Maynard Ferguson Plays Jazz For Dancing
''Maynard Ferguson Plays Jazz for Dancing'' is an album released by Canadian jazz trumpeter Maynard Ferguson featuring tracks recorded in early 1959 and originally released on the Roulette label.Minn, MMaynard Ferguson discography accessed October 30, 2015 Reception Allmusic awarded the album 3 stars and states "Ferguson and his excellent orchestra purposely play it safe, performing pleasing but unadventurous music that is not as exciting as their more jazz-oriented sessions of the era". Track listing # "Hey There" ( Jerry Ross, Richard Adler) – 2:58 # "Where's Teddy" (Maynard Ferguson, Willie Maiden) – 2:37 # " If I Should Lose You" (Ralph Rainger, Leo Robin) – 3:35 # " I'll Be Seeing You" ( Sammy Fain, Irving Kahal) – 2:25 # " 'Tis Autumn" (Henry Nemo) – 3:07 # " Secret Love" (Fain, Paul Francis Webster) – 2:22 # "I'm Beginning to See the Light" ( Duke Ellington, Don George, Harry James, Johnny Hodges) – 2:38 # "It Might as Well Be Spring" ( Richard Rodgers, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Maynard Ferguson
Walter Maynard Ferguson CM (May 4, 1928 – August 23, 2006) was a Canadian jazz trumpeter and bandleader. He came to prominence in Stan Kenton's orchestra before forming his own big band in 1957. He was noted for his bands, which often served as stepping stones for up-and-coming talent, his versatility on several instruments, and his ability to play in a high register. Biography Early life and education Ferguson was born in Verdun (now part of Montreal), Quebec, Canada. Encouraged by his mother and father (both musicians), he started playing piano and violin at the age of four. At nine years old, he heard a cornet for the first time in his local church and asked his parents to buy one for him. When he was thirteen, he soloed with the Canadian Broadcasting Corporation Orchestra. He was heard frequently on the CBC, notably featured on a "Serenade for Trumpet in Jazz" written for him by Morris Davis. He won a scholarship to the Conservatoire de musique du Québec à Montréal whe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Henry Nemo
Henry Nemo (June 8, 1909 – November 26, 1999) was a musician, songwriter, and actor in Hollywood films who had a reputation as a hipster. Band leading In 1941, Nemo formed his own 19-piece band. The group featured four Chinese women as singers. Playing on his nickname, "The Neme," the band's slogan was "Hit the Beam with the Neme." Musical compositions Nemo's first hit composition was "I Let a Song Go Out of My Heart." He also composed the song standards "Don't Take Your Love From Me" and " 'Tis Autumn", both published in 1941. He also composed the incidental music and lyrics for the 1959 Broadway production of Saul Levitt's play ''The Andersonville Trial'' directed by José Ferrer and starring George C. Scott. Nemo worked with Frank Sinatra, Duke Ellington, Mildred Bailey, Tommy Dorsey. Artie Shaw recorded his song "Don't Take Your Love from Me" in 1941 with a band of mostly African-American musicians accompanying African-American vocalist Lena Horne. During his seven-decade ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chick Webb
William Henry "Chick" Webb (February 10, 1905 – June 16, 1939) was an American jazz and swing music drummer and band leader. Early life Webb was born in Baltimore, Maryland, to William H. and Marie Webb. The year of his birth is disputed. The ''Encyclopædia Britannica'' and Allmusic indicate 1905, and this seems to be supported by census information. Other publications claim other years. During Webb's lifetime, a December 1937 ''DownBeat'' magazine article, "The Rise of a Crippled Genius", stated he was born in 1909, which is the year that appears on his grave marker. In 1939, ''The New York Times'' stated that Webb was born in 1907, the year also suggested in ''Rhythm on Record'' by Hilton Schleman. Webb was one of four children; the other three were sisters (Bessie, Mabel, and Ethel). His sister Mabel married Wilbur Porter around 1928. When an infant, Webb fell down some stairsteps in his family's home, crushing several vertebrae and requiring surgery, from which he nev ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edgar Sampson
