Max Miller (jazz Musician)
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Max Miller (jazz Musician)
Edward Maxwell Miller (November 17, 1911 – November 13, 1985) was an American jazz pianist and vibraphone player. He had a forty year career that peaked in the 1940s and '50s. Many of his compositions use extended chord harmonies, polyphony, and polytonality and were influenced by Stravinsky, Bartók, and Hindemith. Early career Miller was born in East Chicago, Indiana. At an early age he learned banjo and played it in the high school band. At sixteen he joined the Musicians Union and began to play professionally. In 1927 he switched to guitar, performing mostly dixieland with bands in Indiana and Michigan. He moved to Chicago in the early 1930s and worked as a drummer and string bassist. At this time he started experimenting with the vibraphone. He worked with bands around Chicago, playing guitar, piano, and vibes, including with pianist Frank Melrose and drummer Dave Tough. He went on tour as a guitarist and vibraphonist for the Vincent Lopez Orchestra with Betty Hutton ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of six, he started to perform w ...
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Chubby Jackson
Greig Stewart "Chubby" Jackson (October 25, 1918 – October 1, 2003) was an American jazz double-bassist and band leader. Biography Born in New York City, Jackson began at the age of seventeen as a clarinetist, but quickly changed to bass in the mid-1930s. Jackson performed and/or recorded with Louis Armstrong, Raymond Scott, Jan Savitt, Henry Busse, Charlie Barnet, Oscar Pettiford, Charlie Ventura, Lionel Hampton, Bill Harris, Woody Herman, Gerry Mulligan, Lennie Tristano and others. He is perhaps best known for his spirited work both with the Herman bands, and as a leader of his own bands, big and small. In the 1950s, Jackson worked as a studio musician, freelanced, and hosted some local children's TV shows: ''Chubby Jackson's Little Rascals'', which was seen weekday mornings on WABC TV Ch. 7 in New York from March 23, 1959, to July 14, 1961, and ''The Chubby Jackson Show'', Saturday afternoons also on WABC TV Ch.7, from July 22, 1961, to August 5, 1961. Jackson hosted his ...
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DownBeat
' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm which it covered exclusively in previous years. The publication was established in 1934 in Chicago, Illinois. It is named after the " downbeat" in music, also called "beat one", or the first beat of a musical measure. ''DownBeat'' publishes results of annual surveys of both its readers and critics in a variety of categories. The ''DownBeat'' Jazz Hall of Fame includes winners from both the readers' and critics' poll. The results of the readers' poll are published in the December issue, those of the critics' poll in the August issue. Popular features of ''DownBeat'' magazine include its "Reviews" section where jazz critics, using a '1-Star to 5-Star' maximum rating system, rate the latest musical recordings, vintage recordings, and books; articles on individual musicians and music forms; and its famous "Blindfold Test" column, in ...
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Sid Catlett
Sidney "Big Sid" Catlett (January 17, 1910 – March 25, 1951) was an American jazz drummer. Catlett was one of the most versatile drummers of his era, adapting with the changing music scene as bebop emerged. Early life Catlett was born in Evansville, Indiana, United States, and at an early age he was instructed in the rudiments of piano and drums, under the tutelage of a music teacher hired by his mother. When he and his family relocated to Chicago, Catlett received his first drum kit, and immersed himself in the diverse styles and techniques of Zutty Singleton, Warren "Baby" Dodds, and Jimmy Bertrand, among others. Later life and career In 1928, Catlett began playing with violinist and clarinet player Darnell Howard, before joining pianist Sammy Stewart's Orchestra in New York City, and making appearances at the Savoy Ballroom. After performing for several lesser established musical acts, Catlett began recording and performing with multiple musicians including Benny Carter, ...
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Bill Harris (musician)
Willard Palmer Harris (October 28, 1916 – August 21, 1973) was an American jazz trombonist. Biography Harris was born in Philadelphia, Pennsylvania, United States. Early in his career, Harris performed with Benny Goodman, Charlie Barnet, and Eddie Condon. He is remembered for his broad, thick tone and quick vibrato, that remained for the duration of each tone. He joined Woody Herman's First Herd in 1944. He was also in the Four Brothers Second Herd during the late 1940s, and he worked with Herman again in the 1950s. He then teamed up with Charlie Ventura and later with Chubby Jackson. Together with Flip Phillips, he became a stalwart of Benny Goodman's group in 1959, although it has been said that Goodman was frequently irritated at Harris because of Harris' indifferent approach to "sight-reading," the skill of playing previously unseen written music with fluency, an ability which Goodman and trumpeter Harry James both possessed. As an improviser, Harris seemed comfortabl ...
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MCA Records
MCA Records was an American record label owned by MCA Inc., which later became part of Universal Music Group. Pre-history MCA Inc., a powerful talent agency and a television production company, entered the recorded music business in 1962 with the purchase of the New York-based US Decca Records (established in 1934), including Coral Records and Brunswick Records. MCA was forced to exit the talent agency business in order to complete the merger. As American Decca owned Universal Pictures, MCA assumed full ownership of Universal and made it into a top film studio, producing several hits. In 1966, MCA formed Uni Records and in 1967, purchased Kapp Records which was placed under Uni Records management. History The early years In 1937, the owner of Decca, E. R. Lewis, chose to split off the UK Decca company from the US company (keeping his US Decca holdings), fearing the financial damage that would arise for UK Companies if the emerging hostilities of Nazi Germany should lead t ...
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Remo (company)
Remo Inc. is an American musical instruments manufacturing company based in Valencia, California, and founded by Remo Belli in 1957. Products manufactured include drum kits, drumheads, drums, and hardware. History Drummer and founder Remo D. Belli experimented with PET film as a possible material for the production of drumheads after World War II due to its consistency in tonal qualities and resistance to weather changes. Throughout the 1960s, it was a fight to gain market acceptance, as purist jazzmen preferred the sound of natural calfskin. However, these calfskin drumheads had to be frequently tuned with weather fluctuations. Remo Belli created convenience for professional drummers when he pioneered the use of Mylar, a synthetic polyester film for drumheads. Originally, the drumheads were white and opaque to help mimic the look of calfskin. Later innovations were clear drumheads, two-ply drumheads (for added durability and depth), and simulated natural drumheads with a ...
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George Barnes (musician)
George Warren Barnes (July 17, 1921Ross, Sa"Form B: Interview With George Barnes. 10 May 1939".''Jazz Music Chicago.'' Chicago, Illinois. Library of Congress. Retrieved 7 July 2022.– September 5, 1977) was an American swing jazz guitarist. He was also a conductor and arranger of music, and became the youngest ever for NBC when he was hired by them in that role at the age of seventeen. At this age he was considered a great player by many musicians including Tommy Dorsey, and Jimmy McPartland. Barnes also later became a recording engineer. During his career Barnes recorded with singers Mel Tormé, Ella Fitzgerald, Frank Sinatra, Bing Crosby, Patti Page, Dinah Washington, Lena Horne, Billy Eckstine and Johnny Mathis among many others.Yelin, Bob. "George Barnes Interview". ''Guitar Player,'' February 1975. Retrieved 6 July 2022. He was an inspiration and influence to the musician Roy Clark and guitarists Herb Ellis and Merle Travis, among others. Biography Barnes was born in South ...
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Jimmy McPartland
James Dugald "Jimmy" McPartland (March 15, 1907 – March 13, 1991) was an American cornetist. He worked with Eddie Condon, Art Hodes, Gene Krupa, Benny Goodman, Jack Teagarden, and Tommy Dorsey, often leading his own bands. He was married to pianist Marian McPartland. Music career Austin High School Gang McPartland was born in Chicago, Illinois. His father was a music teacher and baseball player. He and his siblings for some time lived in orphanages. After being removed from one orphanage for fighting, he got in further trouble with the law. He credited music with turning him around; he started violin at age five, and took up the cornet at age 15. McPartland was a member of the Austin High School Gang, with Bud Freeman (tenor sax), Frank Teschemacher (clarinet), his brother Dick McPartland (banjo/guitar), brother-in-law Jim Lanigan (bass, tuba and violin), Joe Sullivan (piano), and Dave Tough (drums) in the 1920s. They were inspired by the recordings they heard at the loca ...
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Bud Freeman
Lawrence "Bud" Freeman (April 13, 1906 – March 15, 1991) was an American jazz musician, bandleader, and composer, known mainly for playing tenor saxophone, but also the clarinet. Biography In 1922, Freeman and some friends from high school formed the Austin High School Gang. Freeman played the C melody saxophone with band members such as Jimmy McPartland and Frank Teschemacher. before switching to tenor saxophone two years later. The band was influenced by the New Orleans Rhythm Kings and Louis Armstrong. While Armstrong was in King Oliver's Creole Jazz Band, Freeman attended performances at Lincoln Gardens with McPartland. They were nicknamed "Alligators". In 1927, he moved to New York City, where he worked as a session musician and band member with Red Nichols, Roger Wolfe Kahn, Ben Pollack, and Joe Venuti. One of his most notable performances was a solo on Eddie Condon's 1933 recording, ''The Eel'', which became Freeman's nickname for his long snake-like improvisation ...
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Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ...
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