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Mbira DzeNharira
Mbira DzeNharira was formed by Tendayi Gahamadze in 1987 in Norton, a town 40 km west of Harare. To date they have released 11 CD and 3 DVD albums. Background Mbira dzeNharira revolutionized the sound of mbira by electrifying and rearranging the instruments into bass baritone, rhythm and lead mbira. The ancient 22 key mbira dzavadzimu was a three octave instrument with the keys on the right standing for lead keys, on the upper left is the rhythm section, and on the bottom left is the bass section. This made it possible for one mbira player to be able to perform solo at ceremonies and gatherings, and sometimes it could be two or three players rotating on those three octaves. Mbira DzeNharira decided to increase the number of octave to six using four mbiras on the mbira dzavadzimu. Complex rhythms were born and mbira music took a more vibrant and multi rhythmic style which completely changed the sound. The current members of the group who have been together for eleven year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira DzeNharira
Mbira DzeNharira was formed by Tendayi Gahamadze in 1987 in Norton, a town 40 km west of Harare. To date they have released 11 CD and 3 DVD albums. Background Mbira dzeNharira revolutionized the sound of mbira by electrifying and rearranging the instruments into bass baritone, rhythm and lead mbira. The ancient 22 key mbira dzavadzimu was a three octave instrument with the keys on the right standing for lead keys, on the upper left is the rhythm section, and on the bottom left is the bass section. This made it possible for one mbira player to be able to perform solo at ceremonies and gatherings, and sometimes it could be two or three players rotating on those three octaves. Mbira DzeNharira decided to increase the number of octave to six using four mbiras on the mbira dzavadzimu. Complex rhythms were born and mbira music took a more vibrant and multi rhythmic style which completely changed the sound. The current members of the group who have been together for eleven year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tendayi Gahamadze
Tendayi ''(Samaita)'' Gahamadze (born July 3, 1959) is a Zimbabwean artist and songwriter. Background Tendayi Gahamadze was born at his parents' farm in Musengezi and went to Mkwasha Primary School. He went to Moleli for secondary education. In 1979, he left for the United Kingdom where he did his A levels. In 1982, he studied metallurgy in Germany. Career background Tendayi Gahamadze was a member of a school choir and learned to play instruments when he was in the UK. He was fascinated by the sound of Mbira but did not expect to play the instrument. Whilst in Germany at a seminar in Essen, he and his fellow Zimbabwean students had no option but to sing Ishe Komborera Africa in contrast with the Congolese and Latin American students who played their Rhumba and Salsa music respectively. On returning to Zimbabwe, he was told that it had been prophesied that he would be a prominent mbira player. Being 30, he brushed it aside and wondered how he would learn to play this instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norton, Zimbabwe
Norton is a commuter town in the province of Mashonaland West, Zimbabwe near Harare. It is located about 40 km west of Harare on the main road and railway line connecting Harare and Bulawayo. Demographics According to the 1982 Population Census, the town had a population of 12,360. This rose to 20,405 in the 1992 census 44,054 in the 2002 census,Zimbabwe Ministry of Environment and Tourism: 3rd National Report of the NAP "Process in the Context of the UNCCD", 2004. and 67,591 in the 2012 census. History The settlement began in 1914 when a railway siding was built. The town was named after the Norton family who were farming in the area since the 1890s and were killed in the First ''Chimurenga'' in 1896. The town grew as an administrative and commercial hub in a rich agricultural area. It later developed into a key industrial centre due to its proximity to water and power supplies, with a main intake point from the Lake Kariba hydroelectric dam to the national grid locate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira Dzavadzimu
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A modern interpretation of the instrument, the kalimba, was commercially pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (instrument)
A bass ( /beɪs/) musical instrument produces tones in the low-pitched range C4- C2. Basses belong to different families of instruments and can cover a wide range of musical roles. Since producing low pitches usually requires a long air column or string, the string and wind bass instruments are usually the largest instruments in their families or instrument classes. As seen in the musical instrument classification article, categorizing instruments can be difficult. For example, some instruments fall into more than one category. The cello is considered a tenor instrument in some orchestral settings, but in a string quartet it is the bass instrument. Examples grouped by general form and playing technique include: * Plucked string instruments, primary bass guitar and to a lesser extent acoustic bass guitar and even less often, folk instruments like contrabass guitar, guitarrón mexicano, tololoche, bass banjo or bass balalaika, instruments shaped, constructed and held (or worn) like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A modern interpretation of the instrument, the kalimba, was commercially pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takawira Devera
Takawira is a Zimbabwean surname that may refer to *Bernard Takawira (1948–1997), Zimbabwean sculptor, brother of John * Gerald Takawira (1964–2004), Zimbabwean sculptor, son of John *John Takawira (1938–1989), Zimbabwean sculptor, father of John *Leopold Takawira (1916–1970), Vice-President of the Zimbabwe African National Union *Vitalis Takawira Vitalis "Digital" Takawira (born September 24, 1972 in Salisbury) is a retired Zimbabwean football player. He has played forward and attacking midfield professionally in Zimbabwe, Switzerland and the United States, as well as for the Zimbabwe n ... (born 1972), Zimbabwean football player See also * Takawira Rural District Council in Zimbabwe {{Surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tendai (Netombo) Kazuru
, also known as the Tendai Lotus School (天台法華宗 ''Tendai hokke shū,'' sometimes just "''hokke shū''") is a Mahāyāna Buddhist tradition (with significant esoteric elements) officially established in Japan in 806 by the Japanese monk Saichō ( posthumously known as Dengyō Daishi). The Tendai school, which has been based on Mount Hiei since its inception, rose to prominence during the Heian period (794-1185). It gradually eclipsed the powerful ''Hossō'' school and competed with the rival Shingon school to become the most influential sect at the Imperial court. By the Kamakura period (1185-1333), Tendai had become one of the dominant forms of Japanese Buddhism, with numerous temples and vast landholdings. During the Kamakura period, various monks left Tendai (seeing it as corrupt) to establish their own "new" or "Kamakura" Buddhist schools such as Jōdo-shū, Nichiren-shū and Sōtō Zen. The destruction of the head temple of Enryaku-ji by Oda Nobunaga in 1571, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hosho (instrument)
The hosho are Zimbabwean musical instruments consisting of a pair of maranka (mapudzi) gourds with seeds. They are used as major instruments in many traditional Shona music genres, such as in ''mbira'' ensembles and in ''mhande''. They typically contain hota (''Canna indica'') seeds inside them. Before the hota seeds are added, the hosho is boiled in salted water and the inside is scraped out with a corncob, newspaper plug, or woven wire. Removing the debris inside the hosho allows for a more sharp and percussive tone. The hosho are used to accompany Shona music, especially mbira music. Hosho plays several key roles in Zimbabwean music. Oliver Mtukudzi insists that it’s what keeps musicians on the same page. Hosho doesn't add thickness to mbira performance all due to its dense sound quality. It is also a good start in learning Mbira. This is because it helps beginners to observe patterns and learn from mbira masters by looking over their shoulders. Moreover, hosho has acted as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