Edgar is a commonly used English given name, from an Anglo-Saxon name ''Eadgar'' (composed of '' ead'' "rich, prosperous" and ''gar'' "spear"). Like most Anglo-Saxon names, it fell out of use by the later medieval period; it was, however, revived in the 18th century, and was popularised by its use for a character in Sir Walter Scott's ''The Bride of Lammermoor'' (1819). People with the given name * Edgar the Peaceful (942–975), king of England * Edgar the Ætheling (c. 1051 – c. 1126), last member of the Anglo-Saxon royal house of England * Edgar of Scotland (1074–1107), king of Scotland * Edgar Angara, Filipino lawyer * Edgar Barrier, American actor * Edgar Baumann, Paraguayan javelin thrower * Edgar Bergen, American actor, radio performer, ventriloquist * Edgar Berlanga, American boxer * Edgar H. Brown, American mathematician * Edgar Buchanan, American actor * Edgar Rice Burroughs, American author, creator of ''Tarzan'' * Edgar Cantero, Spanish author in Catalan, Sp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stompin' At The Savoy
"Stompin' at the Savoy" is a 1933 jazz standard composed by Edgar Sampson. It is named after the famed Harlem nightspot the Savoy Ballroom in New York City. History and composition Although the song is credited to Benny Goodman, Chick Webb, Edgar Sampson, and Andy Razaf, it was written and arranged by Sampson, Rex Stewart's alto saxophonist. Sampson wrote the song when he was with Stewart's orchestra at the Empire Ballroom in 1933. It was used as the band's theme song until the band broke up, after which Sampson joined Webb's band, taking the song with him. Both Webb and Goodman recorded it as an instrumental, Goodman's being the bigger hit. Lyrics were added by lyricist Andy Razaf. Goodman's 1936 version is written in 32-bar song form with four 8-bar phrases arranged AABA. The A sections use a Db6, Ab9, Db6, Ddim, Ebm7, Ab7, Db, Db chord sequence. The B section phrases use a Gb9/G9, Gb9, B13/F#m6, B13, E9/F9, E9, A13, Ab13 chord sequence. The tempo is medium fast. Chick Webb’ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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It Might As Well Be Spring
"It Might as Well Be Spring" is a song from the 1945 film ''State Fair''. which features the only original film score by the songwriting team of Richard Rodgers and Oscar Hammerstein II. "It Might as Well Be Spring" won the Academy Award for Best Original Song for that year. Composition/ As a showtune The song is sung early in the film by Margy the teenage daughter of the State Fair-bound Frake family, who is feeling the symptoms of spring fever. Oscar Hammerstein, the lyricist for the Rodgers & Hammerstein team, mentioned to Richard Rodgers that although state fairs were held in summer or autumn, for Margy – flushed by the stirrings of womanhood – "it might as well be spring". Rodgers immediately advised Hammerstein that the latter had just named the song. An early version of the composition exists with an alternate melody. Music historian Todd Purdum described the alternate version in 2018: Rodgers envisioned "It Might as Well Be Spring" as a cheery uptempo number, it bei ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harry James
Harry Haag James (March 15, 1916 – July 5, 1983) was an American musician who is best known as a trumpet-playing band leader who led a big band from 1939 to 1946. He broke up his band for a short period in 1947 but shortly after he reorganized and was active again with his band from then until his death in 1983. He was especially known among musicians for his technical proficiency as well as his Tone (musical instrument), tone, and was influential on new trumpet players from the late 1930s into the 1940s. He was also an actor in a number of films that usually featured his band. Early life Harry James was born in Albany, Georgia, United States, the son of Everett Robert James, a bandleader in a traveling circus, the Mighty Haag Circus, and Myrtle Maybelle (Stewart), an acrobat and horseback rider. He started performing with the circus at an early age, first as a contortionist at age of four, then playing the snare drum in the band from about the age of six. It was at this age ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Don George
Don R. George (August 27, 1909 – 1987) was an American lyricist of popular music. His songs include " The Yellow Rose of Texas" " I Ain't Got Nothin' But the Blues" (1937), "I'm Beginning to See the Light" (1944) and " Everything but You" (1945). George has also written lyrics for film songs. He was a personal friend and occasional lyricist of jazz composer Duke Ellington Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based ..., whom he followed closely from 1943 until Ellington's death in 1974. It was with Ellington that he wrote many of hist best-known songs. George wrote a 1981 biography of Ellington titled ''Sweet Man: The Real Duke Ellington''. Notes External links * {{DEFAULTSORT:George, Don American lyricists 1909 births 1987 deaths ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |