Max Reger Works
Max Reger was a German composer of the late-Romantic period. His works are initially listed by Opus number (Op.), followed by works without Op. number (WoO). Other features shown are translation of titles, key, scoring, year of composition, genre, information about texts and their authors, a link to the Max-Reger-Institute, which provides detailed information about times of composition, performance and publishing, and a link to the free score when available. History Reger was a German composer, born in Brand in 1873. He studied music theory in Sondershausen, then piano and theory, in Wiesbaden. The first compositions to which he assigned opus numbers were chamber music and ''Lieder''. A pianist himself, he composed works for both piano and organ. Reger returned to his parental home in 1898, where he composed his first work for choir and orchestra, ' (Hymn to singing), Op. 21. He moved to Munich in 1901. In 1907 he was appointed musical director at the Leipzig University and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, as a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Brand, Kingdom of Bavaria, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic fa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Georg II Of Saxe-Meiningen
Georg II, Duke of Saxe-Meiningen (2 April 1826 – 25 June 1914), was the penultimate Duke of Saxe-Meiningen, reigning from 1866 to 1914. For his support for his successful court theatre he was also known as the ''Theaterherzog'' (theatre duke). Family and early life Georg was the only son of Bernhard II, Duke of Saxe-Meiningen and his wife Princess Marie Frederica of Hesse-Kassel. His birth on 2 April 1826 was met with great relief as the succession to the duchy was in jeopardy due to a lack of male heirs in the family. Georg remained an only child for seventeen years, until the birth of his sister Princess Augusta in 1843.Koller, p. 30. Georg spent his first few years under the supervision of his parents and grandmother the Dowager Duchess Luise Eleonore. It was the latter who instilled upon Georg the patriotic virtues of his heritage, as well as the sense of duty needed to rule a duchy. In 1862, his only sister married Prince Moritz of Saxe-Altenburg, a younger son of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Friedrich Rückert
Friedrich Rückert (16 May 1788 – 31 January 1866) was a German poet, translator, and professor of Oriental languages. Biography Rückert was born in Schweinfurt and was the eldest son of a lawyer. He was educated at the local '' Gymnasium'' and at the universities of Würzburg and Heidelberg. From 1816 to 1817, he worked on the editorial staff of the ''Morgenblatt'' at Stuttgart. Nearly the whole of the year 1818 he spent in Rome, and afterwards he lived for several years at Coburg (1820–1826). Rückert married Luise Wiethaus-Fischer there in 1821. He was appointed a professor of Oriental languages at the University of Erlangen in 1826, and, in 1841, he was called to a similar position in Berlin, where he was also made a privy councillor. In 1849 he resigned his professorship at Berlin, and went to live full-time in his ''Gut'' (estate) at Neuses (now a part of Coburg). When Rückert began his literary career, Germany was engaged in her life-and-death struggle with Napole ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Detlev Von Liliencron
Baron Detlev von Liliencron born Friedrich Adolf Axel Detlev Liliencron (3 June 1844 in 22 July 1909) was a German lyric poet and novelist from . Biography Liliencron was the son of Louis (Ludwig) von Liliencron and Adeline von Harten. He entered the Prussian army and took part in the campaigns of 1866 and 1870–71 ([...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Christian Friedrich Hebbel
Christian Friedrich Hebbel (18 March 1813 – 13 December 1863) was a German poet and dramatist. Biography Hebbel was born at Wesselburen in Dithmarschen, Holstein, the son of a bricklayer. He was educated at the ''Gelehrtenschule des Johanneums'', a grammar school in Hamburg, Germany. Despite his humble origins, he showed a talent for poetry, resulting in the publication in the ''Hamburg Modezeitung'', of verses which he had sent to Amalie Schoppe (1791–1858), a popular journalist and author of nursery tales. Through her patronage, he was able to go to the University of Hamburg. A year later he went to Heidelberg University to study law, but gave it up and went on to the University of Munich, where he devoted himself to philosophy, history and literature. In 1839, Hebbel left Munich and walked all the way back to Hamburg, where he resumed his friendship with Elise Lensing, whose self-sacrificing assistance had helped him over the darkest days in Munich. In the same year he ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Joseph Freiherr Von Eichendorff
