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Maugis D'Aigremont
Maugris or Maugis was one of the heroes of the ''chansons de geste'' and romances of chivalry and the Matter of France that tell of the legendary court of King Charlemagne. Maugis was cousin to Renaud de Montauban and his brothers, son of Beuves of Aygremont and brother to Vivien de Monbranc. He was brought up by Oriande the fairy, and became a great enchanter. He won the magical horse Bayard and the sword Froberge which he later gave to Renaud. French texts The oldest extant version of the story of Maugris was the anonymous Old French ''chanson de geste'' ''Quatre Fils Aymon'' dating from the late 12th century. It tells the tale of the four sons of Duke Aymon (Renaud de Montauban, Guichard, Allard and Richardet), their magical horse Bayard, and their adventures and revolt against the emperor Charlemagne. From the 13th century on, other texts concerning Maugris were created; together with the original, these are grouped as the "Renaud de Montauban cycle". These poems are: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maugis On His Horse Bayard, Fighting Against The Infidels
Maugris or Maugis was one of the heroes of the ''chansons de geste'' and romances of chivalry and the Matter of France that tell of the legendary court of King Charlemagne. Maugis was cousin to Renaud de Montauban and his brothers, son of Beuves of Aygremont and brother to Vivien de Monbranc. He was brought up by Oriande the fairy, and became a great enchanter. He won the magical horse Bayard and the sword Froberge which he later gave to Renaud. French texts The oldest extant version of the story of Maugris was the anonymous Old French ''chanson de geste'' ''Quatre Fils Aymon'' dating from the late 12th century. It tells the tale of the four sons of Duke Aymon (Renaud de Montauban, Guichard, Allard and Richardet), their magical horse Bayard, and their adventures and revolt against the emperor Charlemagne. From the 13th century on, other texts concerning Maugris were created; together with the original, these are grouped as the "Renaud de Montauban cycle". These poems are: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Characters In Orlando Innamorato And Orlando Furioso
Character or Characters may refer to: Arts, entertainment, and media Literature * ''Character'' (novel), a 1936 Dutch novel by Ferdinand Bordewijk * ''Characters'' (Theophrastus), a classical Greek set of character sketches attributed to Theophrastus Music * ''Characters'' (John Abercrombie album), 1977 * ''Character'' (Dark Tranquillity album), 2005 * ''Character'' (Julia Kent album), 2013 * ''Character'' (Rachael Sage album), 2020 * ''Characters'' (Stevie Wonder album), 1987 Types of entity * Character (arts), an agent within a work of art, including literature, drama, cinema, opera, etc. * Character sketch or character, a literary description of a character type * Game character (other), various types of characters in a video game or role playing game ** Player character, as above but who is controlled or whose actions are directly chosen by a player ** Non-player character, as above but not player-controlled, frequently abbreviated as NPC Other uses in art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fictional Characters Introduced In The 12th Century
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Ariosto
Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal position of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Furioso
''Orlando furioso'' (; ''The Frenzy of Orlando'', more loosely ''Raging Roland'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. ''Orlando furioso'' is a continuation of Matteo Maria Boiardo's unfinished romance ''Orlando innamorato'' (''Orlando in Love'', published posthumously in 1495). In its historical setting and characters, it shares some features with the Old French ''Chanson de Roland'' of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French (and subsequently English) as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Sarace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Maria Boiardo
Matteo Maria Boiardo (, ; 144019/20 December 1494) was an Italian Renaissance poet, best known for his epic poem ''Orlando innamorato''. Early life Boiardo was born in 1440, Letteratura.it at or near, (today's province of ); the son of Giovanni di Feltrino and Lucia Strozzi, he was of noble lineage, ranking as Count of Scandiano, with seignorial power over Arceto, |
Orlando Innamorato
''Orlando Innamorato'' (; known in English as "''Orlando in Love''"; in Italian titled "''Orlando innamorato''" as the " I" is never capitalized) is an epic poem written by the Italian Renaissance author Matteo Maria Boiardo. The poem is a romance concerning the heroic knight Orlando (Roland). It was published between 1483 (first two books) and 1495 (third book published separately, first complete edition). Composition and publication To material largely quarried from the Carolingian and Arthurian cycles, Boiardo added a superstructure of his own making. As the plot is not woven around a single pivotal action, the inextricable maze of most cunningly contrived episodes are seen to be linked, first, with the quest of beautiful Angelica by love-smitten Orlando and the other enamored knights, then with the defense of Albracca by Angelica's father, the King of Cathay, against the beleaguering Tartars, and, finally, with the Moors' siege of Paris and their struggle with Charlemagne's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Pulci
Luigi Pulci (; 15 August 1432 – 11 November 1484) was an Italian diplomat and poet best known for his ''Morgante'', an epic and parodistic poem about a giant who is converted to Christianity by Orlando and follows the knight in many adventures. Pulci was born in Florence. His patrons were the Medicis, especially Lucrezia and Lorenzo Medici, who often sent Pulci on diplomatic missions. Even so, sometime around 1470 Pulci needed more money and went into the service of Roberto Sanseverino d'Aragona, a northern ''condottiere''. In 1478 (after the assassination of Lorenzo's brother Giuliano during the Pazzi Conspiracy), Pulci, riding on the coattails of the city's current anti-clericalism, wrote a poem dedicated to Lucrezia Tornabuoni that fulminated against Pope Sixtus IV's Rome. His brother Luca Pulci (1431–1470) was also a writer. His brother Luca's works, all in the Italian language, include ''Pistole'', ''Driadeo d'amore'', and ''Cyriffo Calvaneo''. ''Morgante'' The poe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morgante
''Morgante'' (sometimes also called , the name given to the complete 28-canto, 30,080-line edition published in 1483See Lèbano's introduction to the Tusiani translation, p. xxii.) is an Italian romantic epic by Luigi Pulci which appeared in its final form in 1483; a now-lost 23 canto version likely appeared in late 1478; two other 23 canto versions were published in 1481 and 1482. The work was commissioned by Lucrezia Tornabuoni. Based on popular Matter of France material, the poem tells the story of Orlando and Renaud de Montauban (in Italian, ''Renaldo'' or ''Rinaldo''), the most famous of Charlemagne's paladins, in a frequently burlesque fashion. The title character is a giant who becomes Orlando's loyal follower after the knight stops him from attacking the monastery of Chiaromonte and converts him to Christianity. After many strange adventures, Morgante is killed by a bite from a crab. Other characters include Morgante's friend, the gluttonous Margutte who dies in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatre Fils Aymon
''The Four Sons of Aymon'' (french: esQuatre fils Aymon, nl, De Vier Heemskinderen, german: Die Vier Haimonskinder), sometimes also referred to as ''Renaud de Montauban'' (after its main character) is a medieval tale spun around the four sons of Duke Aymon: the knight Renaud de Montauban (also spelled ''Renaut'', ''Renault'', it, Rinaldo di Montalbano, nl, Reinout van Montalbaen), his brothers Guichard, Allard and Richardet, their magical horse Bayard ( it, Baiardo), their adventures and revolt against the emperor Charlemagne. The story had a European success and echoes of the story are still found today in certain folklore traditions. Medieval and Renaissance texts French versions The oldest extant version of the tale is an anonymous Old French ''chanson de geste'', ''Quatre Fils Aymon'', which dates from the late 12th century and comprises 18,489 alexandrine (12-syllable) verses grouped in assonanced and rhymed laisses (the first 12,120 verses use assonance; critics suggest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
