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Mattei Sarcophagus I
The sarcophagus with hunting scenes, known as Mattei I, is an ancient Roman sarcophagus of the 3rd century, displayed at the palazzo Mattei in Rome. It is 1.31m high. Description From the age of Caracalla onwards, carved sarcophagus production shows a kind of reaction to the "pittoricism" of examples from the preceding era (late 2nd-early 3rd century), such as the Portonaccio sarcophagus), with a return to richer plasticity, as is also documented in Roman portraiture between 215 and 250. Hugely influenced by their use in the Eastern Empire and the Middle East, hunting scenes in Roman art had started to become popular in Hadrianic art and the popularity of their use on sarcophagi spread thanks to Caracalla's predilection for Alexander the Great and his hunts (the Mattei example is one of the earliest with such scenes). In the Roman world it acquired a new meaning as a signifier of military values, as shown by the ''Virtus-Roma'' figure in Amazonian dress standing behind the mounte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roma (mythology)
In ancient Roman religion, Roma was a female deity who personified the city of Rome and more broadly, the Roman state. She was created and promoted to represent and propagate certain of Rome's ideas about itself, and to justify its rule. She was portrayed on coins, sculptures, architectural designs, and at official games and festivals. Images of Roma had elements in common with other goddesses, such as Rome's Minerva, her Greek equivalent Athena and various manifestations of Greek Tyches, who protected Greek city-states; among these, Roma stands dominant, over piled weapons that represent her conquests, and promising protection to the obedient. Her "Amazonian" iconography shows her "manly virtue" (virtus) as fierce mother of a warrior race, augmenting rather than replacing local goddesses. On some coinage of the Roman Imperial era, she is shown as a serene advisor, partner and protector of ruling emperors. In Rome, the Emperor Hadrian built and dedicated a gigantic temple to her a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
3rd-century Roman Sculptures
The 3rd century was the period from 201 ( CCI) to 300 (CCC) Anno Domini (AD) or Common Era (CE) in the Julian calendar.. In this century, the Roman Empire saw a crisis, starting with the assassination of the Roman Emperor Severus Alexander in 235, plunging the empire into a period of economic troubles, barbarian incursions, political upheavals, civil wars, and the split of the Roman Empire through the Gallic Empire in the west and the Palmyrene Empire in the east, which all together threatened to destroy the Roman Empire in its entirety, but the reconquests of the seceded territories by Emperor Aurelian and the stabilization period under Emperor Diocletian due to the administrative strengthening of the empire caused an end to the crisis by 284. This crisis would also mark the beginning of Late Antiquity. In Persia, the Parthian Empire was succeeded by the Sassanid Empire in 224 after Ardashir I defeated and killed Artabanus V during the Battle of Hormozdgan. The Sassani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranuccio Bianchi Bandinelli
Ranuccio Bianchi Bandinelli (19 February 1900 – 17 January 1975) was an Italian archaeologist and art historian. Biography Bianchi Bandinelli was born in Siena to Mario Bianchi Bandinelli (1859–1930) and Margherita Ottilie "Lily" von Korn (Bianchi Bandinelli, 1878–1905), who were descended from ancient aristocracy in Siena. His early research focused on the Etruscan centers close to his family lands, Clusium (1925) and Suana (1929). Disgusted with Italian fascism, despite being the man who showed Hitler around Rome under Mussolini, he converted to communism after World War II and became a Marxist. He founded a magazine, ''Società'', together with Cesare Luporini and Romano Bilenchi in 1945. As an anti-fascist, he was appointed to a number of important art-historical positions immediately after the war. For example, he was director of the new government's fine arts and antiquities ministry (Antichità e Belle Arti, 1945–48). His memoir of fascism in Italy was published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Ludovisi Sarcophagus
The Ludovisi Battle sarcophagus or "Great" Ludovisi sarcophagus is an ancient Roman sarcophagus dating to around AD 250–260, found in 1621 in the Vigna Bernusconi, a tomb near the Porta Tiburtina. It is also known as the Via Tiburtina Sarcophagus, though other sarcophagi have been found there. It is known for its densely populated, anti- classical composition of "writhing and highly emotive"Fred S. Kleiner, ''A History of Roman Art'' (Wadsworth, 2007, 2010, enhanced ed.), p. 272. Romans and Goths, and is an example of the battle scenes favored in Roman art during the Crisis of the Third Century. Discovered in 1621 and named for its first modern owner, Ludovico Ludovisi, the sarcophagus is now displayed at the Palazzo Altemps in Rome, part of the National Museum of Rome as of 1901. The sarcophagus is a late outlier in a group of about twenty-five late Roman battle sarcophagi, the others all apparently dating to 170–210, made in Rome or in some cases Athens. These derive from H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dioscuri
