 1969) * ''McPherson's Mood'' (Prestige, 1969) * ''Charles McPherson (album), Charles McPherson'' (Mainstream Records, Mainstream, 1971) * ''Siku Ya Bibi (Day of the Lady)'' (Mainstream, 1972) * ''Today's Man (album), Today's Man'' (Mainstream, 1973) * ''Beautiful!'' (Xanadu Records, Xanadu, 1975) * ''Live in Tok ...
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Stevie Wonder
Stevland Hardaway Morris ( Judkins; May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, who is credited as a pioneer and influence by musicians across a range of genres that include rhythm and blues, Pop music, pop, Soul music, soul, Gospel music, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of Contemporary R&B, R&B. He also helped drive such genres into the album era, crafting his LP record, LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Visual impairment, Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's single "Fingertips" was a No. 1 hit on the Billboard Hot 100, ''Billboard'' Hot 100 in 1963, at the age of 13, making him the List o ...
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1970 Albums
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on ...
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Charles McPherson (musician) Albums
Charles McPherson may refer to: *Charles McPherson (musician) (born 1939), jazz saxophonist :* ''Charles McPherson'' (album), recorded in 1971 * Charles Duncan McPherson (1877–1970), cabinet minister in Manitoba *Charles Robert McPherson Charles Robert McPherson (January 7, 1926 – September 22, 2020) was the senior pastor of the great Riverside Church in Denver. Early life Born in McGehee, Arkansas, McPherson is the oldest son of Dr. Charles Robert (George) McPherson and A ... (born 1926), senior pastor of the Riverside Church in Denver See also * Charles Macpherson Dobell (1869–1954), Canadian general {{hndis, McPherson, Charles ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Roy Brooks
Roy Brooks (March 9, 1938 – November 15, 2005) was an American jazz drummer. Biography Early life Brooks was born in Detroit and drummed since childhood, his earliest experiences of music coming through his mother, who sang in church. He was an outstanding varsity basketball player as a teenager and was offered a scholarship to the Detroit Institute of Technology; he attended the school for three semesters and then dropped out to tour with Yusef Lateef.Roy Brooksat Allmusic Career After time with Lateef and Barry Harris, he played with Beans Bowles and with the Four Tops in Las Vegas.Leonard Feather and Ira Gitler, ''The Biographical Encyclopedia of Jazz''. Oxford, 1999, p. 82. He played with Horace Silver from 1959 to 1964, including on the album ''Song for My Father''; in 1963 he released his first album as a leader. Following this he freelanced in New York City through the 1960s and early 1970s, playing with Lateef again (1967–70), Sonny Stitt, Lee Morgan, Dexter Gordon, ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Buster Williams
Charles Anthony "Buster" Williams (born April 17, 1942) is an American jazz bassist. Williams is known for his membership in pianist Herbie Hancock's early 1970s group, working with guitarist Larry Coryell from the 1980s to present, working in the Thelonious Monk repertory band Sphere and as the accompanist of choice for many singers, including Nancy Wilson. Biography Early life and career Williams' father, Charles Anthony Williams Sr., was a musician who played bass, drums, and piano, and had band rehearsals in the family home in Camden, New Jersey, exposing Williams to jazz at an early age. Williams was particularly inspired to focus on bass after hearing his father's record of '' Star Dust'', performed by Oscar Pettiford, and started playing in his early teens. He had his first professional gig while he was still a junior high school student, filling in for Charles Sr., who had double booked himself one evening. Williams later spent his days practicing with Sam Dockery, w ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Barry Harris
Barry Doyle Harris (December 15, 1929 – December 8, 2021) was an American jazz pianist, bandleader, composer, arranger, and educator. He was an exponent of the bebop style. Life and career Harris was born in Detroit, Michigan, on December 15, 1929, to Melvin Harris and Bessie as the fourth of their five children. Harris took piano lessons from his mother at the age of four. His mother, a church pianist, asked him if he was interested in playing church music or jazz. Having picked the latter, he was influenced by Thelonious Monk and Bud Powell. In his teens, he learned bebop largely by ear, imitating solos by Powell. He described Powell's style as being the "epitome" of jazz. He performed for dances in clubs and ballrooms. He was based in Detroit through the 1950s and worked with Miles Davis, Sonny Stitt, and Thad Jones, and substituted for Junior Mance in the Gene Ammons band. In 1956, he toured briefly with Max Roach, after Richie Powell, the band's pianist and younger brot ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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