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McIntyre, Treadmore And Davitt
''McIntyre, Treadmore and Davitt'' was released in 1991 by British rock band Half Man Half Biscuit as their third original album (their preceding album having been a compilation). It was the first album released after the band had reformed in 1990. The title and album sleeve picture are both taken from a ''Ripping Yarns'' episode entitled "Golden Gordon".Henderson, Dave (1991) "Half Man Half Biscuit - McIntyre, Treadmore And Davitt", '' Q'', December 1991 Critical reception *Stewart Mason, ''AllMusic'': " en though the songs are both slower and longer, that cosmetic change only gave singer/songwriter Nigel Blackwell a broader canvas for his increasingly complex, multi-layered lyrics." *Danny Scott, ''Select'': "Once wicked wits of the North, HMHB have become rock's sad, old game-show hosts – same suit, same kitsch catchphrase. Only 'Prag Vec At The Melt Vet 'sic'' and Christian Rock Concert' show the bristling sarcasm of yore." Track listing # "Outbreak of Vitas Gerula ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Who's Afraid Of Virginia Woolf
''Who's Afraid of Virginia Woolf?'' is a play by Edward Albee first staged in October 1962. It examines the complexities of the marriage of a middle-aged couple, Martha and George. Late one evening, after a university faculty party, they receive an unwitting younger couple, Nick and Honey, as guests, and draw them into their bitter and frustrated relationship. The play is in three acts, normally taking a little less than three hours to perform, with two 10-minute intermissions. The title is a pun on the song "Who's Afraid of the Big Bad Wolf?" from Walt Disney's ''Three Little Pigs'' (1933), substituting the name of the celebrated English author Virginia Woolf. Martha and George repeatedly sing this version of the song throughout the play. ''Who's Afraid of Virginia Woolf?'' won both the 1963 Tony Award for Best Play and the 1962–63 New York Drama Critics' Circle Award for Best Play. It is frequently revived on the modern stage. The film adaptation was released in 1966, writt ...
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Johnny Kwango
John Lagey (20 April 1920 – 19 January 1994), better known by his ring name Johnny Kwango, was an English Professional wrestling, professional wrestler. He was frequently seen on ITV (TV channel), ITV's coverage of Professional wrestling in the United Kingdom, British Wrestling. Early life Lagey was a ballet dancer in Les Ballets Nègres, the first all-black dance company in Europe. His mother was a Strongman (strength athlete), strongwoman in a Germany, German circus, and may have been possibly Europe's first female professional wrestler. Professional wrestling career Kwango wrestled from the late 1940s to the 1980s, and was famous for his Professional wrestling attacks#Headbutt, head-butt moves. He achieved fame in Great Britain, Britain through televised matches on ITV (TV network), ITV, but also enjoyed popularity in Europe, the Middle East, and Africa. He also worked as a referee during the 1980s. Personal life Lagey was an accomplished drummer and pianist, playing in ...
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Conny Plank
Konrad "Conny" Plank (3 May 1940 – 5 December 1987) was a German record producer and musician. He is known for his innovative work as a sound engineer and producer in Germany's krautrock and kosmische music scene in the 1970s. Plank was involved in releases by Neu!, Kraftwerk, Cluster, Harmonia, Ash Ra Tempel, Guru Guru, Kraan, and other German groups of the era. He later produced for new wave acts such as D.A.F., Eurythmics, and Ultravox. As a billed performer, Plank also formed the group Moebius & Plank, releasing 5 studio albums between 1979 and 1986. Style and influence Plank and the bands he worked with in West Germany had a strong influence on mainstream rock artists, some of whom were able to popularize aspects of his production technique and his distinctive approach. In the 1980s, electronic pop bands were able to realize his ideas in performance as computerized electronic instruments became readily available. Plank (who began his career as soundman for Marlene D ...
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Opportunity Knocks (UK TV Series)
''Opportunity Knocks'' is a British television and radio talent show originally hosted by Hughie Green, with a late-1980s revival hosted by Bob Monkhouse, and later by previous winner Les Dawson. From its origin on BBC Radio in 1949 the show provided a platform to fame for acts such as Spike Milligan and Frankie Vaughan. One of the most popular shows on British television, in the 1960s and 1970s it had a weekly audience of 20 million viewers. The original radio version started on the BBC Light Programme, where it ran from 18 February to 29 September 1949, but moved to Radio Luxembourg in the 1950s. It was shown on ITV from 20 June 1956 to 29 August 1956, produced by Associated Rediffusion. A second run commenced on 11 July 1964 and lasted until 20 March 1978, produced first by ABC and then by Thames. During this period Bob Sharples was musical director.Bob Sharples obituary, ''The Guardian'', 9 September 1987 p. 34 Green presented a single episode of ''Opportunity Knocks'' for ...