Castor; grc, Κάστωρ, Kástōr, beaver. and Pollux. (or Polydeukes). are twin half-brothers in Greek mythology, Greek and Roman mythology, known together as the Dioscuri.; grc, Διόσκουροι, Dióskouroi, sons of Zeus, links=no, from ''Dîos'' ('Zeus') and ''Kouroi, koûroi'' ('boys'). Their mother was Leda (mythology), Leda, but they had different fathers; Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus, who raped Leda in the guise of a swan. The pair are thus an example of heteropaternal superfecundation. Though accounts of their birth are varied, they are sometimes said to have been born from an egg, along with their twin sisters Helen of Troy and Clytemnestra. In Latin the twins are also known as the Gemini (literally "twins") or Castores, as well as the Tyndaridae or Tyndarids.. Pollux asked Zeus to let him share his own immortality with his twin to keep them together, and they were transformed into the con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Caracalla
The best known portrait of Caracalla is that held at the Vatican Museums and of which several copies are known. Judging by the large number of copies and comparison with medieval copies, the type was first created on his assuming full responsibility for the empire after his murder of Geta in 212. He is shown with an unusual twist in the neck towards the left and an accentuation of psychological character, inspired by Hellenistic prototypes but with added Roman feeling. The bust on which the head rests is 18th-century, but probably similar to the original. It inspired Michelangelo in his portrait of ''Brutus'' at the Bargello museum in Florence. Bibliography * Ranuccio Bianchi Bandinelli Ranuccio Bianchi Bandinelli (19 February 1900 – 17 January 1975) was an Italian archaeologist and art historian. Biography Bianchi Bandinelli was born in Siena to Mario Bianchi Bandinelli (1859–1930) and Margherita Ottilie "Lily" von Korn ... and Mario Torelli, ''L'arte dell'antichi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtus (deity)
In Roman mythology, Virtus () was the deity of bravery and military strength, the personification of the Roman virtue of virtus. The Greek equivalent deity was Arete. The deity was identified with the Roman god Honos (personification of honour) and was often honoured together with him, such as in the Temple of Virtus and Honos at the Porta Capena in Rome. The deity was represented in a variety of ways, for example, on the coins of Tetricus, they could appear as a matron, an old man, or a young man, with a javelin, battle helmet, or only clothed in a cape. Within the realm of funerary reliefs Virtus is never shown without a male companion. Often their presence within this realm of art is to compliment and provide assistance to the protagonist of the relief during a scene of intense masculinity or bravery. Modern era In the United States in 1776, Virtus was made the central figure in the Seal of Virginia and the subsequent state flag, which features the seal. The Virginia four ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Sarcophagus
In the burial practices of ancient Rome and Roman funerary art, marble and limestone sarcophagi elaborately carved in relief were characteristic of elite inhumation burials from the 2nd to the 4th centuries AD. At least 10,000 Roman sarcophagi have survived, with fragments possibly representing as many as 20,000. Although mythological scenes have been quite widely studied, sarcophagus relief has been called the "richest single source of Roman iconography," and may also depict the deceased's occupation or life course, military scenes, and other subject matter. The same workshops produced sarcophagi with Jewish or Christian imagery. Early Christian sarcophagi produced from the late 3rd century onwards, represent the earliest form of large Christian sculpture, and are important for the study of Early Christian art. They were mostly made in a few major cities, including Rome and Athens, which exported them to other cities. Elsewhere the stela gravestone remained more common. They ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander The Great
Alexander III of Macedon ( grc, wikt:Ἀλέξανδρος, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the Ancient Greece, ancient Greek kingdom of Macedonia (ancient kingdom), Macedon. He succeeded his father Philip II of Macedon, Philip II to the throne in 336 BC at the age of 20, and spent most of his ruling years conducting a lengthy military campaign throughout Western Asia and ancient Egypt, Egypt. By the age of thirty, he had created one of the List of largest empires, largest empires in history, stretching from Greece to northwestern Historical India, India. He was undefeated in battle and is widely considered to be one of history's greatest and most successful military commanders. Until the age of 16, Alexander was tutored by Aristotle. In 335 BC, shortly after his assumption of kingship over Macedon, he Alexander's Balkan campaign, campaigned in the Balkans and reasserted control ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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