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McKenzie And Condon's Chicagoans
McKenzie and Condon's Chicagoans was an American jazz band from Chicago, led by banjo player Eddie Condon and sponsored by singer and comb player Red McKenzie. Their four recordings in December 1927 were important influences on early Chicago style jazz. The group got together in 1962 for a reunion, to record the album ''Chicago and All That Jazz''. Pee Wee Russell replaced Frank Teschemacher, who had died in 1932, on the clarinet, and Bob Haggart filled in for the retired bassist Jim Lanigan. Trombonist Jack Teagarden joined the group for the sessions. Recordings Personnel * Eddie Condon – banjo *Bud Freeman – tenor saxophone *Gene Krupa – drums * Jim Lanigan – bass *Jimmy McPartland – cornet *Mezz Mezzrow – cymbals *Frank Teschemacher – clarinet *Joe Sullivan – piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Nichols
Ernest Loring "Red" Nichols (May 8, 1905 – June 28, 1965) was an American jazz cornetist, composer, and jazz bandleader. Biography Early life and career Nichols was born in Ogden, Utah, United States. His father was a college music professor, and Nichols was something of a child prodigy, playing difficult set pieces for his father's brass band by the age of 12. Young Nichols heard the early recordings of the Original Dixieland Jass Band, Original Dixieland Jazz Band and later those of Bix Beiderbecke, and these had a strong influence on him. His style became polished, clean, and incisive. In the early 1920s, Nichols moved to the Midwest and joined a band called the Syncopating Seven. When that band broke up, he joined the Johnny Johnson Orchestra and went with it to New York City in 1923. In New York, he met trombonist Miff Mole, and the two were inseparable for the next decade. Before signing with Brunswick, Nichols and Mole recorded for Perfect Records, Pathé-Perfect un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Krupa
Eugene Bertram Krupa (January 15, 1909 – October 16, 1973), known as Gene Krupa, was an American jazz drummer, bandleader and composer who performed with energy and showmanship. His drum solo on Benny Goodman's 1937 recording of "Sing, Sing, Sing" elevated the role of the drummer from an accompanist to an important solo voice in the band. In collaboration with the Slingerland drum and Zildjian cymbal manufacturers, he was a major force in defining the standard band drummer's kit. Krupa is considered "the founding father of the modern drumset" by ''Modern Drummer'' magazine. Early life The youngest of Anna (née Oslowski) and Bartłomiej Krupa's nine children, Gene Krupa was born in Chicago, Illinois, United States. Bartłomiej was an immigrant from Poland born in the village of Łęki Górne, southeastern Poland. Anna was born in Shamokin, Pennsylvania, and was also of Polish descent. His parents were Roman Catholics who groomed him for the priesthood. He spent his grammar s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Freeman
Lawrence "Bud" Freeman (April 13, 1906 – March 15, 1991) was an American jazz musician, bandleader, and composer, known mainly for playing tenor saxophone, but also the clarinet. Biography In 1922, Freeman and some friends from high school formed the Austin High School Gang. Freeman played the C melody saxophone with band members such as Jimmy McPartland and Frank Teschemacher. before switching to tenor saxophone two years later. The band was influenced by the New Orleans Rhythm Kings and Louis Armstrong. While Armstrong was in King Oliver's Creole Jazz Band, Freeman attended performances at Lincoln Gardens with McPartland. They were nicknamed "Alligators". In 1927, he moved to New York City, where he worked as a session musician and band member with Red Nichols, Roger Wolfe Kahn, Ben Pollack, and Joe Venuti. One of his most notable performances was a solo on Eddie Condon's 1933 recording, ''The Eel'', which became Freeman's nickname for his long snake-like improvisation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elmer Schoebel
Elmer Schoebel (September 8, 1896 – December 14, 1970) was an American jazz pianist, composer, and arranger. Early life He was born in East St. Louis, Illinois, United States. Career Schoebel played along to silent films in Champaign, Illinois early in his career. After moving on to vaudeville late in the 1910s, he played with the 20th Century Jazz Band in Chicago in 1920. In 1922-23 he was a member of the New Orleans Rhythm Kings, then led his own band, known variously as the Midway Gardens Orchestra, the Original Memphis Melody Boys and the Chicago Blues Dance Orchestra, before joining Isham Jones in 1925. After returning to Chicago he played with Louis Panico and Art Kassel, and arranged for the Melrose Publishing House. In the 1930s, Schoebel wrote and arranged, working as the chief arranger for the Warner Brothers publishing division. From the 1940s onward he did some performing with Conrad Janis, Blue Steele's Rhythm Rebels (1958), and with his own ensembles in St. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Erdman
Ernie is a masculine given name, frequently a short form (hypocorism) of Ernest, Ernald, Ernesto, or Verner. It may refer to: People * Ernie Accorsi (born 1941), American football executive * Ernie Adams (other) * Ernie Afaganis (born c. 1933), Canadian sports announcer * Ernie Althoff (born 1950), Australian musician and composer * Ernie Anastos (born 1943), American television journalist * Ernie Anderson (1923–1997), American radio and television announcer * Ernie Ashcroft (1925–1985), English rugby league footballer * Ernie Ball (1930–2004), American guitarist and businessman * Ernie Banks (1931–2015), American baseball player * Ernie Barbarash, American film producer * Ernie Barnes (1938–2009), American football player and painter * Ernie Blenkinsop (1902–1969), English footballer * Ernie Boch Jr. (born 1958), American billionaire businessman * Ernie Bond (other) * Ernie Bridge (1936–2013), Australian politician * Ernie Broglio (1935–2019), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nobody's Sweetheart
"Nobody's Sweetheart", also known as "Nobody's Sweetheart Now" and "You're Nobody's Sweetheart Now", is a popular music, popular song, written in 1924 in music, 1924, with music by Billy Meyers and Elmer Schoebel, and lyrics by Gus Kahn and Ernie Erdman. The song is a jazz and pop standard. Background The song was introduced by Ted Lewis (musician), Ted Lewis in the Broadway revue The Passing Show of 1923. The song was duly published in 1924 by Mills Music in New York by Jack Mills. It was first recorded on February 22, 1924 by Isham Jones and his Orchestra and released on Brunswick Records as a 78 single. Joel Whitburn assessed the early popular recordings of the song as being by Isham Jones (1924); Red Nichols (1928); Paul Whiteman (1930); Cab Calloway (1931); and by The Mills Brothers (1931). The song was used as the theme for the ''Joan Davis Time'' program on old-time radio. Other recordings The song is a jazz and pop standard recorded by the following musicians: *Louisiana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liza (All The Clouds'll Roll Away)
Liza (All the Clouds'll Roll Away)" is a song composed by George Gershwin with lyrics by Ira Gershwin and Gus Kahn. It was introduced in 1929 by Ruby Keeler (as Dixie Dugan) in Florenz Ziegfeld's musical ''Show Girl''. The stage performances were accompanied by the Duke Ellington Orchestra. On the show's opening night in Boston on June 25, 1929, Keeler's husband and popular singer Al Jolson suddenly stood up from his seat in the third row and sang a chorus of the song, much to the surprise of the audience and Gershwin himself. Jolson recorded the song a few days later on July 6, 1929, and his rendition rose to number nine on the charts of the day. Other notable recordings A popular jazz standard, the song has been recorded by: * Ipana Troubadors, vocal by Smith Ballew, recorded July 9, 1929 for Columbia Records (catalog No. 1903D). * Leo Reisman and His Orchestra, recorded July 9, 1929 for Victor Records (catalog No. 22069A). *Fletcher Henderson and His Orchestra - recorded on Sep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