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Tony Monopoly
Tony Monopoly (3 December 1944 – 21 March 1995) was an Australian-born cabaret singer and actor who enjoyed success in the United Kingdom. Born Antonio Rosario Monopoli in Adelaide, he was a regular on the national radio show, ''Kangaroos on Parade'' at the age of nine as a boy soprano. At the age of sixteen he became a Carmelite friar and remained in the order for five years. During the 1960s he regularly performed with Edwin Duff and Norm Erskine, as a trio of singers, on ''In Melbourne Tonight'' and '' Tonight with Don Lane''. In 1975 he was appearing at Caesar's Palace in Luton when he auditioned for '' Opportunity Knocks'', a British television talent show, for a run of six appearances. In June 1976, his self-titled album peaked at No. 25 in the UK Albums Chart. In a national pre-selection to choose the song that would go to the Eurovision Song Contest, held on 9 March 1977 at the New London Theatre, Monopoly earned 66 points and placed ninth with the tune "Leave a ...
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Meadowlark Lemon
Meadow Lemon III (April 25, 1932 – December 27, 2015),"Meadowlark Lemon: The Clown Prince Of Basketball (1932-2015)."
''www.meadowlarklemon.org.'' Retrieved May 8, 2017.
known professionally as Meadowlark Lemon, was an American player, actor, and minister (ordained in 1986). Beginning in 1994, he ran Meadowlark Lemon Ministries in

Enterprise Allowance Scheme
The Enterprise Allowance Scheme was an initiative set up by Margaret Thatcher's Conservative UK government which gave a guaranteed income of £40 per week to unemployed people who set up their own business. It was first announced on 13 November 1981, and piloted between January 1982 and July 1983, funding 3,331 individuals. Introduced nationwide in 1983 against a background of mass unemployment in Britain, it went on to fund 325,000 people, including Creation Records head Alan McGee; Superdry founder Julian Dunkerton; artist Tracey Emin and the founders of Viz magazine. Anyone wishing to claim money under the scheme was required to fund the first £1000 out of their own funds, and also to produce a basic business plan. Proponents of the scheme believed that it would have a great impact on unemployment, and support entrepreneurship. Critics pointed to figures which suggested that one in six of the start-up businesses failed in the first year, and said that it had no significant ...
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Yellow Submarine (song)
"Yellow Submarine" is a song by the English rock band the Beatles from their 1966 album ''Revolver''. It was also issued on a double A-side single, paired with "Eleanor Rigby". Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. The single went to number one on charts in the United Kingdom and several other European countries, and in Australia, Canada and New Zealand. It won an Ivor Novello Award for the highest certified sales of any single written by a British songwriter and issued in the UK in 1966. In the US, the song peaked at number two on the ''Billboard'' Hot 100 chart. The Beatles recorded "Yellow Submarine" during a period characterised by experimentation in the recording studio. After taping the basic track and vocals in late May 1966, they held a session to overdub nautical sound effects, party ambience and chorus singing, recalling producer George Martin's previous work with members of the Goons. As ...
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The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ...
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Emerson Lake And Palmer
Emerson, Lake & Palmer (informally known as ELP) were an English progressive rock supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards), Greg Lake (vocals, bass, guitar, producer) and Carl Palmer (drums, percussion). With nine RIAA-certified gold record albums in the US, and an estimated 48 million records sold worldwide, they are one of the most popular and commercially successful progressive rock groups of the 1970s, with a musical sound including adaptations of classical music with jazz and symphonic rock elements, dominated by Emerson's flamboyant use of the Hammond organ, Moog synthesizer, and piano (although Lake wrote several acoustic songs for the group).Lake says almost dismissively, "It used to be a thing where as a balance to the record I would write an acoustic song." Lake's ballads, the least typical aspect of ELP's music, often garnered the band their greatest airplay and widest public exposure. The band came to prominence followi ...
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Tarkus
''Tarkus'' is the second studio album by English progressive rock band Emerson, Lake & Palmer, released in June 1971 on Island Records and on Cotillion Records (Atlantic) in August in the U.S. Following their 1970 European tour, the group returned to Advision Studios in London, in January 1971, to prepare material for a follow-up. Side one has the seven-part "Tarkus", with a collection of shorter tracks on side two. ''Tarkus'' went to number one in the UK Albums Chart, peaked at number 9 in the US, and reached number 12 in Canada on two occasions totalling 4 weeks. Background and recording After their debut live gigs in August 1970, the band toured across the UK and Europe for the rest of the year, during which their debut album, ''Emerson, Lake & Palmer'', was released. While on tour, Emerson found that he and Palmer were exploring more complex rhythmic ideas. He took patterns that Palmer was playing on his practise drum pads and found that they complemented runs that he ha ...
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