Joseph Freiherr von Eichendorff (10 March 178826 November 1857) was a German poet, novelist, playwright, literary critic, translator, and anthologist. Eichendorff was one of the major writers and critics of Romanticism.Cf. J. A. Cuddon: ''The Penguin Dictionary of Literary Terms and Literary Theory'', revised by C. E. Preston. London 1999, p. 770. Ever since their publication and up to the present day, some of his works have been very popular in Germany. Eichendorff first became famous for his 1826 novella ''Aus dem Leben eines Taugenichts'' (freely translated: ''Memoirs of a Good-for-Nothing'') and his poems. The ''Memoirs of a Good-for-Nothing'' is a typical Romantic novella whose main themes are wanderlust and love. The protagonist, the son of a miller, rejects his father's trade and becomes a gardener at a Viennese palace where he subsequently falls in love with the local duke's daughter. As, with his lowly status, she is unattainable for him, he escapes to Italy – o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Otto Julius Bierbaum
Otto Julius Bierbaum (28 June 1865 – 1 February 1910) was a German writer. Bierbaum was born in Grünberg, Silesia. After studying in Leipzig, he became a journalist and editor for the journals ''Die freie Bühne'', ''Pan'' and '' Die Insel''. His literary work was varied. As a poet he used forms like the ''Minnesang'' or the folksong and the Anacreontics style. In 1897 Bierbaum published his novel ''Stilpe'' which inspired Ernst von Wolzogen to establish, in 1901, the first cabaret venue ever in Berlin, the ''Überbrettl'' . His novel ''Zäpfel Kerns Abenteuer'' was an adaptation of Carlo Collodi's ''Pinocchio''. Bierbaum's final novel, ''Yankeedoodlefahrt'', was published in 1909 and is the source of the winged words "''Humor ist, wenn man trotzdem lacht''" ("Humor is when you laugh anyway"), which has become a proverb in modern German. Bierbaum died at Kötzschenbroda near Dresden. Works * ''Erlebte Gedichte'' (1892) ** "Traum durch die Dämmerung" * ''Die Schlangendam ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Requiem (Reger)
Max Reger's 1915 ''Requiem'' (or the ''Hebbel Requiem''), , is a late Romantic setting of Friedrich Hebbel's poem "Requiem" for alto or baritone solo, chorus and orchestra. It is Reger's last completed work for chorus and orchestra, dedicated in the autograph as ' (To the memory of the German heroes who fell in the 1914/15 War). Reger had composed ''Requiem'' settings before: his 1912 motet for male chorus, published as the final part of his , uses the same poem, and in 1914 he set out to compose a choral work in memory of the victims of the Great War. The setting is of the Latin Requiem, the Catholic service for the dead, but the work remained a fragment and was eventually designated the ' ( Latin Requiem), . The ''Hebbel Requiem'' was published by N. Simrock in 1916, after the composer's death, with another choral composition, ' (''The Hermit''), , to a poem by Joseph von Eichendorff. That publication was titled ' (Two songs for mixed chorus with orchestra), . Rege ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Requiem
A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is usually celebrated in the context of a funeral (where in some countries it is often called a Funeral Mass). Musical settings of the propers of the Requiem Mass are also called Requiems, and the term has subsequently been applied to other musical compositions associated with death, dying, and mourning, even when they lack religious or liturgical relevance. The term is also used for similar ceremonies outside the Roman Catholic Church, especially in Western Rite Orthodox Christianity, the Anglo-Catholic tradition of Anglicanism, and in certain Lutheran churches. A comparable service, with a wholly different ritual form and texts, exists in the Eastern Orthodox and Eastern Catholic church ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
World War I
World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fighting occurring throughout Europe, the Middle East, Africa, the Pacific, and parts of Asia. An estimated 9 million soldiers were killed in combat, plus another 23 million wounded, while 5 million civilians died as a result of military action, hunger, and disease. Millions more died in genocides within the Ottoman Empire and in the 1918 influenza pandemic, which was exacerbated by the movement of combatants during the war. Prior to 1914, the European great powers were divided between the Triple Entente (comprising France, Russia, and Britain) and the Triple Alliance (containing Germany, Austria-Hungary, and Italy). Tensions in the Balkans came to a head on 28 June 1914, following the assassination of Archduke Franz Ferdin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Isle Of The Dead (painting)
''Isle of the Dead'' (german: Die Toteninsel) is the best-known painting of Swiss Symbolist artist Arnold Böcklin (1827–1901). Prints were very popular in central Europe in the early 20th century—Vladimir Nabokov observed in his 1936 novel '' Despair'' that they could be "found in every Berlin home". Böcklin produced several different versions of the painting between 1880 and 1901, which today are exhibited in Basel, New York City, Berlin and Leipzig. Description and meaning All versions of ''Isle of the Dead'' depict a desolate and rocky islet seen across an expanse of dark water. A small rowing boat is just arriving at a water gate and seawall on shore. An oarsman maneuvers the boat from the stern. In the bow, facing the gate, is a standing figure clad entirely in white. Just ahead of the figure is a white, festooned object commonly interpreted as a coffin. The tiny islet is dominated by a dense grove of tall, dark cypress trees—associated by long-standing tr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |